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In The Argentine Silent Majority, Sebastián Carassai focuses on middle-class culture and politics in Argentina from the end of the 1960s. By considering the memories and ideologies of middle-class Argentines who did not get involved in political struggles, he expands thinking about the era to the larger society that activists and direct victims of state terror were part of and claimed to represent. Carassai conducted interviews with 200 people, mostly middle-class non-activists, but also journalists, politicians, scholars, and artists who were politically active during the 1970s. To account for local differences, he interviewed people from three sites: Buenos Aires; Tucumán, a provincial capital rocked by political turbulence; and Correa, a small town which did not experience great upheaval. He showed the middle-class non-activists a documentary featuring images and audio of popular culture and events from the 1970s. In the end Carassai concludes that, during the years of la violencia, members of the middle-class silent majority at times found themselves in agreement with radical sectors as they too opposed military authoritarianism but they never embraced a revolutionary program such as that put forward by the guerrilla groups or the most militant sectors of the labor movement.

• Sales Rank: #1706765 in Books
• Published on: 2014-05-23
• Released on: 2014-05-23
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .93" w x 6.00" l, 1.12 pounds
• Binding: Paperback
• 376 pages

Review
"The Argentine Silent Majority is a monumental piece of scholarship that powerfully illuminates a crucial period in Argentina's recent history. Sebastián Carassai's research—his thorough reading of the press, his analysis of key mass cultural works, his reconsideration of now obscure opinion polls, and, most impressively, the large number of interviews that he conducted in three distinct research sites—constitutes a major contribution to our understanding of the 1970s in Argentina." (Matthew Karush, author of Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946)

"This fabulous work recasts debate on fundamental issues in Argentine history. On the most basic level, it employs innovative methods and imaginative insights to transform our perception of class and politics in the years between the emergence of guerrilla movements and the return of democracy. A rich exploration of the mental world of Latin America's largest middle class, The Argentine Silent Majority is a tour de force work of research, theory, and analysis. It will become required reading for anyone interested in class, violence, and memory." (Mark Healey, author of The Ruins of the New Argentina: Peronism and the Remaking of San Juan after the 1944 Earthquake)

“Sebastián Carassai’s work is undoubtedly a welcome contribution to the scholarly literature due to the author’s exhaustive examination of the complex and shifting relationship between the ‘average’ Argentine and violence. . . . [T]he book helps readers to understand how middle-class disapproval of armed violence perpetrated by the revolutionary Left was not mirrored in the middle-class response to the terrorist state and in the ways in which collective memories of Peronism and violence continue to shape Argentina even today.” (Cara Levey Journal of Latin American Studies)

"…The Argentine Silent Majority offers a fine-grained portrait of middle class attitudes. …This study merits careful consideration by specialists interested in contemporary Argentine history, class formation, and the ColdWar era." (Eduardo Elena Hispanic American Historical Review 2015-11-01)

"Carrassai’s study is a fantastic experiment in pushing the boundaries of traditional historical methodology, and it is as informative as it is entertaining to read. This work will serve well to set a new agenda for memory studies of this period." (Jessica Stites Mor American Historical Review 2015-10-01)

 "...The Argentine Silent Majority is a splendid book that greatly advances our understanding of Argentina during the 1970s, while also contributing to the study of middle-class formation and ideological change more generally."  (Matthias vom Hau Social Forces 2016-03-22)

About the Author

Sebastián Carassai is Research Associate at the National Scientific and Technical Research Council in Buenos Aires, member of the Center of Intellectual History in the National University of Quilmes, and Professor in the Sociology Department of the University of Buenos Aires.

