Rabu, 31 Desember 2014

? PDF Download Bricks Without Straw: A Novel, by Albion W. Tourgée

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A classic of American political fiction first published in 1880, a mere three years after Reconstruction officially ended, Bricks Without Straw offers an inside view of the struggle to create a just society in the post-slavery South. It is unique among the white-authored literary works of its time in presenting Reconstruction through the eyes of emancipated slaves. As a leading Radical Republican, the author, Albion W. Tourgée, played a key role in drafting a democratized Constitution for North Carolina after the Civil War, and he served as a state superior court judge during Reconstruction. Tourgée worked closely with African Americans and poor whites in the struggle to transform North Carolina’s racial and class politics. He saw the ravages of the Ku Klux Klan firsthand, worked to bring the perpetrators of Klan atrocities to justice, and fought against what he called the “counter-revolution” that destroyed Reconstruction.

Bricks Without Straw is Tourgée’s fictionalized account of how Reconstruction was sabotaged. It is a chilling picture of violence against African Americans condoned, civil rights abrogated, constitutional amendments subverted, and electoral fraud institutionalized. Its plot revolves around a group of North Carolina freedpeople who strive to build new lives for themselves by buying land, marketing their own crops, setting up a church and school, and voting for politicians sympathetic to their interests, until Klan terrorism and the ascendancy of a white supremacist government reduce them to neo-slavery. This edition of Bricks Without Straw is enhanced by Carolyn L. Karcher’s introduction, which sets the novel in historical context and provides an overview of Albion W. Tourgée’s career, a chronology of the significant events of both the Reconstruction era and Tourgée’s life, and explanatory notes identifying actual events fictionalized in the novel.

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Jumat, 26 Desember 2014

> Free Ebook We Are the Face of Oaxaca: Testimony and Social Movements, by Lynn Stephen

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A massive uprising against the Mexican state of Oaxaca began with the emergence of the Popular Assembly of the Peoples of Oaxaca (APPO) in June 2006. A coalition of more than 300 organizations, APPO disrupted the functions of Oaxaca's government for six months. It began to develop an inclusive and participatory political vision for the state. Testimonials were broadcast on radio and television stations appropriated by APPO, shared at public demonstrations, debated in homes and in the streets, and disseminated around the world via the Internet.

The movement was met with violent repression. Participants were imprisoned, tortured, and even killed. Lynn Stephen emphasizes the crucial role of testimony in human rights work, indigenous cultural history, community and indigenous radio, and women's articulation of their rights to speak and be heard. She also explores transborder support for APPO, particularly among Oaxacan immigrants in Los Angeles. The book is supplemented by a website featuring video testimonials, pictures, documents, and a timeline of key events.

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Rabu, 24 Desember 2014

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For two decades Bruce Robbins has been a theorist of and participant in the movement for a "new cosmopolitanism," an appreciation of the varieties of multiple belonging that emerge as peoples and cultures interact. In Perpetual War he takes stock of this movement, rethinking his own commitment and reflecting on the responsibilities of American intellectuals today. In this era of seemingly endless U.S. warfare, Robbins contends that the declining economic and political hegemony of the United States will tempt it into blaming other nations for its problems and lashing out against them.

Under these conditions, cosmopolitanism in the traditional sense—primary loyalty to the good of humanity as a whole, even if it conflicts with loyalty to the interests of one's own nation—becomes a necessary resource in the struggle against military aggression. To what extent does the "new" cosmopolitanism also include or support this "old" cosmopolitanism? In an attempt to answer this question, Robbins engages with such thinkers as Noam Chomsky, Edward Said, Anthony Appiah, Immanuel Wallerstein, Louis Menand, W. G. Sebald, and Slavoj Zizek. The paradoxes of detachment and belonging they embody, he argues, can help define the tasks of American intellectuals in an era when the first duty of the cosmopolitan is to resist the military aggression perpetrated by his or her own country.

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Selasa, 23 Desember 2014

** PDF Download Absolute Erotic, Absolute Grotesque: The Living, Dead, and Undead in Japan's Imperialism, 1895–1945, by Mark Driscoll

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In this major reassessment of Japanese imperialism in Asia, Mark Driscoll foregrounds the role of human life and labor. Drawing on subaltern postcolonial studies and Marxism, he directs critical attention to the peripheries, where figures including Chinese coolies, Japanese pimps, trafficked Japanese women, and Korean tenant farmers supplied the vital energy that drove Japan's empire. He identifies three phases of Japan's capitalist expansion, each powered by distinct modes of capturing and expropriating life and labor: biopolitics (1895–1914), neuropolitics (1920–32), and necropolitics (1935-45). During the first phase, Japanese elites harnessed the labor of marginalized subjects as Japan colonized Taiwan, Korea, and south Manchuria, and sent hustlers and sex workers into China to expand its market hegemony. Linking the deformed bodies laboring in the peripheries with the "erotic-grotesque" media in the metropole, Driscoll centers the second phase on commercial sexology, pornography, and detective stories in Tokyo to argue that by 1930, capitalism had colonized all aspects of human life: not just labor practices but also consumers’ attention and leisure time. Focusing on Japan's Manchukuo colony in the third phase, he shows what happens to the central figures of biopolitics as they are subsumed under necropolitical capitalism: coolies become forced laborers, pimps turn into state officials and authorized narcotraffickers, and sex workers become "comfort women". Driscoll concludes by discussing Chinese fiction written inside Manchukuo, describing the everyday violence unleashed by necropolitics.

