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In this pathbreaking study, Fiona I. B. Ngô examines how geographies of U.S. empire were perceived and enacted during the 1920s and 1930s. Focusing on New York during the height of the Harlem Renaissance, Ngô traces the city's multiple circuits of jazz music and culture. In considering this cosmopolitan milieu, where immigrants from the Philippines, Cuba, Puerto Rico, Mexico, Japan, and China crossed paths with blacks and white "slummers" in dancehalls and speakeasies, she investigates imperialism's profound impact on racial, gendered, and sexual formations. As nightclubs overflowed with the sights and sounds of distant continents, tropical islands, and exotic bodies, tropes of empire provided both artistic possibilities and policing rationales. These renderings naturalized empire and justified expansion, while establishing transnational modes of social control within and outside the imperial city. Ultimately, Ngô argues that domestic structures of race and sex during the 1920s and 1930s cannot be understood apart from the imperial ambitions of the United States.
 

• Sales Rank: #1634261 in Books
• Published on: 2014-02-21
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .60" w x 6.00" l, .85 pounds
• Binding: Paperback
• 280 pages

Review
"Imperial Blues is a spectacular elaboration of queer of color critique. Fiona I. B. Ngô creatively reveals how orientalist discourses shaped Jazz Age subjectivities and social life. Theorizing racialized sexuality, she blurs the boundaries between domestic and international migrations, political and aesthetic discourses, and global and national racial formations. This is a beautifully conceived book."—Roderick Ferguson, coeditor of Strange Affinities: The Gender and Sexual Politics of Comparative Racialization

"I love this book. It is smart, fresh, and new, a game-changer. Imperial Blues is a theoretically astute and historically grounded cultural studies analysis of empire as central to the circuits of, and discourses about, jazz in Jazz Age New York."—Sherrie Tucker, coeditor of Big Ears: Listening for Gender in Jazz Studies

“[Ngô] deftly employs social history; ethnography; 'queer' studies; and analysis of literary, visual, and musical texts, making her book of potential interest to a diverse audience. … [I]t is a rewarding and insightful book, tying together multiple threads that were at some point disentangled by scholars with narrower foci on specific components of the Jazz Age and Harlem Renaissance.”  (E. Taylor Atkins Journal of American Studies 2015-08-01)

“Imperial Blues is an original and valuable study that contributes to histories of imperialism, sexuality, gender, and urban spaces. The study will be of use to students and scholars from a range of disciplinary backgrounds.” (Imaobong D. Umoren Gender & History 2015-08-01)

“With its attention to such cartographies for mapping pleasure and importance, Imperial Blues is a welcome contribution to interdisciplinary scholarship on a relatively neglected period for the intersections of postcolonial studies, critical ethnic studies, postnational American studies, and queer studies." (Victor Bascara GLQ 2015-11-01)

About the Author

Fiona I. B. Ngô is Assistant Professor of Asian American Studies and of Gender and Women's Studies at the University of Illinois, Urbana-Champaign.

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Contributors. Linda Brigham, Bruce Clarke, Mark B. N. Hansen, Edgar Landgraf, Ira Livingston, Niklas Luhmann, Hans-Georg Moeller, John Protevi, Michael Schiltz, Evan Thompson, Francisco J. Varela, Cary Wolfe

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Contributors
Vincanne Adams
Nancy N. Chen
Stefan Ecks
Kathleen Erwin
Phuoc V. Le
Jennifer Liu
Aihwa Ong
Margaret Sleeboom-Faulkner
Kaushik Sunder Rajan
Wen-Ching Sung
Charis Thompson
Ara Wilson