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Many of the earliest Africans to arrive in the Americas came to Central America with Spanish colonists in the sixteenth and seventeenth centuries, and people of African descent constituted the majority of nonindigenous populations in the region long thereafter. Yet in the development of national identities and historical consciousness, Central American nations have often countenanced widespread practices of social, political, and regional exclusion of blacks. The postcolonial development of mestizo or mixed-race ideologies of national identity have systematically downplayed African ancestry and social and political involvement in favor of Spanish and Indian heritage and contributions. In addition, a powerful sense of place and belonging has led many peoples of African descent in Central America to identify themselves as something other than African American, reinforcing the tendency of local and foreign scholars to see Central America as peripheral to the African diaspora in the Americas. The essays in this collection begin to recover the forgotten and downplayed histories of blacks in Central America, demonstrating the centrality of African Americans to the region’s history from the earliest colonial times to the present. They reveal how modern nationalist attempts to define mixed-race majorities as “Indo-Hispanic,” or as anything but African American, clash with the historical record of the first region of the Americas in which African Americans not only gained the right to vote but repeatedly held high office, including the presidency, following independence from Spain in 1821.

Contributors. Rina Cáceres Gómez, Lowell Gudmundson, Ronald Harpelle, Juliet Hooker, Catherine Komisaruk, Russell Lohse, Paul Lokken, Mauricio Meléndez Obando, Karl H. Offen, Lara Putnam, Justin Wolfe

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In Fevered Measures, John Mckiernan-González examines public health campaigns along the Texas-Mexico border between 1848 and 1942 and reveals the changing medical and political frameworks U.S. health authorities used when facing the threat of epidemic disease. The medical borders created by these officials changed with each contagion and sometimes varied from the existing national borders. Federal officers sought to distinguish Mexican citizens from U.S. citizens, a process troubled by the deeply interconnected nature of border communities. Mckiernan-González uncovers forgotten or ignored cases in which Mexicans, Mexican Americans, African Americans, and other groups were subject to—and sometimes agents of—quarantines, inspections, detentions, and forced-treatment regimens. These cases illustrate the ways that medical encounters shaped border identities before and after the Mexican Revolution. Mckiernan-González also maintains that the threat of disease provided a venue to destabilize identity at the border, enacted processes of racialization, and re-legitimized the power of U.S. policymakers. He demonstrates how this complex history continues to shape and frame contemporary perceptions of the Latino body today.

• Sales Rank: #1109375 in Books
• Brand: Brand: Duke University Press Books
• Published on: 2012-08-29
• Released on: 2012-08-29
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 1.10" w x 6.13" l, 1.35 pounds
• Binding: Paperback
• 440 pages

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• Used Book in Good Condition

Review
"Fevered Measures remaps the border as a space in which ideas of race and nation take on new meanings in relation to the development of the state and science. The book serves as a superior model for analyzing and narrating the transnational flow of people, ideas, and policies."—Raúl A. Ramos, author of Beyond the Alamo: Forging Mexican Ethnicity in San Antonio, 1821–1861

"In Fevered Measures, through dramatic case studies, John Mckiernan-González brings exciting new insights to the intersection of state formation, racial formations, and medical discourse. Using archives on both sides of the border, he complicates our analysis of federal and local dynamics, earning a place among the best of the new borderlands historians."—Sarah Deutsch, author of No Separate Refuge: Culture, Class, and Gender on an Anglo-Hispanic Frontier in the American Southwest, 1880–1940

"Fevered Measures remaps the border as a space in which ideas of race and nation take on new meanings in relation to the development of the state and science. The book serves as a superior model for analyzing and narrating the transnational flow of people, ideas, and policies." (Raúl A. Ramos, , author of Beyond the Alamo: Forging Mexican Ethnicity in San Antonio, 1821–1861)

"In Fevered Measures, through dramatic case studies, John Mckiernan-González brings exciting new insights to the intersection of state formation, racial formations, and medical discourse. Using archives on both sides of the border, he complicates our analysis of federal and local dynamics, earning a place among the best of the new borderlands historians." (Sarah Deutsch, author of No Separate Refuge)

“Fevered Measures is an engaging and multi-layered historical narrative that underscores the centrality of public health to daily life, social relations and power dynamics along the Texas Mexico border over one century. . . . What makes this story particularly compelling is that Mckiernan-González frames it with a compassionate and informed plea for greater awareness of Latina/o health disparities.” (Alexandra Minna Stern Global Public Health)