  • Sales Rank: #1236099 in Books
  • Brand: Brand: Duke University Press Books
  • Published on: 2010-08-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .90" w x 6.10" l, 1.20 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Used Book in Good Condition

Review
“[A] highly imaginative study. . . . By bringing the painful human cost of empire to the forefront in a way that few other scholars writing in English have, and linking those costs to larger economic structures and cultural phenomena, Driscoll has made a significant contribution to the growing field of Japanese colonial studies.”
- ERIK ESSELSTROM, American Historical Review

“A good book teaches you things you don’t know. A very good book does that and also changes the way you think about things in general. Mark Driscoll’s recent study, Absolute Erotic, Absolute Grotesque examines labor and social change in the days of the Japanese empire, and it is a very good book.” - Alexis Dudden, Monumental Nipponica

“[A] thought-provoking narrative of Japanese imperialism. . . . The book not only conceptualizes theoretical literatures of postcolonial studies and Marxism but also suggests concrete historical knowledge. I believe the book will attract readers not only in history but also comparative literature, cultural studies, psychology and philosophy.” - Sang Mi Park, Pacific Affairs

“[P]rovocatively argued and spiritedly written. . . . an audacious book. Bold, challenging, and refreshingly unrestrained by snooze-inducing generic conventions, Driscoll unapologetically shoves you into the muck of Japan’s modernity, breaches those vast colonial silences that ‘absorb all behavior, no matter how dirty, how animal it gets,’ and somehow makes the experience pleasurable. I can’t help but desire to be shoved further, past 1945, to trace vampiric revenants of the bio/neuro/necropolitical in postwar Japan. Perhaps there’s a sequel to be made.” - Gerald Figal, Journal of Japanese Studies

“Driscoll squarely confronts the real human costs of Japanese imperialism. He rightly demands that the problem of colonial labour be placed at the centre of abstract discussions of ‘resources,’ modernization, and late development. He also skillfully exposes the ‘ideological fantasy’ of Japan’s wartime leaders and the ways in which ‘civilizer/looter’ represented two sides of the same imperialist coin.” - Janis Mimura, Labour/Le Travail

“Absolute Erotic, Absolute Grotesque is a stupendous study of Japanese empire. While existing studies often revolve around the analysis of colonial institutions (such as the army, government, and market) and discourses of colonial modernity, Mark Driscoll takes us into a wholly different terrain of politics, bringing out of their historical coffins the ‘subaltern of the subaltern,’ from coolies, human traffickers, prostitutes, hustlers, and drug dealers to comfort women and suicidal soldiers.”—Hyun Ok Park, author of Two Dreams in One Bed: Empire, Social Life, and the Origins of the North Korean Revolution in Manchuria

“Absolute Erotic, Absolute Grotesque is not simply an informed account of Japan’s imperial adventure in Asia but also an original and thought-provoking rethinking of how we must proceed if we are to understand the dynamic relationship between the theoretically general and the historically concrete. One of the book’s principal effects is to liberate the discourse of postcolonialism from its dominant Anglo-Indian emphasis by grounding it in a different historical and imperial configuration.”—Harry D. Harootunian, author of The Empire’s New Clothes: Paradigm Lost, and Regained

“This book will be an essential touchstone for our understanding of twentieth-century imperialism, and of the transformation of labor under twentieth-century capitalism. Mark Driscoll’s elaboration of the notion of the biopolitical is the most imaginative and productive use of the concept that I have seen. His meticulous and wide-ranging research, drawing on Chinese and Korean sources as well as on his thorough mastery of Japanese archival and scholarly literature, not only makes a clear case for the specificity of the Japanese imperial project but offers crucial genealogical insights into the emergence of modern East Asian regimes of capital. Written with commitment, wit, and vision, it is also a great pleasure to read.”—Christopher Leigh Connery, author of The Empire of the Text: Writing and Authority in Early Imperial China

“[A] highly imaginative study. . . . By bringing the painful human cost of empire to the forefront in a way that few other scholars writing in English have, and linking those costs to larger economic structures and cultural phenomena, Driscoll has made a significant contribution to the growing field of Japanese colonial studies.”
(ERIK ESSELSTROM, American Historical Review)