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Working Out Egypt is both a rich cultural history of the formation of an Egyptian national subject in the late nineteenth century and early twentieth and a compelling critique of modern Middle Eastern historiography. Wilson Chacko Jacob describes how Egyptian men of a class akin to the cultural bourgeoisie (the effendiyya) struggled to escape from the long shadow cast by colonial depictions of the East as degenerate, feminine, and temporally behind an active and virile Europe. He argues that during British colonial rule (1882–1936), attempts to create a distinctively modern and Egyptian self free from the colonial gaze led to the formation of an ambivalent, performative subjectivity that he calls “effendi masculinity.” Jacob traces effendi masculinity as it took hold during the interwar years, in realms from scouting and competitive sports to sex talk and fashion, considering its gendered performativity in relation to a late-nineteenth-century British discourse on masculinity and empire and an explicitly nationalist discourse on Egyptian masculinity. He contends that as an assemblage of colonial modernity, effendi masculinity was simultaneously local and global, national and international, and particular and universal. Until recently, modern Egyptian history has not allowed for such paradoxes; instead, Egyptian modernity has been narrated in the temporal and spatial terms of a separate Western modernity.

• Sales Rank: #1464522 in Books
• Brand: Brand: Duke University Press Books
• Published on: 2011-01-14
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.10" w x 6.10" l, 1.53 pounds
• Binding: Paperback
• 440 pages

Features

• Used Book in Good Condition

Review
“Working Out Egypt is an extraordinarily accomplished book. Wilson Chacko Jacob offers a highly original history of effendi masculinity based on a sophisticated interpretation of a vast, multisited archive. His analysis speaks directly to a number of concerns animating not only history but also feminist, cultural, and postcolonial studies. It encompasses colonial modernity and Egyptian specificity, masculinity and the quest for a normative social/sexual order, print culture and its collision with imperial globality, and the performative processes through which nations and their national imaginaries unfold.”—Antoinette Burton, author of Empire in Question: Reading, Writing, and Teaching British Imperialism

“This is a pioneering book that probes the relationship between colonialism, nationalism, and masculinity in fresh and exciting ways. Through a careful examination of Egyptian and British popular and political culture of the late nineteenth century and early twentieth, Wilson Chacko Jacob tells a complex story of how Egyptian national subjectivity was crafted with and against colonial tropes. Working Out Egypt is essential reading for scholars and students of history, postcoloniality, sexuality, gender, subject formation, and Middle East studies.”—Saba Mahmood, author of Politics of Piety: The Islamic Revival and the Feminist Subject

“Working Out Egypt blends class-conscious social history with cutting edge reconceptualizations of biopolitical sovereignty and gender performativity – and it does so while avoiding the persistent Eurocentrism of many of the scholars influenced by Foucault and Agamben and shattering the frames of cultural relativism that have limited some recent queer and postcolonial scholarship. . . . Jacob’s monograph stands both as a remarkably original study of the gendering of colonial modernity and as an innovative contribution to theories of subjectivity.” (Paul Amar Social History)

“Working Out Egypt is based on extensive archival research and a wide array of materials including British and Egyptian official documents, Olympic archives, biographies, magazine and newspaper articles, letters from readers and advice columns, novels, films, postcards, cartoons, and photographs. The book is framed by an equally impressive range of scholarly debates on empire, postcoloniality, nationalism, modernity, orientalism, liberalism, subject-formation, gender and sexuality, historiography, and representation…. This is a rich and multilayered book whose queries into the aporias of modern subjectivity have implications and relevance that extend beyond the case of modern Egypt. It will be an extremely valuable text to students as well as teachers of colonialism, postcoloniality, modernity, gender, and sexuality.” (Nadia Guessous Journal of Middle East Women's Studies)

“Wilson Chacko Jacob’s insightful and analytically rich book... draws from Foucault’s later work to explore how caring for the self played a transformative role in constituting a new political subject in modern Egypt…. The novelty and sophistication of Working Out Egypt, however, lies not only in its bringing together of subject formation, the body, and masculinity. The book’s virtues also lie in its willingness to explore an understudied and underappreciated subject matter: modern sports and physical culture. Jacob illustrates that taking sports and physical culture seriously can provide a novel approach to the discourse of masculinity and its institutionalization.” (Murat Cihan Yildiz Arab Studies Journal)

“Through his impeccable research, meticulous footnotes, and complex theoretical interventions…, Jacob has animated and enriched studies of Middle East masculinity in an unprecedented manner.” (Hibba Abugideiri American Historical Review)

“Working Out Egypt stands as an innovative book on a central theme (masculinity) in postcolonial gender/sexuality studies…[A] highly successful effort that goes a long way toward diversifying scholarship on the colonial period in the Middle East and North Africa.”  (Mehmet Karabela Canadian Journal of History)

About the Author

Wilson Chacko Jacob is an Assistant Professor of History at Concordia University, Montreal.

