Senin, 28 September 2015

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Contributors. Natalie Boero, Adele E. Clarke, Jennifer R. Fishman, Jennifer Ruth Fosket, Kelly Joyce, Jonathan Kahn, Laura Mamo, Jackie Orr, Elianne Riska, Janet K. Shim, Sara Shostak

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Jumat, 25 September 2015

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Selasa, 22 September 2015

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In Muslim Becoming, Naveeda Khan challenges the claim that Pakistan's relation to Islam is fragmented and problematic. Offering a radically different interpretation, Khan contends that Pakistan inherited an aspirational, always-becoming Islam, one with an open future and a tendency toward experimentation. For the individual, this aspirational tendency manifests in a continual striving to be a better Muslim. It is grounded in the thought of Muhammad Iqbal (1877–1938), the poet, philosopher, and politician considered the spiritual founder of Pakistan. Khan finds that Iqbal provided the philosophical basis for recasting Islam as an open religion with possible futures as yet unrealized, which he did in part through his engagement with the French philosopher Henri Bergson. Drawing on ethnographic research in the neighborhoods and mosques of Lahore and on readings of theological polemics, legal history, and Urdu literature, Khan points to striving throughout Pakistani society: in prayers and theological debates and in the building of mosques, readings of the Qur'an, and the undertaking of religious pilgrimages. At the same time, she emphasizes the streak of skepticism toward the practices of others that accompanies aspiration. She asks us to consider what is involved in affirming aspiration while acknowledging its capacity for violence.

  • Sales Rank: #143088 in Books
  • Brand: Brand: Duke University Press Books
  • Published on: 2012-05-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .70" w x 6.10" l, .90 pounds
  • Binding: Paperback
  • 280 pages
Features
  • Used Book in Good Condition

Review
"Muslim Becoming is a powerful contribution to the literature on Islam in Pakistan, not to mention Islam more generally. Its argument—that one has to understand religious practices and institutions in Pakistan in terms of striving or aspiration—is original and quite provocative. Naveeda Khan's subtle insights, novel ethnographic data, and fascinating analysis of Iqbal's poetry and philosophical writings are remarkable too."—Steven C. Caton, author of Yemen Chronicle: An Anthropology of War and Mediation

"Naveeda Khan’s book is a clear, original, and arresting argument about Pakistan as a state of becoming. Interested in nothing less than the formation of a new way of being Muslim in Pakistan, Khan argues that Muslim attempts at perfection in Pakistan are neither communal nor turned toward the past, but rather located in modern citizenship and aspirations toward an entirely novel future. This makes Islam more, rather than less, flexible there. Given the stereotypical and repetitive nature of so much writing about Pakistan today, Muslim Becoming is a breath of fresh air. It deserves to be widely read by academics, journalists, and policy makers."—Faisal Devji, author of The Terrorist in Search of Humanity: Militant Islam and Global Politics

"Tracing the ways that aspiration and skepticism are braided together in lives lived in dialogue with texts in contemporary Pakistan, Naveeda Khan gently shifts our angle of vision on the making and unmaking of Pakistan in everyday life. She thinks of aspiration as a striving for perfectibility, not perfection. This small shift of emphasis makes familiar phenomena, such as sectarian conflict, appear in a new light. Philosophically rich, written in a style that invites conversation, and ethnographically grounded in literary texts, as well as in the ordinary flows of neighborhood relations, Muslim Becoming surely deserves the designation of a modern classic."—Veena Das, author of Life and Words: Violence and the Descent into the Ordinary

“Read it for its nuances, subtleties and engaging tales of qabza, jinns and mullahs.” (Najia Mukhtar Asian Affairs)

“Muslim Becoming succeeds largely because it goes against prevailing wisdom, obliging the reader to adopt a different perspective regarding present-day Pakistan by insisting that Pakistan is not a finished product. . . .Readers interested in a radical departure from the typical fare served up
by Washington think-tanks and talking heads will find much of interest in Naveeda Khan’s excellent book.” (David Waterman Pakistaniaat)

“Readers of Khan's book will hopefully never see Islam, or Pakistan, the same way again, and I am sure that the same analysis could, should, and will be applied to every other religion, tradition, and culture that binds our future to our past.” (Jack David Eller Anthropology Review Database)

