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In this major reassessment of Japanese imperialism in Asia, Mark Driscoll foregrounds the role of human life and labor. Drawing on subaltern postcolonial studies and Marxism, he directs critical attention to the peripheries, where figures including Chinese coolies, Japanese pimps, trafficked Japanese women, and Korean tenant farmers supplied the vital energy that drove Japan's empire. He identifies three phases of Japan's capitalist expansion, each powered by distinct modes of capturing and expropriating life and labor: biopolitics (1895–1914), neuropolitics (1920–32), and necropolitics (1935-45). During the first phase, Japanese elites harnessed the labor of marginalized subjects as Japan colonized Taiwan, Korea, and south Manchuria, and sent hustlers and sex workers into China to expand its market hegemony. Linking the deformed bodies laboring in the peripheries with the "erotic-grotesque" media in the metropole, Driscoll centers the second phase on commercial sexology, pornography, and detective stories in Tokyo to argue that by 1930, capitalism had colonized all aspects of human life: not just labor practices but also consumers’ attention and leisure time. Focusing on Japan's Manchukuo colony in the third phase, he shows what happens to the central figures of biopolitics as they are subsumed under necropolitical capitalism: coolies become forced laborers, pimps turn into state officials and authorized narcotraffickers, and sex workers become "comfort women". Driscoll concludes by discussing Chinese fiction written inside Manchukuo, describing the everyday violence unleashed by necropolitics.
- Sales Rank: #1236099 in Books
- Brand: Brand: Duke University Press Books
- Published on: 2010-08-03
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x .90" w x 6.10" l, 1.20 pounds
- Binding: Paperback
- 384 pages
Features
- Used Book in Good Condition
Review
“[A] highly imaginative study. . . . By bringing the painful human cost of empire to the forefront in a way that few other scholars writing in English have, and linking those costs to larger economic structures and cultural phenomena, Driscoll has made a significant contribution to the growing field of Japanese colonial studies.”
- ERIK ESSELSTROM, American Historical Review
“A good book teaches you things you don’t know. A very good book does that and also changes the way you think about things in general. Mark Driscoll’s recent study, Absolute Erotic, Absolute Grotesque examines labor and social change in the days of the Japanese empire, and it is a very good book.” - Alexis Dudden, Monumental Nipponica
“[A] thought-provoking narrative of Japanese imperialism. . . . The book not only conceptualizes theoretical literatures of postcolonial studies and Marxism but also suggests concrete historical knowledge. I believe the book will attract readers not only in history but also comparative literature, cultural studies, psychology and philosophy.” - Sang Mi Park, Pacific Affairs
“[P]rovocatively argued and spiritedly written. . . . an audacious book. Bold, challenging, and refreshingly unrestrained by snooze-inducing generic conventions, Driscoll unapologetically shoves you into the muck of Japan’s modernity, breaches those vast colonial silences that ‘absorb all behavior, no matter how dirty, how animal it gets,’ and somehow makes the experience pleasurable. I can’t help but desire to be shoved further, past 1945, to trace vampiric revenants of the bio/neuro/necropolitical in postwar Japan. Perhaps there’s a sequel to be made.” - Gerald Figal, Journal of Japanese Studies
“Driscoll squarely confronts the real human costs of Japanese imperialism. He rightly demands that the problem of colonial labour be placed at the centre of abstract discussions of ‘resources,’ modernization, and late development. He also skillfully exposes the ‘ideological fantasy’ of Japan’s wartime leaders and the ways in which ‘civilizer/looter’ represented two sides of the same imperialist coin.” - Janis Mimura, Labour/Le Travail
“Absolute Erotic, Absolute Grotesque is a stupendous study of Japanese empire. While existing studies often revolve around the analysis of colonial institutions (such as the army, government, and market) and discourses of colonial modernity, Mark Driscoll takes us into a wholly different terrain of politics, bringing out of their historical coffins the ‘subaltern of the subaltern,’ from coolies, human traffickers, prostitutes, hustlers, and drug dealers to comfort women and suicidal soldiers.”—Hyun Ok Park, author of Two Dreams in One Bed: Empire, Social Life, and the Origins of the North Korean Revolution in Manchuria
“Absolute Erotic, Absolute Grotesque is not simply an informed account of Japan’s imperial adventure in Asia but also an original and thought-provoking rethinking of how we must proceed if we are to understand the dynamic relationship between the theoretically general and the historically concrete. One of the book’s principal effects is to liberate the discourse of postcolonialism from its dominant Anglo-Indian emphasis by grounding it in a different historical and imperial configuration.”—Harry D. Harootunian, author of The Empire’s New Clothes: Paradigm Lost, and Regained
“This book will be an essential touchstone for our understanding of twentieth-century imperialism, and of the transformation of labor under twentieth-century capitalism. Mark Driscoll’s elaboration of the notion of the biopolitical is the most imaginative and productive use of the concept that I have seen. His meticulous and wide-ranging research, drawing on Chinese and Korean sources as well as on his thorough mastery of Japanese archival and scholarly literature, not only makes a clear case for the specificity of the Japanese imperial project but offers crucial genealogical insights into the emergence of modern East Asian regimes of capital. Written with commitment, wit, and vision, it is also a great pleasure to read.”—Christopher Leigh Connery, author of The Empire of the Text: Writing and Authority in Early Imperial China
“[A] highly imaginative study. . . . By bringing the painful human cost of empire to the forefront in a way that few other scholars writing in English have, and linking those costs to larger economic structures and cultural phenomena, Driscoll has made a significant contribution to the growing field of Japanese colonial studies.”