“Mckeirnan-González provides a sophisticated and ?ne-grained analysis of the work of overzealous public health of?cials on the border, but he also places these efforts in a global imperial context.” (Elliott Young Journal of American History)

“Mckiernan-Gonzalez . . . adds substantially to the large literature on the history of public health, particularly its role in controlling immigration into the United States.” (Stephen J. Kunitz American Historical Review)

“Fevered Measures is a wonderful and significant contribution to Latina/o studies, medical history, and borderlands history.” (Mark Allan Goldberg Pacific Historical Review)

“Fevered Measures gives us a penetrating view of the intersections between race and public health policies, bringing new insights to the history of both the borderlands and US public health. It will be valuable to students and researchers in Chicano/Latino studies, in social sciences and humanities. Appealing also to a broader audience, this welcome book contributes significantly to the current debates about Latinos and American public health. . . .” (Ana I. Ugarte Latino Studies)

About the Author

John Mckiernan-González is Assistant Professor of History at the University of Texas, Austin.

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When the United States took control of the Philippines and Puerto Rico in the wake of the Spanish-American War, it declared that it would transform its new colonies through lessons in self-government and the ways of American-style democracy. In both territories, U.S. colonial officials built extensive public school systems, and they set up American-style elections and governmental institutions. The officials aimed their lessons in democratic government at the political elite: the relatively small class of the wealthy, educated, and politically powerful within each colony. While they retained ultimate control for themselves, the Americans let the elite vote, hold local office, and formulate legislation in national assemblies.

American Empire and the Politics of Meaning is an examination of how these efforts to provide the elite of Puerto Rico and the Philippines a practical education in self-government played out on the ground in the early years of American colonial rule, from 1898 until 1912. It is the first systematic comparative analysis of these early exercises in American imperial power. The sociologist Julian Go unravels how American authorities used “culture” as both a tool and a target of rule, and how the Puerto Rican and Philippine elite received, creatively engaged, and sometimes silently subverted the Americans’ ostensibly benign intentions. Rather than finding that the attempt to transplant American-style democracy led to incommensurable “culture clashes,” Go assesses complex processes of cultural accommodation and transformation. By combining rich historical detail with broader theories of meaning, culture, and colonialism, he provides an innovative study of the hidden intersections of political power and cultural meaning-making in America’s earliest overseas empire.

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Unspeakable Violence addresses the epistemic and physical violence inflicted on racialized and gendered subjects in the U.S.–Mexico borderlands from the mid-nineteenth century through the early twentieth. Arguing that this violence was fundamental to U.S., Mexican, and Chicana/o nationalisms, Nicole M. Guidotti-Hernández examines the lynching of a Mexican woman in California in 1851, the Camp Grant Indian Massacre of 1871, the racism evident in the work of the anthropologist Jovita González, and the attempted genocide, between 1876 and 1907, of the Yaqui Indians in the Arizona–Sonora borderlands. Guidotti-Hernández shows that these events have been told and retold in ways that have produced particular versions of nationhood and effaced other issues. Scrutinizing stories of victimization and resistance, and celebratory narratives of mestizaje and hybridity in Chicana/o, Latina/o, and borderlands studies, she contends that by not acknowledging the racialized violence perpetrated by Mexicans, Chicanas/os, and indigenous peoples, as well as Anglos, narratives of mestizaje and resistance inadvertently privilege certain brown bodies over others. Unspeakable Violence calls for a new, transnational feminist approach to violence, gender, sexuality, race, and citizenship in the borderlands.

