Download Orgies of Feeling: Melodrama and the Politics of Freedom, by Elisabeth Robin Anker
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Orgies of Feeling: Melodrama and the Politics of Freedom, by Elisabeth Robin Anker
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Melodrama is not just a film or literary genre but a powerful political discourse that galvanizes national sentiment to legitimate state violence. Finding virtue in national suffering and heroism in sovereign action, melodramatic political discourses cast war and surveillance as moral imperatives for eradicating villainy and upholding freedom. In Orgies of Feeling, Elisabeth R. Anker boldly reframes political theories of sovereignty, freedom, and power by analyzing the work of melodrama and affect in contemporary politics. Arguing that melodrama animates desires for unconstrained power, Anker examines melodramatic discourses in the War on Terror, neoliberal politics, anticommunist rhetoric, Hollywood film, and post-Marxist critical theory. Building on Friedrich Nietzsche's notion of "orgies of feeling," in which overwhelming emotions displace commonplace experiences of vulnerability and powerlessness onto a dramatic story of injured freedom, Anker contends that the recent upsurge in melodrama in the United States is an indication of public discontent. Yet the discontent that melodrama reflects is ultimately an expression of the public's inability to overcome systemic exploitation and inequality rather than an alarmist response to inflated threats to the nation.
- Sales Rank: #218377 in Books
- Published on: 2014-08-05
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .80" w x 6.10" l, .0 pounds
- Binding: Paperback
- 352 pages
Review
"Anyone who thinks that melodrama is inherently politically progressive is advised to read this book, the first to systematically apply the role of the American melodramatic mode to the political of American heroic sovereignty. Perhaps the boldest part of Elisabeth R. Anker's thesis is not simply the general argument of Americans often cast their politics into narratives of victimization and vengeance, but the historical argument that a new kind of melodrama has emerged 'with a vengeance' after the end of the Cold War and especially after 9/11. I am in awe of this book's boldness and acuity." (Linda Williams, author of On The Wire 2014-01-27)
"Anyone who thinks that melodrama is inherently politically progressive is advised to read this book, the first to systematically apply the role of the American melodramatic mode to the politics of American heroic sovereignty. Perhaps the boldest part of Elisabeth R. Anker's thesis is not simply the general argument that Americans often cast their politics into narratives of victimization and vengeance, but the historical argument that a new kind of melodrama has emerged 'with a vengeance' after the end of the Cold War and especially after 9/11. I am in awe at this book's boldness and acuity."
(Linda Williams, author of On The Wire 2014-03-06)
"Story tokens lodged in the cultural unconscious provide containers within which difficult events are grasped, grievances are defined, and political expectations are generated. In this impressive, beautifully crafted book Elisabeth R. Anker excavates the politics of melodrama; she offers strategies to transcend it on some occasions and to creatively redeploy it on others. A subtle, commanding study, helping to reconfigure our understandings of freedom, sovereignty and critical action." (William Connolly, author of The Fragility of Things: Self-Organizing Processes, Neoliberal Fantasies, and Democratic Activism 2014-01-27)
"Story tokens lodged in the cultural unconscious provide containers within which difficult events are grasped, grievances are defined, and political expectations are generated. In this impressive, beautifully crafted book Elisabeth R. Anker excavates the politics of melodrama; she offers strategies to transcend it on some occasions and to creatively redeploy it on others. A subtle, commanding study, helping to reconfigure our understandings of freedom, sovereignty and critical action." (William E. Connolly, author of The Fragility of Things: Self-Organizing Processes, Neoliberal Fantasies, and Democratic Activism 2014-03-06)
“Anker’s bookis a powerful, insightful examination of the ways that melodrama shapes contemporary articulations of political subjectivity and sovereignty…. [Her] bold and creative analysis will significantly shape readers' understanding of contemporary political discourse…. Highly recommended.” (R. W. Glover Choice)
“Orgies of Feeling remains, on the whole, a nuanced and incisive text…. I have no doubt that this book will be of great interest to scholars across the fields of politics studies, cultural studies, literary and film studies, American studies and affect and emotion studies.” (Carolyn Pedwell Theory & Event)
"Orgies of Feeling [is] a deeply compelling and smart work that itself defies genre convention, standing between political theory, cultural studies, and media studies.... This is a largely successful book, one that will surely have a significant impact on the field." (Vincent Lloyd American Studies 2016-01-01)
"This book is a powerful and important book, unravelling familiar events and ideas from a new perspective. It engages the reader in manifold sensitive methods with the political binaries with which we are offered to construct our political lives and the techniques by which they are constructed." (Dana Mills Political Theory 2016-06-01)
"Anker’s book is powerful, well researched, and important for scholars interested in American culture, political theory, and September 11, 2001." (Susan Jeffords Journal of American History 2016-06-01)
About the Author
Elisabeth R. Anker is Assistant Professor of American Studies and Political Science at George Washington University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
I recommend it.
By Susanne Walder
Extremely interesting read. I recommend it.
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