Selasa, 29 Desember 2015

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Political Myth: On the Use and Abuse of Biblical Themes (New Slant: Religion, Politics, Ontology), by Roland Boer

In this provocative and necessary work, Roland Boer, a leading biblical scholar and cultural theorist, develops a political myth for the Left: a powerful narrative to be harnessed in support of progressive policy. Boer focuses on foundational stories in the Hexateuch, the first six books of the Bible, from Genesis through Joshua. He contends that the “primal story” that runs from Creation, through the Exodus, and to the Promised Land is a complex political myth, one that has been appropriated recently by the Right to advance reactionary political agendas. To reclaim it in support of progressive political ends, Boer maintains, it is necessary to understand the dynamics of political myth.

Boer elaborates a theory of political myth in dialogue with Ernst Bloch, Theodor Adorno, Alain Badiou, Jacques Lacan, and Slavoj Žižek. Through close readings of well-known biblical stories he then scrutinizes the nature of political myth in light of feminism, psychoanalysis, and Marxism. Turning to contemporary politics, he examines the statements of prominent American and Australian politicians to show how the stories of Creation, conquest, Paradise, and the Promised Land have been distorted into a fantasy of Israel as a perpetual state in the making and a land in need of protection. Boer explains how this fantasy of Israel shapes U.S. and Australian foreign and domestic policies, and he highlights the links between it and the fantasy of unfettered global capitalism. Contending that political myths have repressed dimensions which if exposed undermine the myths’ authority, Boer urges the Left to expose the weakness in the Right’s mythos. He suggests that the Left make clear what the world would look like were the dream of unconstrained capitalism to be realized.

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~~ Download PDF Empire's Garden: Assam and the Making of India (Radical Perspectives), by Jayeeta Sharma

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Empire's Garden: Assam and the Making of India (Radical Perspectives), by Jayeeta Sharma

In the mid-nineteenth century the British created a landscape of tea plantations in the northeastern Indian region of Assam. The tea industry filled imperial coffers and gave the colonial state a chance to transform a jungle-laden frontier into a cultivated system of plantations. Claiming that local peasants were indolent, the British soon began importing indentured labor from central India. In the twentieth century these migrants were joined by others who came voluntarily to seek their livelihoods. In Empire’s Garden, Jayeeta Sharma explains how the settlement of more than one million migrants in Assam irrevocably changed the region’s social landscape. She argues that the racialized construction of the tea laborer catalyzed a process by which Assam’s gentry sought to insert their homeland into an imagined Indo-Aryan community and a modern Indian political space. Various linguistic and racial claims allowed these elites to defend their own modernity while pushing the burden of primitiveness onto “non-Aryan” indigenous tribals and migrant laborers. As vernacular print arenas emerged in Assam, so did competing claims to history, nationalism, and progress that continue to reverberate in the present.

  • Sales Rank: #1286102 in Books
  • Brand: Brand: Duke University Press Books
  • Published on: 2011-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 5.80" l, 1.05 pounds
  • Binding: Paperback
  • 344 pages
Features
  • Used Book in Good Condition

Review
“The author’s prodigious work illuminates and deals with the vast consequences of creating the Empire’s Tea Garden and the settlement of over a million migrants into the tea plantations…. Read this deeply researched and wide-ranging book.” - Richard Ellis, Royal Society for Asian Affairs

“[P]athbreaking…. [T]his careful and thoughtful study is especially welcome…. Empire’s Garden provides a rich set of reflections on regions, regionalism, and the growth of nationalism in the modern world.” - Thomas R. Metcalf, The Journal of Interdisciplinary History

“Empire’s Garden creates a rich, rewarding, and multi-stranded appreciation of Assam’s modern history. It greatly enriches understanding of the history and politics of Assam while at the same time giving fresh insights into the processes involved in the making of modern India and the incorporation of its diverse regions.” - David Arnold, The Economic History Review

“This book is an important work exploring the history of Assam through the
colonial era.” - Gareth Price, Pacific Affairs

“Jayeeta Sharma’s recent monograph brilliantly explores how the contradiction inherent in the integration of Assam with global capitalist modernity through the quasi-feudal agency of colonial capitalism transformed social and economic life in Bramhaputra Valley, one of the core regions of colonial Assam’s territories.” - Subho Basu, Labour/Le Travail