“Thoroughly original and consistently provocative, Muslim Becoming is a tour de force. Through a multilayered ethnography – coupled with textured readings of myriad texts – Naveeda Khan reveals the complexities and contradictions of life in contemporary Pakistan.”   (Robert Rozehnal Anthropos)

“[A]n original and substantive contribution to scholarship on contemporary Islam, and, more generally, to cultural anthropology.” (Tahir Naqvi International Journal of Middle East Studies)

“Muslim Becoming is an original and important book that argues that the state and citizens in Pakistan have inherited an aspirational understanding of Islam that tends towards experimentation and striving.” (Sadia Saeed Economic and Political Weekly)

About the Author

Naveeda Khan is Assistant Professor of Anthropology at Johns Hopkins University. She is the editor of Beyond Crisis: Re-evaluating Pakistan.

Most helpful customer reviews

1 of 5 people found the following review helpful.
This is a must-read for Political Scientists that work on the Middle East!
By Allen Stack
One of the most insightful studies on the relation between spirituality and the modern state of Pakistan.
I myself am a political scientist, and many books on Pakistan that I have read give quite an incomplete or superficial rendering of the complex relationship in Pakistan between religion and politics.
"Muslim Becoming" provides us with a much-needed thoughtful study that connects the unique history of this country to the spiritual aspirations of its diverse people.
I strongly recommend this book to political scientists.
In fact it is a must-read if you study the Middle East!!

See all 1 customer reviews...

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Minggu, 20 September 2015

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A Decade of Negative Thinking brings together writings on contemporary art and culture by the painter and feminist art theorist Mira Schor. Mixing theory and practice, the personal and the political, she tackles questions about the place of feminism in art and political discourse, the aesthetics and values of contemporary painting, and the influence of the market on the creation of art. Schor writes across disciplines and is committed to the fluid interrelationship between a formalist aesthetic, a literary sensibility, and a strongly political viewpoint. Her critical views are expressed with poetry and humor in the accessible language that has been her hallmark, and her perspective is informed by her dual practice as a painter and writer and by her experience as a teacher of art.

In essays such as “The ism that dare not speak its name,” “Generation 2.5,” “Like a Veneer,” “Modest Painting,” “Blurring Richter,” and “Trite Tropes, Clichés, or the Persistence of Styles,” Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings in the rich transitory space between the near past and the “nextmodern.” Witty, brave, rigorous, and heartfelt, Schor’s essays are impassioned reflections on art, politics, and criticism.

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  • Published on: 2014
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Sabtu, 19 September 2015

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Sabtu, 12 September 2015

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In Surfer Girls in the New World Order, Krista Comer explores surfing as a local and global subculture, looking at how the culture of surfing has affected and been affected by girls, from baby boomers to members of Generation Y. Her analysis encompasses the dynamics of international surf tourism in Sayulita, Mexico, where foreign women, mostly middle-class Americans, learn to ride the waves at a premier surf camp and local women work as manicurists, maids, waitresses, and store clerks in the burgeoning tourist economy. In recent years, surfistas, Mexican women and girl surfers, have been drawn to the Pacific coastal town’s clean reef-breaking waves. Comer discusses a write-in candidate for mayor of San Diego, whose political activism grew out of surfing and a desire to protect the threatened ecosystems of surf spots; the owners of the girl-focused Paradise Surf Shop in Santa Cruz and Surf Diva in San Diego; and the observant Muslim woman who started a business in her Huntington Beach home, selling swimsuits that fully cover the body and head. Comer also examines the Roxy Girl series of novels sponsored by the surfwear company Quiksilver, the biography of the champion surfer Lisa Andersen, the Gidget novels and films, the movie Blue Crush, and the book Surf Diva: A Girl’s Guide to Getting Good Waves. She develops the concept of “girl localism” to argue that the experience of fighting for waves and respect in male-majority surf breaks, along with advocating for the health and sustainable development of coastal towns and waterways, has politicized surfer girls around the world.