• Sales Rank: #803548 in Books
• Published on: 2011-10-10
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.00" w x 6.10" l, 1.35 pounds
• Binding: Paperback
• 400 pages

Review
“Unspeakable Violence is an outstanding analysis of violence in the U.S.–Mexico borderlands. As a historian, I am most impressed by the care that Nicole M. Guidotti-Hernández takes to ground her analysis in solid historical research. What I find so refreshing is her willingness to put forth courageous new arguments about what has been little discussed in Chicana/o studies, Latina/o studies, or ethnic studies more broadly. Rather than taking the standard approach of only analyzing violence when Latinas/os are the victims, Guidotti-Hernández reveals borderlands violence in all of its complexity. This is exceptional scholarship.”—George J. Sánchez, author of Becoming Mexican American: Ethnicity, Culture, and Identity in Chicano Los Angeles, 1900–1945

“In this exquisite book, Nicole M. Guidotti-Hernández examines little-known but critically important episodes of violence in U.S.–Mexican borderlands history. Providing a necessary, long-overdue corrective to Chicana/o and borderlands studies, she suggests that in recounting these events as instances of victimization or acts of resistance, Chicana/o feminist and nationalist scholars create tidy narratives for consolidating Chicana/o nationalist identity. In doing so, they disregard Mexican-American complicity in the very acts of violence they describe.”—María Josefina Saldaña-Portillo, author of The Revolutionary Imagination in the Americas and the Age of Development

“It is impossible, of course, to wrangle such a wide-ranging and intelligent study into a few easy quips, and to attempt to do so would go against the notion that Guidotti-Hernández's examples of borderland violence reveal a complexity in Arizona's and Mexico's culture and history for which many historians, let alone politicians, don't always like to account.” (Tim Hull Tucson Weekly)

“Nevertheless, more work can be done to examine the interdisciplinary problems of investigating intersecting oppressions of race, class, gender, and nationality. Unspeakable Violence is a significant point of departure for this important work.” (Jason Oliver Chang Hispanic American Historical Review)

“Unspeakable Violence has arrived on the scene like a breath of fresh air. . . . Unspeakable Violence further exemplifies how the most effective interdisciplinary scholarship is equally indebted to theoretical rigor and historical responsibility. Refusing to pull punches with its multifaceted assessment of Chicano nationalism and its unflinching methodological strategy, Guidotti-Hernández’s volume makes clear to historians the value of literary texts by writers like Jovita González and Monserrat Fontes, whose indelible contributions to an evidential archive are necessary to a more composite record of the past.” (Richard T. Rodríguez American Literature)

“Nicole Guidotti-Hernández’s Unspeakable Violence takes on a lot of sacred cows from chicano(a) nationalism to Mexican indigenismo…One of the most exciting aspects of this book is its explicitly transnational approach.”  (Elliott Young Bulletin of Latin American Research)

About the Author

Nicole M. Guidotti-Hernández is Associate Professor of American Studies at the University of Texas, Austin.

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In Thiefing Sugar, Omise’eke Natasha Tinsley explores the poetry and prose of Caribbean women writers, revealing in their imagery a rich tradition of erotic relations between women. She takes the book’s title from Dionne Brand’s novel In Another Place, Not Here, where eroticism between women is likened to the sweet and subversive act of cane cutters stealing sugar. The natural world is repeatedly reclaimed and reinterpreted to express love between women in the poetry and prose that Tinsley analyzes. She not only recuperates stories of Caribbean women loving women, stories that have been ignored or passed over by postcolonial and queer scholarship until now, she also shows how those erotic relations and their literary evocations form a poetics and politics of decolonization. Tinsley’s interpretations of twentieth-century literature by Dutch-, English-, and French-speaking women from the Caribbean take into account colonialism, migration, labor history, violence, and revolutionary politics. Throughout Thiefing Sugar, Tinsley connects her readings to contemporary matters such as neoimperialism and international LGBT and human-rights discourses. She explains too how the texts that she examines intervene in black feminist, queer, and postcolonial studies, particularly when she highlights the cultural limitations of the metaphors that dominate queer theory in North America and Europe, including those of the closet and “coming out.”