“Empire’s Garden is a new departure for the historical study of Assam, extraordinarily wide-ranging, with important things to say not only about Assam but about India, South Asia, and themes ranging from colonialism, nationalism, and regionalism to ethnicity, elite formation, migration, and economic development. It will anchor histories of Assam for years to come.”—David Ludden, editor of Reading Subaltern Studies: Critical History, Contested Meaning and the Globalization of South Asia

“This rich history of Assam fills a void in scholarship. Assam is an area of South Asia that has received little attention from serious historians of the subcontinent, except those working on the tea industry. Jayeeta Sharma provides us with fascinating details of Assam’s history. More importantly, she relates local themes to larger issues of South Asian history: colonial ideologies of race and the importance of these ideologies to the political economy, the structure of colonial rule, the development of the public sphere, and the reformulation of identities under colonial circumstances. Empire’s Garden also helps us to understand the historical dimensions of contemporary conflicts in the region, without making the conflicts seem predetermined by what happened in the colonial period.”—Douglas E. Haynes, author of Rhetoric and Ritual in Colonial India: The Shaping of a Public Culture in Surat City, 1852–1928

“Empire’s Garden creates a rich, rewarding, and multi-stranded appreciation of Assam’s modern history. It greatly enriches understanding of the history and politics of Assam while at the same time giving fresh insights into the processes involved in the making of modern India and the incorporation of its diverse regions.” (David Arnold, The Economic History Review)

“[P]athbreaking…. [T]his careful and thoughtful study is especially welcome…. Empire’s Garden provides a rich set of reflections on regions, regionalism, and the growth of nationalism in the modern world.” (Thomas R. Metcalf, The Journal of Interdisciplinary History)

“Jayeeta Sharma’s recent monograph brilliantly explores how the contradiction inherent in the integration of Assam with global capitalist modernity through the quasi-feudal agency of colonial capitalism transformed social and economic life in Bramhaputra Valley, one of the core regions of colonial Assam’s territories.” (Subho Basu, Labour/Le Travail)

“The author’s prodigious work illuminates and deals with the vast consequences of creating the Empire’s Tea Garden and the settlement of over a million migrants into the tea plantations…. Read this deeply researched and wide-ranging book.” (Richard Ellis, Royal Society for Asian Affairs)

“This book is an important work exploring the history of Assam through the colonial era.” (Gareth Price, Pacific Affairs)

About the Author

Jayeeta Sharma is Assistant Professor of History at the University of Toronto.

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Senin, 28 Desember 2015

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Art from a Fractured Past: Memory and Truth-Telling in Post-Shining Path PeruFrom Duke University Press Books

Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, and truth that resonate throughout Latin America in the wake of "dirty wars" of the last half century. Exploring diverse works of art, including memorials, drawings, theater, film, songs, painted wooden retablos (three-dimensional boxes), and fiction, including an acclaimed graphic novel, the contributors show that art, not constrained by literal truth, can generate new opportunities for empathetic understanding and solidarity.

Contributors. Ricardo Caro Cárdenas, Jesús Cossio, Ponciano del Pino, Cynthia M. Garza, Edilberto Jímenez Quispe, Cynthia E. Milton, Jonathan Ritter, Luis Rossell, Steve J. Stern, María Eugenia Ulfe, Víctor Vich, Alfredo Villar
 

  • Sales Rank: #2152861 in Books
  • Published on: 2014-02-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, 1.15 pounds
  • Binding: Paperback
  • 320 pages

Review
"Are there limits to representation? Is it possible to convey experiences that were unbearable, unspeakable, and inhuman? This collection's presentation and discussion of grounded, micro-level studies of Peruvian artistic representations show that in spite of all, people can and do express their feelings about violence and horror."—Elizabeth Jelin, author of State Repression and the Labors of Memory

"Cynthia E. Milton's stunning, inter-disciplinary collection illuminates how art intervenes in the memory of politics and the politics of memory in post-civil conflict Peru."—Diana Taylor, author of The Archive and the Repertoire: Performing Cultural Memory in the Americas

"This is a fascinating collection of essays about individual and collective memories in the aftermath of the violence that plagued Peru from 1980 until the mid-1990s. One of the richest collections available on the workings of memory in post-traumatic societies, it illuminates the complex and changing ways in which people recall and represent their experiences with violence, war, human rights violations, silencing, and exclusion."—Carlos Aguirre, author of The Criminals of Lima and Their Worlds: The Prison Experience, 1850–1935