  • Sales Rank: #1020597 in Books
  • Published on: 2010-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .70" w x 6.10" l, .97 pounds
  • Binding: Paperback
  • 296 pages

Review
“Immersing herself in girl surf culture, Comer has constructed an accessible body of research that, while very readable, offers a fiercely intelligent commentary. . . . Surfer Girls in the New World Order is thorough and acute; Comer situates her argument in the lived experiences of surfer girls and women while also drawing important connections to surfing’s place in the broader context of social and economic ideologies.” - Alicia Sowisdral, Elevate Difference

“This fabulous book on women and the sport of surfing is the result of more than a decade of field research in multiple locations around the globe. . . . She expertly navigates the waves of feminism. . . . Analysis of popular culture rounds out this lovely book. . . . Highly recommended.” - A. N. Valdivia, CHOICE

“Surfer girls in the new world order is clearly a product of passion. The enthusiasm and energy Krista Comer displays for this research, for women’s surfing and for the potential she sees for the development of feminist ways of knowing and politics through both local and global surfing cultural experiences, are both obvious and infectious. In particular, it is the discussions and conversations that Comer has spent so much time in engaging in with women in and around the surfing culture that contribute the most to the effectiveness of this book, and which distinguish it in important ways from other work in this area.” - Rebecca Olive, Gender, Place & Culture

“Krista Comer’s Surfer Girls in the New World Order exemplifies the most prominent theoretical trends that are transforming contemporary western studies. . . . Challenging Baywatch stereotypes, Comer reinterprets surf culture as resolutely, albeit imperfectly, political, transnational, environmentalist, multiculturalist, and feminist. With these bold reinterpretations, Comer encourages serious reconsideration of—if not outright debate about—surf culture’s larger cultural and political significance.” - Robert Bennett, Western American Literature

“This is a book that you wish you wrote... and not just because it is winning awards (notably, the Western Literature Association's Thomas J. Lyon Book Award), but because its theoretical sophistication blends perfectly with attentive close readings in ways that all scholars strive for.” - Simon C. Estok, Interdisciplinary Studies in Literature and Environment


“Surfer Girls in the New World Order is fantastic. The only book that I know of to address girls’ and women’s surfing from an analytical perspective, it opens into provocative questions about globalization and its discontents, ‘ecotourism’ and the surf safari, and conflicting paradigms of gender, economics, race, and culture.”—Leslie Heywood, author of Pretty Good for a Girl: An Athlete’s Story

“Surfer Girls in the New World Order is a timely, deftly organized, and compellingly readable study that is at once participatory, original, informed, intellectually sexy, and new.”—Rob Wilson, author of Reimagining the American Pacific: From South Pacific to Bamboo Ridge and Beyond

“Surfer girls in the new world order is clearly a product of passion. The enthusiasm and energy Krista Comer displays for this research, for women’s surfing and for the potential she sees for the development of feminist ways of knowing and politics through both local and global surfing cultural experiences, are both obvious and infectious. In particular, it is the discussions and conversations that Comer has spent so much time in engaging in with women in and around the surfing culture that contribute the most to the effectiveness of this book, and which distinguish it in important ways from other work in this area.” (Rebecca Olive, Gender, Place & Culture)

“Immersing herself in girl surf culture, Comer has constructed an accessible body of research that, while very readable, offers a fiercely intelligent commentary. . . . Surfer Girls in the New World Order is thorough and acute; Comer situates her argument in the lived experiences of surfer girls and women while also drawing important connections to surfing’s place in the broader context of social and economic ideologies.” (Alicia Sowisdral, Elevate Difference)

“Krista Comer’s Surfer Girls in the New World Order exemplifies the most prominent theoretical trends that are transforming contemporary western studies. . . . Challenging Baywatch stereotypes, Comer reinterprets surf culture as resolutely, albeit imperfectly, political, transnational, environmentalist, multiculturalist, and feminist. With these bold reinterpretations, Comer encourages serious reconsideration of—if not outright debate about—surf culture’s larger cultural and political significance.” (Robert Bennett, Western American Literature)

“This fabulous book on women and the sport of surfing is the result of more than a decade of field research in multiple locations around the globe. . . . She expertly navigates the waves of feminism. . . . Analysis of popular culture rounds out this lovely book. . . . Highly recommended.” (A. N. Valdivia, CHOICE)