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A founder of U.S.-Mexico border studies, José David Saldívar is a leading figure in efforts to expand the scope of American studies. In Trans-Americanity, he advances that critical project by arguing for a transnational, antinational, and "outernational" paradigm for American studies. Saldívar urges Americanists to adopt a world-system scale of analysis. "Americanity as a Concept," an essay by the Peruvian sociologist Aníbal Quijano and Immanuel Wallerstein, the architect of world-systems analysis, serves as a theoretical touchstone for Trans-Americanity. In conversation not only with Quijano and Wallerstein, but also with the theorists Gloria Anzaldúa, John Beverley, Ranajit Guha, Walter D. Mignolo, and Gayatri Chakravorty Spivak, Saldívar explores questions of the subaltern and the coloniality of power, emphasizing their location within postcolonial studies. Analyzing the work of José Martí, Sandra Cisneros, Toni Morrison, Arundhati Roy, and many other writers, he addresses concerns such as the "unspeakable" in subalternized African American, U.S. Latino and Latina, Cuban, and South Asian literature; the rhetorical form of postcolonial narratives; and constructions of subalternized identities. In Trans-Americanity, Saldívar demonstrates and makes the case for Americanist critique based on a globalized study of the Américas.

• Sales Rank: #338236 in Books
• Published on: 2011-12-21
• Released on: 2011-12-21
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .75" w x 6.00" l, .90 pounds
• Binding: Paperback
• 304 pages

Review
"Trans-Americanity is a magnificent, visionary book. I cannot think of another scholar working today who has helped to instantiate new fields and new lines of inquiry in the manner of José David Saldívar. He is an unusually generous and curious scholar, one who is perfectly willing to rethink earlier assumptions, appreciate the insights of his critics, and read broadly across disciplines. These strengths contribute to what I believe will be an extremely influential text, one that will be widely taught and carefully reviewed."—Mary Pat Brady, author of Extinct Lands, Temporal Geographies: Chicana Literature and the Urgency of Space

"Intent on discerning the common concerns of subaltern studies, global coloniality, and transmodernity, José David Saldívar examines persistent motifs and literary themes in the imaginative literature of Greater Mexico and South Asia. Individually and collectively, the minoritized writings that he discusses articulate new epistemological grounds for critiquing a transmodern world governed by global capitalism and new forms of coloniality. Saldívar advocates an 'Americanity' that opens up the idea of America to contexts well beyond the United States, Latin America, and the Western Hemisphere."—Donald E. Pease, author of The New American Exceptionalism

“Saldívar is one of the boldest and most important scholars in American Studies today. Like few others, he engages what Martí calls Nuestra América, and for that he should be congratulated. Trans-Americanity is well worth reading.” (Paul B. Wickelson Rocky Mountain Review)

“Saldivar is one of the more interesting contemporary scholars in the field of American Studies. . .. [A]n excitingly inventive book that is sure to generate new avenues of scholarly inquiry.” (Seth Horton Journal of American Culture)

“Trans-Americanity is extraordinarily ambitious in its scope. . . .  By providing conceptual linkages between authors and texts that are rarely read or taught together, Saldívar provides a critical map for scholars seeking to transnationalize American and US Latina/o studies.” (Julie Minich Journal of American Studies)

“Trans-Americanity’s seven chapters, useful preface, and experimental ending offer broad intellectual coverage of Latin America, South Asia, and the Americas from the nineteenth to the twenty-first centuries.” (Karen Mary Davalos American Quarterly)

About the Author

José David Saldívar is Professor of Comparative Literature and Chair and Director of the Undergraduate Program in Comparative Studies in Race and Ethnicity at Stanford University. His books include Border Matters: Remapping American Cultural Studies, as well as The Dialectics of Our America: Genealogy, Cultural Critique, and Literary History and Criticism in the Borderlands: Studies in Chicano Literature, Culture, and Ideology (co-edited with Héctor Calderón), both also published by Duke University Press.