“Among other fields, this book represents a timely and important contribution to scholarship on the relationship between memory and art in post conflict societies, Latin American popular cultures and, of course, recent Peruvian history and culture.” (Patricia Oliart Bulletin of Hispanic Studies)

“Milton’s volume succeeds in providing a smart and timely analysis of the rich array of artistic expressions that participate in the making of Peru’s post-conflict landscape.” (Joseph P. Feldman Americas)

"Art from a Fractured Past is a valuable compilation of works connected by the theme of the production of art in postwar Peru. It holds the reader’s attention by presenting art in its different forms of expression while showing how memory and truth-telling work in different ways, spaces, and periods." (Nathalie Koc Menard Hispanic American Historical Review 2016-02-01)

About the Author
Cynthia E. Milton is Canada Research Chair and Associate Professor of Latin American History at the Université de Montréal. She is the author of The Many Meanings of Poverty: Colonialism, Social Compacts, and Assistance in Eighteenth-Century Ecuador and a coeditor of Curating Difficult Knowledge: Violent Pasts in Public Places and The Art of Truth-Telling about Authoritarian Rule.

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0 of 1 people found the following review helpful.
Good information
By Ramelle F. Gonzales
Well written and very interesting

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Un/common Cultures: Racism and the Rearticulation of Cultural Difference, by Kamala Visweswaran

In Un/common Cultures, Kamala Visweswaran develops an incisive critique of the idea of culture at the heart of anthropology, describing how it lends itself to culturalist assumptions. She holds that the new culturalism—the idea that cultural differences are definitive, and thus divisive—produces a view of “uncommon cultures” defined by relations of conflict rather than forms of collaboration. The essays in Un/common Cultures straddle the line between an analysis of how racism works to form the idea of “uncommon cultures” and a reaffirmation of the possibilities of “common cultures,” those that enact new forms of solidarity in seeking common cause. Such “cultures in common” or “cultures of the common” also produce new intellectual formations that demand different analytic frames for understanding their emergence. By tracking the emergence and circulation of the culture concept in American anthropology and Indian and French sociology, Visweswaran offers an alternative to strictly disciplinary histories. She uses critical race theory to locate the intersection between ethnic/diaspora studies and area studies as a generative site for addressing the formation of culturalist discourses. In so doing, she interprets the work of social scientists and intellectuals such as Elsie Clews Parsons, Alice Fletcher, Franz Boas, Louis Dumont, Claude Lévi-Strauss, Clifford Geertz, W. E. B. Du Bois, and B. R. Ambedkar.

  • Sales Rank: #918567 in Books
  • Brand: Brand: Duke University Press Books
  • Published on: 2010-07-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .90" w x 5.80" l, 1.10 pounds
  • Binding: Paperback
  • 360 pages
Features
  • Used Book in Good Condition

Review
“Visweswaran proves herself an exceptional scholar and forward thinker in her analysis of works by philosophers, intellectuals and scholars. She diagnoses the symptoms of the disease that affects cultural, gender and race related issues and provides potential solutions to curing them. An extraordinary work by an extraordinarily gifted author with a passion for her subject.” - Danielle Mulholland, M/C Reviews

“Visweswaran’s project is challenging and important in confronting the ways in which cultural difference has been, and is, used as a substitute for broader issues of inequality, exclusion, and racial discrimination. . . . Un/Common Cultures provides a crucial and welcome challenge to the discipline’s airbrushed colonial heritages and selective amnesia, and a broader provocation to rethink the consequences of culture-thought and culture-talk in the contemporary world.” - Claire Alexander, Ethnic and Racial Studies

“Un/common Cultures is a profound and important book, a major intervention in cultural studies, anthropology, and feminist and South Asian studies. It has all the hallmarks of Kamala Visweswaran’s work—impeccable scholarship and a keen sense of purpose that is both activist and intellectual.”—R. Radhakrishnan, author of History, the Human, and the World Between