• Sales Rank: #1010304 in Books
• Brand: Brand: Duke University Press Books
• Published on: 2010-08-18
• Released on: 2010-08-18
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .72" w x 6.13" l, .91 pounds
• Binding: Paperback
• 288 pages

Features

• Used Book in Good Condition

Review
“Luscious, abundant and rich—those are apt words for Thiefing Sugar, this captivating and lyrical exploration of what it meant in the twentieth century to be a Caribbean woman who loves women. Based on a well-chosen corpus of texts and lucid, in-depth analyses, the book is altogether a feast for the senses, a gift to us all!”—Gloria Wekker, Utrecht University, Netherlands

“Through writing that is as lyrical as the poetry and fiction she analyzes, Omise’eke Natasha Tinsley makes connections between sugar production in the Caribbean, the paradoxical ‘ungendering’ of black female slaves that makes their sexual self-hood possible, and the landscape of the ‘Global South’ to argue that the history of the black woman’s body in the African Diaspora is shrouded not just in metaphor but in the materiality of their own world-making.”—E. Patrick Johnson, author of Appropriating Blackness: Performance and the Politics of Authenticity

“Thiefing Sugar by Omise’eke Natasha Tinsley is a beautifully written, refreshing and innovative book. Tinsley examines the sophisticated ways in which gender and sexuality have historically and culturally articulated unique and revealing expressions of love and sex between women in the Caribbean region of the Americas.” (Gloria Gonzalez Lopez Bulletin of Latin American Research)

“Thiefing Sugar certainly deserves praise for giving voice to so many women and issues that have long remained silenced in each of these respective fields. Moreover, Tinsley’s manner of conversing with women, her mirroring of their poetics, underscores how she is a woman who loves women, a woman committed to mapping ‘imaginative imagination’ that decolonizes theory and ‘hegemonic definitions of same-sex desire.’” (Olivia Donaldson Journal of Lesbian Studies)

“Thiefing Sugar is full of deliciously rich metaphors. . . . In this highly engaging and insightful book, Tinsley discusses the foremost tropes and metaphors in Caribbean women’s writing about desire between women. The syrup of language to be enjoyed here is not only that which abounds in the texts she discusses, but also in the suggestiveness of Tinsley’s own writing, which is sometimes dense but always rich and allusive.” (Ronald Cummings Caribbean Review of Books)

“Omise’eke Natasha Tinsley’s book is a brilliant, highly readable, and at times dense foundational study on twentieth-century Caribbean and diasporic women’s literary conceptualizations of living and loving in the Caribbean, specifically in Grenada, Haiti, Jamaica, Martinique, Suriname, and Trinidad.” (Lawrence La Fountain-Stokes GLQ)

“This is an important book for anyone interested in the Caribbean, the African diaspora, women and gender, or LGBTQ culture and literature. . . . . What stands out more than anything else is the overwhelming evidence Tinsley offers of a long history of Caribbean women's stated desire for other women, of (mostly) working-class black female eroticism that is intrinsically tied to rebellion against oppression by the dominant white-identified, colonialist, masculine, land-owning, and hetero-normative ruling class. This is a subversive, lyrical piece of scholarship. Summing Up: Highly recommended. Lower-division undergraduates through faculty.” (S. E. Cooper Choice)

“Tinsely’s fascinating study is noteworthy for its originality in scope and its depth. The author deftly demonstrates that the secret of Caribbean lesbian writing -- visible and invisible, white and of color, Francophone and Anglophone --is determined by constantly unfolding spaces that are impossible to define by the canonical -colonial tropes of the past.” (Tarik A. Smith Palimpsest)

A remarkable book that delights in sounding out the depths of the texts that it foregrounds, Thiefing Sugaris an elegant analysis of (potentially ambiguous) eroticism between women in the Caribbean. . . . [H]er contribution to and intervention in postcolonial and queer studies are most welcome.” (Vinay Swamy MLQ)

From the Back Cover
"Luscious, abundant and rich--those are apt words for "Thiefing Sugar," this captivating and lyrical exploration of what it meant in the twentieth century to be a Caribbean woman who loves women. Based on a well-chosen corpus of texts and lucid, in-depth analyses, the book is altogether a feast for the senses, a gift to us all!"--Gloria Wekker, Utrecht University, Netherlands

About the Author

Omise’eke Natasha Tinsley is Assistant Professor of English at the University of Minnesota.

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