“This is a book that you wish you wrote... and not just because it is winning awards (notably, the Western Literature Association's Thomas J. Lyon Book Award), but because its theoretical sophistication blends perfectly with attentive close readings in ways that all scholars strive for.” (Simon C. Estok, Interdisciplinary Studies in Literature and Environment
)

From the Back Cover
""Surfer Girls in the New World Order" is a timely, deftly organized, and compellingly readable study that is at once participatory, original, informed, intellectually sexy, and new."--Rob Wilson, author of "Reimagining the American Pacific: From "South Pacific" to Bamboo Ridge and Beyond"

About the Author

Krista Comer is an Associate Professor of English at Rice University. She is the author of Landscapes of the New West: Gender and Geography in Contemporary Women’s Writing.

Most helpful customer reviews

3 of 3 people found the following review helpful.
What We Need
By Corinne Schumacher
I am so thankful that this book exists.

Having participated in surfing, both at the leisure and competitive levels for over 20 years (I am a 3x women's world longboard champion), I found Krista Comer's intimate and intelligent way of describing women's surfing in its evolution, to be such an incredible breath of fresh air. The surfing world is almost violently shut in, working to silence opposing or analytical modes of thought. To have a book like this written with the feel of an "insider" but with an academic and compassionate voice is at once needed and welcomed. I cannot speak highly enough of this book and I have shared it with everyone I have ever had conversations with about women's surfing.

Comer has accomplished what other books on surfing could not: capturing the microcosm of globalization women's surfing allowed surf industry without overwhelming the reader with an "ivory tower" disconnection so often found in academia when writing of subcultures.

I have shared this book with my friends in the US and abroad and will continue to reference Comer's work for years to come. Gold.

2 of 2 people found the following review helpful.
Finally - a quality, academic study of the world of women, girls and surfing
By FH
I am a woman of color surfer from San Francisco and surf mostly Ocean Beach and Pacifica. I can't say I've ever read any thorough, academic, researched-based writing on women's surfing before I read this book. The title was intriguing to me so I ordered it online. I was thrilled to get a hold of it and really applaud the author for spending a decade to gather her research to write this.

Though at first the book reads as very academic, it's worth it to keep going. Midway through, the author recounts really interesting stories in her field research and interjects her feelings and opinions on them, which makes the book ever more interesting. She also has a really interesting and compelling way of articulating and describing what she sees changing, influencing and shifting in the world of surfing and women in surfing.

I am so glad there is a book that has come out that really looks at and describes the trends and gender nuances evolving in women's surfing today in a way that I know I understand, but would never be able to articulate as clearly as she does. I think this book is a must read for all serious women surfers, and for women (and men!) who function in some way in surf's growing economy. And if you're a woman especially who has been to a surf camp, who may not be a die hard surfer girl (yet) but who is interested in surfing, I think you would find the read fascinating. I read it in 3 days.....really loved it. Enjoy!

2 of 2 people found the following review helpful.
Fun and thought-provoking
By kspitz
Simply put: this book is fantastic.

I'm not a surfer myself, but as a young woman interested in young women's lives, I found this book really engaging. This is an academic book, so at times, there is a lot to digest, but it is well complemented by very well-written ethnographies, anecdotes, and readings of surf culture. Each chapter is different enough that it can be read separately.

Chapters two, three, and four contain vividly written and very interesting descriptions of surfers, surf camps, and surf shops. At times, it seemed like I was reading a novel that I didn't want to put down. These great stories are coupled with thought-provoking discussions and feminist critiques of surf culture. I particularly appreciated and was interested in Comer's discussion of different generations of surfing women.

Surfer Girls in the New World Order is important for its discussion of women, surfing, and globalization, but it is worth reading for how fun and engaging it is. It sounds cliche, but reading it really did make me want to learn to surf!

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Jumat, 11 September 2015

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Since the first worldwide protests inspired by Peoples’ Global Action (PGA)—including the mobilization against the November 1999 World Trade Organization meetings in Seattle—anti–corporate globalization activists have staged direct action protests against multilateral institutions in cities such as Prague, Barcelona, Genoa, and Cancun. Barcelona is a critical node, as Catalan activists have played key roles in the more radical PGA network and the broader World Social Forum process. In 2001 and 2002, the anthropologist Jeffrey S. Juris participated in the Barcelona-based Movement for Global Resistance, one of the most influential anti–corporate globalization networks in Europe. Combining ethnographic research and activist political engagement, Juris took part in hundreds of meetings, gatherings, protests, and online discussions. Those experiences form the basis of Networking Futures, an innovative ethnography of transnational activist networking within the movements against corporate globalization.