“In Un/common Cultures Kamala Visweswaran provides an acute, historically informed diagnosis of the relative weakness of the culture concept so central to American anthropology, and a provocative and fascinating explanation of why, during the past two decades, other fields and interdisciplinary arenas have developed more cogent critiques of culture. This first-rate book will be read widely and generate much discussion.”—George E. Marcus, co-author of Designs for an Anthropology of the Contemporary

“Visweswaran proves herself an exceptional scholar and forward thinker in her analysis of works by philosophers, intellectuals and scholars. She diagnoses the symptoms of the disease that affects cultural, gender and race related issues and provides potential solutions to curing them. An extraordinary work by an extraordinarily gifted author with a passion for her subject.” (Danielle Mulholland, M/C Reviews)

“Visweswaran’s project is challenging and important in confronting the ways in which cultural difference has been, and is, used as a substitute for broader issues of inequality, exclusion, and racial discrimination. . . . Un/Common Cultures provides a crucial and welcome challenge to the discipline’s airbrushed colonial heritages and selective amnesia, and a broader provocation to rethink the consequences of culture-thought and culture-talk in the contemporary world.” (Claire Alexander, Ethnic and Racial Studies)

From the Back Cover
"In "Un/common Cultures" Kamala Visweswaran provides an acute, historically informed diagnosis of the relative weakness of the culture concept so central to American anthropology, and a provocative and fascinating explanation of why, during the past two decades, other fields and interdisciplinary arenas have developed more cogent critiques of culture. This first-rate book will be read widely and generate much discussion."--George E. Marcus, co-author of "Designs for an Anthropology of the Contemporary"

About the Author

Kamala Visweswaran is Associate Professor of Anthropology and Asian Studies at the University of Texas, Austin. She is the author of Fictions of Feminist Ethnography.

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Minggu, 27 Desember 2015

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In Television as Digital Media, scholars from Australia, the United Kingdom, and the United States combine television studies with new media studies to analyze digital TV as part of digital culture. Taking into account technologies, industries, economies, aesthetics, and various production, user, and audience practices, the contributors develop a new critical paradigm for thinking about television, and the future of television studies, in the digital era. The collection brings together established and emerging scholars, producing an intergenerational dialogue that will be useful for anyone seeking to understand the relationship between television and digital media.

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Contributors. James Bennett, William Boddy, Jean Burgess, John Caldwell, Daniel Chamberlain, Max Dawson, Jason Jacobs, Karen Lury, Roberta Pearson, Jeanette Steemers, Niki Strange, Julian Thomas, Graeme Turner

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Jumat, 25 Desember 2015

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Julia Child’s TV show, The French Chef, was extraordinarily popular during its broadcast from 1963 until 1973. Child became a cultural icon in the 1960s, and, in the years since, she and her show have remained enduring influences on American cooking, American television, and American culture. In this concise book, Dana Polan considers what made Child’s program such a success. It was not the first televised cooking show, but it did define and popularize the genre. Polan examines the development of the show, its day-to-day production, and its critical and fan reception. He argues that The French Chef changed the conventions of television’s culinary culture by rendering personality indispensable. Child was energetic and enthusiastic, and her cooking lessons were never just about food preparation, although she was an effective and unpretentious instructor. They were also about social mobility, the discovery of foreign culture, and a personal enjoyment and fulfillment that promised to transcend domestic drudgery. Polan situates Julia Child and The French Chef in their historical and cultural moment, while never losing sight of Child’s unique personality and captivating on-air presence.

  • Sales Rank: #2510440 in Books
  • Brand: Brand: Duke University Press Books
  • Published on: 2011-08-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .80" w x 5.80" l, .85 pounds
  • Binding: Paperback
  • 312 pages
Features
  • Used Book in Good Condition

Review
“[A] history of early American television telescoped through the persona and history of Julia Child. . . . [F]ascinating. . . . Mr. Polan’s meticulous work in Julia Child’s The French Chef contributes much to the growing literature on American food history.” - Cynthia D. Bertelsen, New York Journal of Books

“[Polan’s] writing is consistently engaging, whether he's discussing chicken carcasses being made to dance along the counter or the technical implications of a dropped soufflé. He also brings a steady influx of humor and interesting tangents to his account. . . . Thoroughly researched and wonderfully illuminating, Polan's book will earn admiration in both readers interested in television and those interested in Julia Child.” - Andi Diehn, ForeWord