(ERIK ESSELSTROM, American Historical Review)
“[A] thought-provoking narrative of Japanese imperialism. . . . The book not only conceptualizes theoretical literatures of postcolonial studies and Marxism but also suggests concrete historical knowledge. I believe the book will attract readers not only in history but also comparative literature, cultural studies, psychology and philosophy.” (Sang Mi Park, Pacific Affairs)
“[P]rovocatively argued and spiritedly written. . . . an audacious book. Bold, challenging, and refreshingly unrestrained by snooze-inducing generic conventions, Driscoll unapologetically shoves you into the muck of Japan’s modernity, breaches those vast colonial silences that ‘absorb all behavior, no matter how dirty, how animal it gets,’ and somehow makes the experience pleasurable. I can’t help but desire to be shoved further, past 1945, to trace vampiric revenants of the bio/neuro/necropolitical in postwar Japan. Perhaps there’s a sequel to be made.” (Gerald Figal, Journal of Japanese Studies)
“A good book teaches you things you don’t know. A very good book does that and also changes the way you think about things in general. Mark Driscoll’s recent study, Absolute Erotic, Absolute Grotesque examines labor and social change in the days of the Japanese empire, and it is a very good book.” (Alexis Dudden, Monumental Nipponica)
“Driscoll squarely confronts the real human costs of Japanese imperialism. He rightly demands that the problem of colonial labour be placed at the centre of abstract discussions of ‘resources,’ modernization, and late development. He also skillfully exposes the ‘ideological fantasy’ of Japan’s wartime leaders and the ways in which ‘civilizer/looter’ represented two sides of the same imperialist coin.” (Janis Mimura, Labour/Le Travail )
From the Back Cover
"This book will be an essential touchstone for our understanding of twentieth-century imperialism, and of the transformation of labor under twentieth-century capitalism. Mark Driscoll's elaboration of the notion of the biopolitical is the most imaginative and productive use of the concept that I have seen. His meticulous and wide-ranging research, drawing on Chinese and Korean sources as well as on his thorough mastery of Japanese archival and scholarly literature, not only makes a clear case for the specificity of the Japanese imperial project but offers crucial genealogical insights into the emergence of modern East Asian regimes of capital. Written with commitment, wit, and vision, it is also a great pleasure to read."--Christopher Leigh Connery, author of "The Empire of the Text: Writing and Authority in Early Imperial China"
About the Author
Mark Driscoll is Associate Professor of Japanese and International Studies at the University of North Carolina, Chapel Hill. He is the editor and translator of Katsuei Yuasa’s Kannani and Document of Flames: Two Japanese Colonial Novels, also published by Duke University Press.
Most helpful customer reviews
11 of 13 people found the following review helpful.
Masters of War
By Ljosi
This is a finely written book and a beautifully authoritative history of one of the ugliest colonial projects undertaken in modern history, and as such I would highly recommend this book in anyone who has an interest in East Asian history.