In an account full of activist voices and on-the-ground detail, Juris provides a history of anti–corporate globalization movements, an examination of their connections to local dynamics in Barcelona, and an analysis of movement-related politics, organizational forms, and decision-making. Depicting spectacular direct action protests in Barcelona and other cities, he describes how far-flung activist networks are embodied and how networking politics are performed. He further explores how activists have used e-mail lists, Web pages, and free software to organize actions, share information, coordinate at a distance, and stage “electronic civil disobedience.” Based on a powerful cultural logic, anti–corporate globalization networks have become models of and for emerging forms of radical, directly democratic politics. Activists are not only responding to growing poverty, inequality, and environmental devastation; they are also building social laboratories for the production of alternative values, discourses, and practices.

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Rabu, 09 September 2015

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Black Performance TheoryFrom Duke University Press Books

Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers—many of whom are performers—demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson's performance in the documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as discussion of a project that re-creates seminal hip-hop album covers through tableaux vivants. Whether deliberating on the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory.

Contributors. Melissa Blanco Borelli, Daphne A. Brooks, Soyica Diggs Colbert, Thomas F. DeFrantz, Nadine George-Graves, Anita Gonzalez, Rickerby Hinds, Jason King, D. Soyini Madison, Koritha Mitchell, Tavia Nyong'o, Carl Paris, Anna B. Scott, Wendy S. Walters, Hershini Bhana Young

  • Sales Rank: #863590 in Books
  • Published on: 2014-05-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .50" w x 6.00" l, .90 pounds
  • Binding: Paperback
  • 296 pages

Review
"This crucially important critical volume highlights the collaborative work of the Black Performance Theory Group, emphasizing the significance of black bodies in motion. A moving work!"
(Jennifer DeVere Brody, author of Punctuation: Art, Politics, and Play 2014-03-13)

"[Black Performance Theory] is a palimpsest of black performance histories, practices, affects, and ideologies. . . . Exceeding iterations of ready-made blackness and overcooked theories of performance, this volume honors the charge to theorize outside the expected and to say something new."
(D. Soyini Madison, author of Acts of Activism: Human Rights as Radical Performance, from the foreword 2014-03-13)

“With this compelling volume, DeFrantz and Gonzalez provide less a settled corpus of methodologies applied to a canon of academically sanctioned performance genres than an articulation and elaboration of black corporealities, vocalities, and ‘sensibilities’ across a heterogeneous field of performative enunciations--’high’ and pop culture, geographically dispersed and diasporic. . . .  This promises to become a key work. Highly recommended. Upper-division undergraduates through faculty and professionals.” (R. Remshardt Choice)

"This is theory that dances. [...] Black Performance Theory convenes 14 scholars and practitioners of Africana performance and bids them dance and groove across national, hemispheric, oceanic, planetary, disciplinary, epochal, formal, and methodological boundaries in pursuit of blackness in motion." (La Marr Jurelle Bruce The Drama Review)

About the Author
Thomas F. DeFrantz is Professor of African and African American Studies, Dance, and Theater Studies at Duke University. He is a dancer, a choreographer, and the author of Dancing Revelations: Alvin Ailey's Embodiment of African American Culture.

Anita Gonzalez is Professor of Theater at the University of Michigan. She is a director, a choreographer, and the author of Afro-Mexico: Dancing between Myth and Reality.

Most helpful customer reviews

0 of 0 people found the following review helpful.
One Star
By Amazon Customer
i thought it was helpful, but it was disappointing.

0 of 0 people found the following review helpful.
Important Work
By Jess Curtis
This is an important book that should be on every dance and performance scholar's shelf.

0 of 0 people found the following review helpful.
Great compliation
By Samuel Rosa
Great compilation on race and performance. I recommend it.

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Minggu, 06 September 2015

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