“Julia Child’s The French Chef is a fabulous book filled with delicious nuggets about the television series that changed what Americans ate—and what Americans watched on television. The book is both entertaining and informative, and it is timely, for it has been nearly fifty years since the series first aired. Dana Polan is as bright, insightful, and companionable as was the television series. Bravo!”—Andrew F. Smith, Editor, The Oxford Encyclopedia of Food and Drink in America

“In Julia Child’s The French Chef, Dana Polan offers a fascinating new perspective on Child and her on-air persona. He demonstrates the crucial interplay among the celebrity (Julia), handler (her husband, Paul), and producer (the public television station WGBH), and the way they all came together into such a magical whole. This investigation is an important contribution to our understanding of Child’s seminal role in shaping American attitudes toward food.”—Darra Goldstein, Editor in Chief, Gastronomica: The Journal of Food and Culture

“With a refreshing intellectual passion, Dana Polan offers a compelling glimpse into the industrial and cultural ethos of Julia Child and her television show, The French Chef. Polan carefully delineates a model for how to study the media through an individual program, and in so doing, provides a definitive reason for the need to study popular culture in a theoretically and methodologically rigorous way. Essential for those in food and food-related studies, this insightful and engaging book will also be a must-read for media studies scholars.”—Sarah Banet-Weiser, author of Kids Rule!: Nickelodeon and Consumer Citizenship

“[A] history of early American television telescoped through the persona and history of Julia Child. . . . [F]ascinating. . . . Mr. Polan’s meticulous work in Julia Child’s The French Chef contributes much to the growing literature on American food history.” (Cynthia D. Bertelsen, New York Journal of Books)

“[Polan’s] writing is consistently engaging, whether he's discussing chicken carcasses being made to dance along the counter or the technical implications of a dropped soufflé. He also brings a steady influx of humor and interesting tangents to his account. . . . Thoroughly researched and wonderfully illuminating, Polan's book will earn admiration in both readers interested in television and those interested in Julia Child.” (Andi Diehn, ForeWord)

About the Author

Dana Polan is Professor of Cinema Studies at New York University. He is the author of The Sopranos, also published by Duke University Press, and Scenes of Instruction: The Beginnings of the U.S. Study of Film.

Most helpful customer reviews

4 of 4 people found the following review helpful.
The All-American French Chef
By takingadayoff
Julia Child's The French Chef is a two-course treat. First, Professor Dana Polan takes a look at American culture in the years leading up to The French Chef TV series. What were the movies, the trends, the pastimes that made The French Chef a surprise hit? The second part turns around and examines the influence that The French Chef had on America.

Much of the first part is a social history of the early days of television in America, with an emphasis on locally produced cooking shows. You might have thought that The French Chef was one of the first cooking shows on TV, but Polan describes a history that predates The French Chef by a couple of decades. It's an offbeat history, including surprises such as a blind chef aided on air by her 10-year-old son and a young Ernie Kovacs as emergency substitute host on a local cooking show.

In the second part, Polan dissects The French Chef in detail, from its concept to the several variations over the years. Polan includes minutiae such as correspondence between the Childs and the producers at WGBH, the grocery receipts Julia Child submitted for reimbursement, and flyers inviting viewers to attend tapings of the show.

The details are fascinating and you get a real feel for what a seat-of-the-pants operation it was, despite Julia Child's almost obsessive planning. Even more interesting are the big-picture observations that Polan makes, such as that Julia Child wasn't just a cooking show host, she was a TV host, on a par with Captain Kangaroo, Jack LaLanne, and Vampira. And although she wasn't assuming an alter-ego, she was playing a role, as she even acknowledged when she referred to "the performance of me."

Polan notes that for all her emphasis on preparing French food, Julia Child embodied American-ness. She was large and energetic and confident. She seemed friendly and unaffected. Despite not fitting any of the usual TV stereotypes, she became incredibly popular. Do-it-yourself and how-to are as American as apple pie, even if you are showing your audience how to make tarte tatin.

Julia Child was also about hard work. She and husband Paul teamed up to create what became an industry, what would later be called a brand, and the brand was Julia Child. Starting with the bestseller Mastering the Art of French Cooking, she jumped at the chance to host her own cooking show and promoted it enthusiastically. She wrote magazine articles and newspaper columns and in 1972 she promoted an early version of the video cassette player. The French Chef was the first PBS program to feature captioning for the hearing-impaired.