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A rich ethnography of ecopolitics in Hong Kong in the late 1990s, as the region shifted to Chinese sovereignty, Ecologies of Comparison describes how ecological concepts of uniqueness and scale resonated among environmentalists, including those seeking to preserve a species of white dolphin, to protect an aging fishing village from redevelopment, and to legitimize air quality as an object of political and medical concern. During his research, Tim Choy became increasingly interested in the power of the notion of specificity. While documenting the expert and lay production of Hong Kong’s biological, cultural, and political specificities, he began comparing the logics and narrative forms that made different types of specificity—such as species, culture, locality, and state autonomy—possible and meaningful. He came to understand these logics and forms as “ecologies of comparison,” conceptual practices through which an event or form of life comes to matter in environmentalist and other political terms. Choy’s ethnography is about environmentalism, Hong Kong, and the ways that we think about environmentalism in Hong Kong and other places. It is also about how politics, freedom, culture, expertise, and other concepts figure in comparison-based knowledge practices.

• Sales Rank: #699060 in Books
• Brand: Brand: Duke University Press Books
• Published on: 2011-10-17
• Original language: English
• Number of items: 1
• Dimensions: 9.24" h x .58" w x 6.36" l, .80 pounds
• Binding: Paperback
• 204 pages

Features

• Used Book in Good Condition

Review
“[A]n exquisite anthropological account of how recent environmental campaigns in Hong Kong resonate with social and political dilemmas surrounding its return to Chinese sovereignty.Choy’s book provides a reviving
breath to the study of environmentalism and to our understanding of postcolonial Hong Kong.” - Julian M. Groves, Anthropological Quarterly

“While demanding, Choy’s ethnographic method also appears quite inviting. With it, he is able to move easily from theoretical questions regarding the construction of scientific truth and expertise to the shifting scales of mass media and local, even personal, anecdotes. Ultimately, his ethnographic approach with its attention to detail avoids being simply a means to an end; instead it stands in as a positive example of the negotiations and comparisons that we make as we live amidst the shifting terrain of contemporary culture.” - Benjamin K. Hodges, Journal of Anthropological Research

“Ecologies of Comparison is a stimulating ethnography…The book will be of interest to anthropologists, sociologists, science studies scholars, and Asian studies scholars alike.” - Peter C. Little, Electronic Green Journal

“This beautifully written book urges us to take another look at some of our most important tools for thinking. What do comparisons do? Why do we use examples? When does it matter if components of our world are specific to their times and places? Ecologies of Comparison offers a stimulating tour into both Hong Kong’s environmental politics and the work of political analysis itself.”—Anna Lowenhaupt Tsing, author of Friction: An Ethnography of Global Connection

“Tim Choy’s much-anticipated meditation on the many forms of life to be found in Hong Kong environmentalism is a bracing read. Taking knowledge itself as his object, Choy shows how the deep complicity of ethnography, theory, and politics offers not only profound challenges to scholarly practice but also new opportunities and horizons. Ecologies of Comparison is original, contemporary, and resonant. A true breath of fresh air.”—Hugh Raffles, author of Insectopedia and In Amazonia: A Natural History

“[A]n exquisite anthropological account of how recent environmental campaigns in Hong Kong resonate with social and political dilemmas surrounding its return to Chinese sovereignty.Choy’s book provides a reviving breath to the study of environmentalism and to our understanding of postcolonial Hong Kong.” (Julian M. Groves, Anthropological Quarterly)

About the Author

Tim Choy is Associate Professor in the Science and Technology Studies Program and the Department of Anthropology at the University of California, Davis.