The problems I have with this book are a little bit more subtle. While I found Absolute Erotic, Absolute Grotesque eye-opening in many ways, I found many of Driscoll's observations a little bit hard to swallow, partly because his sometimes heavy-handed use of Marxist concepts to explain and intellectualize intense human suffering, which is really beyond theory (and to Driscoll's credit, in his chapter "Peripheral Pimps", he essentially admits this in talking about the suffering the victims of human traffickers went through). Likewise, to use theory to explain why an individual or group is suffering is insufficient and unhelpful, because it treats these things as "hentai", when violence and exploitation are universal in human history and, after all, if capitalism can be essentialized as the cause of the 30 million deaths in China under Japanese rule, then communism can be equally essentialized to explain the 40+ million dead in the Great Leap Forward a decade after. What changed my mind, though, was Driscoll's application of these concepts to Foucaldien and Mbembean concepts of bio-, neuro- and necropolitics to fascist and colonialist structures.
In biopolitics in particular, I think the links between Japanese organized crime, militarists and zaibatsu are fascinating, and while I wish Driscoll had focused more on this directly, he presents a very strong case.
Certainly neuropolitics are applicable almost universally as well, but - as I said in my first paragraph - I think this concept is far more problematic. Not that neuropolitics don't exist, but I think it's somewhat arguable whether they, in Driscoll's examples of "sexologist, detective novelists, revolutionary pornographers", etc., are, indeed, actively `traded' "image commodities", or simply capitalized cultural phenomena. Rather than focusing on "eroguro nonsense" to explain neuropolitics, perhaps Driscoll should have temporarily abandoned subalternist studies and look to the beginning of the first Sino-Japanese war to the Meiji state's very intentional anti-Chinese media campaign (in the form of essays, poetry contests, ukiyo-e, etc.) to dehumanize the Chinese people and belittle the Chinese culture.
Aside from these ideological concerns with Driscoll's book, I generally found "Absolute Erotic" an extremely interesting book-- a rare page-turner in the theory/history sections.
3 of 4 people found the following review helpful.
Great book, but a knowledge of East Asian history is needed prior to reading.
By D. Green
This is a great book. Driscoll, here, as well as in another work of his, a translation with analysis, Kannani and Document of Flames: Two Japanese Colonial Novels, examines an era of Japanese and East Asian history that has been clouded and shifted by Cold War era politics and scholarship, the Japanese Imperial period. An period that lasted from the early 1900s up until the end of World War II. This book is about the way the control of the occupied countries and territories, Japanese held Manchuria in particular, effected how life in the metropole, Japan it's self, was controlled and managed.
The main theme of this book is, as Driscoll puts it, "business as the continuation of war by other means" (page 35). After the Japanese Imperial forces acquired territory via force, the main strategy for establishing and maintaining these series of occupations, or in any occupation, was to send in settlers, businesses, and build hospitals and schools. Over the decades, the imperial Japan occupation strategy evolved and became more complex and vicious as the desires to abstract more and more capital (money) became greater especially in the years leading up to the second Sino-Japanese War and then World War II. Driscroll categories this evolving strategy into three degrees that not only make up the three parts of his book, but could also define three periods of Japanese Imperial period. These three degrees are biopolitics, neuropolitics, and necropolitics.
To quickly summarizes, biopolitics refers to the main strategy of an occupying force, to send in settlers, and businesses that become self sustaining in the occupied area in the name of the imperial power. Neuropolitics is the next stage, where commercial enterprises use ways of making their goods and services a necessity in the functioning of everyday life in order to drive out more capital from their consumers. The third degree that is the easiest to understand in the context of Imperial Japan and World War II, necropolitics is the controlling of conditions upon a given group of people, the colonized, to the point where they can not survive or at least live as humans.
The book provides a new and fresh look at this area of East Asian and Japanese history. However, I think that only readers with a prior knowledge of this subject may find this book welcoming. Speaking as a member of this group myself, Driscoll does a more than adequate job of covering the truly erotic and grotesque acts of Imperial Japan. He talks about the nature and reasons why these horrible things were done. I just wish that Driscoll could have talked, at least a little, about how the Japanese Imperial/Colonial capitalist system has informed and influenced the Japanese democratic capitalist system post World War II and on up until the mid 1990s.
0 of 6 people found the following review helpful.
"A cultural interpretation of imperialist Japanese sex practices in Asia."
By ROROTOKO
Professor Driscoll's interview on "Absolute Erotic, Absolute Grotesque" ran as the Rorotoko Cover Feature on February 09, 2011 (and can be read in the Rorotoko archive).
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