Julia Child's The French Chef is big, exuberant, down-to-earth, a lot of fun, extremely informative, and pays serious attention to detail and research.

0 of 2 people found the following review helpful.
Memory refresher and Learning Aid for Cooks
By New Pratt Faller
I've had the hardcopy of this so wonderful book since its original publishing and have always loved using it but now i think i love the ebook version even more. It's so handy to put on the counter for quick reference. It takes so little space in my small kitchen. Even very skilled cooks can use it to touch up their skills.

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Rabu, 23 Desember 2015

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In Missing, Sunaina Marr Maira explores how young South Asian Muslim immigrants living in the United States experienced and understood national belonging (or exclusion) at a particular moment in the history of U.S. imperialism: in the years immediately following September 11, 2001. Drawing on ethnographic research in a New England high school, Maira investigates the cultural dimensions of citizenship for South Asian Muslim students and their relationship to the state in the everyday contexts of education, labor, leisure, dissent, betrayal, and loss. The narratives of the mostly working-class youth she focuses on demonstrate how cultural citizenship is produced in school, at home, at work, and in popular culture. Maira examines how young South Asian Muslims made sense of the political and historical forces shaping their lives and developed their own forms of political critique and modes of dissent, which she links both to their experiences following September 11, 2001, and to a longer history of regimes of surveillance and repression in the United States.

Bringing grounded ethnographic analysis to the critique of U.S. empire, Maira teases out the ways that imperial power affects the everyday lives of young immigrants in the United States. She illuminates the paradoxes of national belonging, exclusion, alienation, and political expression facing a generation of Muslim youth coming of age at this particular moment. She also sheds new light on larger questions about civil rights, globalization, and U.S. foreign policy. Maira demonstrates that a particular subjectivity, the “imperial feeling” of the present historical moment, is linked not just to issues of war and terrorism but also to migration and work, popular culture and global media, family and belonging.

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Senin, 21 Desember 2015

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“In its original run on HBO, The Sopranos mattered, and it matters still,” Dana Polan asserts early in this analysis of the hit show, in which he sets out to clarify the impact and importance of the series in both its cultural and media-industry contexts. A renowned film and TV scholar, Polan combines a close and extended reading of the show itself—and of select episodes and scenes—with broader attention to the social landscape with which it is in dialogue. For Polan, The Sopranos is a work of playful irony that complicates simplistic attempts to grasp its meanings and values. The show seductively beckons the viewer into an amoral universe, hinting at ways to make sense of its ethically complicated situations, only to challenge the viewer’s complacent grasp of things. It deftly exploits the interplay between art culture and popular culture by mixing elements of art cinema—meandering plots, narrative breaks, and an uncertain progression—with the allure of a soap opera, delving into its characters’ sex lives, mob rivalries, and parent–child conflicts.

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Selasa, 15 Desember 2015

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Sex Scene: Media and the Sexual RevolutionFrom Duke University Press Books

Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media—film and television, recorded sound, and publishing—that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.

Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams
 

  • Sales Rank: #1318382 in Books
  • Published on: 2014-03-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x 1.25" l, .0 pounds
  • Binding: Paperback
  • 456 pages

Review
"In 1968 researchers at the National Sex Forum said it was time to say yes to sex. Decades later, researchers in Sex Scene say it is time to say yes to the study of sex media. Finally! The strikingly original essays in this wide-ranging collection boldly argue that the sexual revolution needs to be understood as the mass mediated affair that gave rise to our current debates about privacy, policy, and technology. The books, magazines, newspapers, movies, TV programs, and Broadway shows of 1968, and even Lyndon Johnson's Commission on Obscenity and Pornography, took such a prurient interest in sex that they gave prurience a good name, inciting that cultural move—from sex in the bedroom to sex in public—known as the sexual revolution. Sex Scene will make us all a lot smarter on the complex and controversial relation of sex and media as we teach, debate, and legislate it." (Constance Penley, author of NASA/TREK: Popular Science and Sex in America)

"Focusing on a wide range of topics and media, Eric Schaefer’s anthology Sex Scene offers a complex and comprehensive history of the sexual revolution. The collection is a massive contribution to the study of sexual representation in the 1960s and 1970s." (Jon Lewis, author of Hollywood v. Hard Core: How the Struggle over censorship Saved the Modern Film Industry)