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• Sales Rank: #88097 in Books
• Published on: 2013-12-10
• Original language: English
• Number of items: 1
• Dimensions: 9.22" h x 1.34" w x 6.14" l, 1.93 pounds
• Binding: Paperback
• 624 pages

Review
"Clifton Crais and Thomas V. McClendon have put together a fascinating and informative book. From the earliest voices of colonial times through the struggle against apartheid and current efforts to find a genuinely democratic, nonracial, diverse identity, the voices are here: the colonizers and the despoilers, the powerful and the powerless, the dissenters and the resisters, the determined and the courageous, the destroyers of hope and the dreamers of dreams. South Africans cannot but recognize themselves. This is a book to study, reference, and return to again and again." (Allan Aubrey Boesak, South African liberation theologian and anti-apartheid activist)

"This incredibly thorough volume reveals the complex history of South Africa. Through compelling first-person narratives, fiction, and other historical accounts, The South Africa Reader offers a picture of a complicated and often confounding country that is a study in 'trauma and resilience.' It grapples with the legacy of the past in ways that can help present and future generations build a more promising tomorrow." (Charlayne Hunter-Gault, award-winning journalist, former CNN Johannesburg Bureau Chief, and author of New News Out of Africa: Uncovering Africa’s Renaissance)

If there’s one book that succeeds in drawing the many strands of South Africa’s rich political history together into a single volume, this is it. . . . The South Africa Reader makes for gripping reading and a comprehensive treatment of the country’s exciting past and tumultuous present – a must for any eager student of South Africa.” (Jason Hickel LSE Review of Books)

“Crais and McClendon masterfully provide a comprehensive understanding of the history, culture and politics of South Africa. Many of the selected texts and accounts were written by prominent persons who had a lasting impact in South Africa. However, what makes this book a real gem is the inclusion of less-known authors and the many cross-references. Hidden within the numerous personal accounts, the reader will find references to the larger historical context and transnational connections beyond the thematic focus of a particular text. This makes it a must- read for students interested in South Africa and a useful sourcebook for scholars working onSouth Africa.” (Sarah Hanisch African Studies Quarterly)

“The South Africa Reader is a remarkably rich collection of primary and secondary material that will make an excellent textbook for courses in South African studies classes and an immensely handy and valuable reference work for teachers of South African literature." (Simon Lewis Research in African Literature)

“This important book ... brings together primary sources covering a wide range of South African history and culture. Instructors and students will find much to consider. They will also discover why South Africa and South Africans represent such a fascinating microcosm of our world.”  (Kenneth Wilburn Journal of African History 2015-11-01)

"In a nutshell, there are many good things in this book which force the reader to commend and applaud the two editors who organised it, as well as the various authors who contributed chapters.... I unreservedly recommend this book to historians, political scientists, politicians, cultural experts, and policymakers, as well as legal and sports practitioners. Each of these professions would find something valuable from this manuscript." (Bheki R. Mngomezulu South African Historical Journal 2016-01-22)

About the Author

Clifton Crais is Professor of History and Director of African Studies at Emory University. He is the author of Poverty, War and Violence in South Africa; Sara Baartman and the Hottentot Venus: A Ghost Story and a Biography (with Pamela Scully); and The Politics of Evil: Magic, Power and the Political Imagination in South Africa.

Thomas V. McClendon is Professor of History at Southwestern University in Georgetown, Texas. He is the author of White Chief, Black Lords: Shepstone and the Colonial State in Natal, South Africa, 1845–1878 and Genders and Generations Apart: Labor Tenants and Customary Law in Segregation-Era South Africa, 1920s to 1940s.

Most helpful customer reviews

4 of 5 people found the following review helpful.
This book provided a variety of essays that set a nice foundation on the complex history of this beautiful country
By Ms Mo
I recently visited South Africa. This book provided a variety of essays that set a nice foundation on the complex history of this beautiful country. The people of South Africa are very passionate about their country and these essays help set the background for their country's extraordinary legacy.

2 of 3 people found the following review helpful.
Five Stars
By Yankee J
Purchased as a gift for my favorite divorce lawyer. She loved it...

1 of 3 people found the following review helpful.
Great buy if you don't want to shell out for ...
By James Greever
Great buy if you don't want to shell out for bookstore text books. Saved me tons of money ordering from Amazon

See all 4 customer reviews...

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