"[Schaefer has] assembled a stellar lineup of academic authors who know their stuff. That their stuff includes everything from MPAA ratings flaps and 'party records' to the (ahem) rise of porn chic and how TV’s The Love Boat struggled to hint at cabin couplings, means the book is like a class you wish existed, just so you could audit the entire semester. Collectively, the text is the smartest person at the party without also being the snobbish dick at said soirée. . . ." (Rod Lott Bookgasm)

“An important contribution to late 20th century history and will be of interest to scholars in media and cultural studies as well to historians.”  (European Journal of Communication)

“[A] remarkable collection of essays about the ways in which media disrupted and recalibrated assumptions about sex and sexuality in the US during the late 1960s and early 1970s. . . . An important collection for anyone interested in media history, sexual regulation, and political activism/social change. Highly recommended. Upper-division undergraduates through faculty.” (T. E. Adams Choice)

“The text is a strong contribution to the field of pop and media culture and is a great resource for those whose research interests explore the intersections of politics, media, and sex during the tumultuous period of the 1960s and 70s. But the book is also written in an accessible manner, engaging in thoughtful criticism without becoming bloated with jargon. For those who are a cineaste or have an interest in the provocateurs whose works have changed the landscape of film, Sex Scene is a great read.”  (Rebecca Lynn Gavrila The Journal of Popular Culture 2015-10-01)

"In providing a detailed history and analysis of media and sexual revolution in the middle of the twentieth century, Schaefer’s expansive book offers a timely reminder that our current concerns may be understood as an extension of longstanding debates around sexuality, visibility, privacy, and technology in American culture." (Andrea McDonnell The Journal of American Culture 2016-06-01)

About the Author

Eric Schaefer is Associate Professor in the Department of Visual and Media Arts at Emerson College. He is the author of "Bold! Daring! Shocking! True!" A History of Exploitation Films, 1919–1959, also published by Duke University Press.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Outstanding Collection
By Peter Alilunas
Comprehensive, well-written, and engaging collection of essays with a central theme: the Sexual Revolution of the late 1960s can be understood as a media revolution. Starting with the excellent introductory essay by Eric Schaefer, each piece tackles a different, but connected topic through this perspective. Ranging from analyses of popular culture to deep historical research, the collection is a much-needed addition to the growing and vibrant body of work that reexamine this critical era in American cultural history. A necessity for any scholar doing work in the area, but also engaging and accessible enough for anyone with an interest. Great book!

See all 1 customer reviews...

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Minggu, 13 Desember 2015

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Latin American women’s movements played important roles in the democratic transitions in South America during the 1980s and in Central America during the 1990s. However, very little has been written on what has become of these movements and their agendas since the return to democracy. This timely collection examines how women’s movements have responded to the dramatic political, economic, and social changes of the last twenty years. In these essays, leading scholar-activists focus on the various strategies women’s movements have adopted and assess their successes and failures.

The book is organized around three broad topics. The first, women’s access to political power at the national level, is addressed by essays on the election of Michelle Bachelet in Chile, gender quotas in Argentina and Brazil, and the responses of the women’s movement to the “Bolivarian revolution” in Venezuela. The second topic, the use of legal strategies, is taken up in essays on women’s rights across the board in Argentina, violence against women in Brazil, and gender in the work of the Truth and Reconciliation Commission in Peru. Finally, the international impact of Latin American feminists is explored through an account of their participation in the World Social Forum, an assessment of a Chilean-led project carried out by women’s organizations in several countries to hold governments to the promises they made at international conferences in Cairo and Beijing, and an account of cross-border organizing to address femicides and domestic abuse in the Juárez-El Paso border region. Jane S. Jaquette provides the historical and political context of women’s movement activism in her introduction, and concludes the volume by engaging contemporary debates about feminism, civil society, and democracy.

Contributors. Jutta Borner, Mariana Caminotti, Alina Donoso, Gioconda Espina, Jane S. Jaquette, Beatriz Kohen, Julissa Mantilla Falcón, Jutta Marx, Gabriela L. Montoya, Flávia Piovesan, Marcela Ríos Tobar, Kathleen Staudt, Teresa Valdés, Virginia Vargas

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