“[A] thought-provoking narrative of Japanese imperialism. . . . The book not only conceptualizes theoretical literatures of postcolonial studies and Marxism but also suggests concrete historical knowledge. I believe the book will attract readers not only in history but also comparative literature, cultural studies, psychology and philosophy.” (Sang Mi Park, Pacific Affairs)

“[P]rovocatively argued and spiritedly written. . . . an audacious book. Bold, challenging, and refreshingly unrestrained by snooze-inducing generic conventions, Driscoll unapologetically shoves you into the muck of Japan’s modernity, breaches those vast colonial silences that ‘absorb all behavior, no matter how dirty, how animal it gets,’ and somehow makes the experience pleasurable. I can’t help but desire to be shoved further, past 1945, to trace vampiric revenants of the bio/neuro/necropolitical in postwar Japan. Perhaps there’s a sequel to be made.” (Gerald Figal, Journal of Japanese Studies)

“A good book teaches you things you don’t know. A very good book does that and also changes the way you think about things in general. Mark Driscoll’s recent study, Absolute Erotic, Absolute Grotesque examines labor and social change in the days of the Japanese empire, and it is a very good book.” (Alexis Dudden, Monumental Nipponica)

“Driscoll squarely confronts the real human costs of Japanese imperialism. He rightly demands that the problem of colonial labour be placed at the centre of abstract discussions of ‘resources,’ modernization, and late development. He also skillfully exposes the ‘ideological fantasy’ of Japan’s wartime leaders and the ways in which ‘civilizer/looter’ represented two sides of the same imperialist coin.” (Janis Mimura, Labour/Le Travail )

From the Back Cover
"This book will be an essential touchstone for our understanding of twentieth-century imperialism, and of the transformation of labor under twentieth-century capitalism. Mark Driscoll's elaboration of the notion of the biopolitical is the most imaginative and productive use of the concept that I have seen. His meticulous and wide-ranging research, drawing on Chinese and Korean sources as well as on his thorough mastery of Japanese archival and scholarly literature, not only makes a clear case for the specificity of the Japanese imperial project but offers crucial genealogical insights into the emergence of modern East Asian regimes of capital. Written with commitment, wit, and vision, it is also a great pleasure to read."--Christopher Leigh Connery, author of "The Empire of the Text: Writing and Authority in Early Imperial China"

About the Author

Mark Driscoll is Associate Professor of Japanese and International Studies at the University of North Carolina, Chapel Hill. He is the editor and translator of Katsuei Yuasa’s Kannani and Document of Flames: Two Japanese Colonial Novels, also published by Duke University Press.

Most helpful customer reviews

11 of 13 people found the following review helpful.
Masters of War
By Ljosi
This is a finely written book and a beautifully authoritative history of one of the ugliest colonial projects undertaken in modern history, and as such I would highly recommend this book in anyone who has an interest in East Asian history.

The problems I have with this book are a little bit more subtle. While I found Absolute Erotic, Absolute Grotesque eye-opening in many ways, I found many of Driscoll's observations a little bit hard to swallow, partly because his sometimes heavy-handed use of Marxist concepts to explain and intellectualize intense human suffering, which is really beyond theory (and to Driscoll's credit, in his chapter "Peripheral Pimps", he essentially admits this in talking about the suffering the victims of human traffickers went through). Likewise, to use theory to explain why an individual or group is suffering is insufficient and unhelpful, because it treats these things as "hentai", when violence and exploitation are universal in human history and, after all, if capitalism can be essentialized as the cause of the 30 million deaths in China under Japanese rule, then communism can be equally essentialized to explain the 40+ million dead in the Great Leap Forward a decade after. What changed my mind, though, was Driscoll's application of these concepts to Foucaldien and Mbembean concepts of bio-, neuro- and necropolitics to fascist and colonialist structures.

In biopolitics in particular, I think the links between Japanese organized crime, militarists and zaibatsu are fascinating, and while I wish Driscoll had focused more on this directly, he presents a very strong case.
Certainly neuropolitics are applicable almost universally as well, but - as I said in my first paragraph - I think this concept is far more problematic. Not that neuropolitics don't exist, but I think it's somewhat arguable whether they, in Driscoll's examples of "sexologist, detective novelists, revolutionary pornographers", etc., are, indeed, actively `traded' "image commodities", or simply capitalized cultural phenomena. Rather than focusing on "eroguro nonsense" to explain neuropolitics, perhaps Driscoll should have temporarily abandoned subalternist studies and look to the beginning of the first Sino-Japanese war to the Meiji state's very intentional anti-Chinese media campaign (in the form of essays, poetry contests, ukiyo-e, etc.) to dehumanize the Chinese people and belittle the Chinese culture.

Aside from these ideological concerns with Driscoll's book, I generally found "Absolute Erotic" an extremely interesting book-- a rare page-turner in the theory/history sections.

3 of 4 people found the following review helpful.
Great book, but a knowledge of East Asian history is needed prior to reading.
By D. Green
This is a great book. Driscoll, here, as well as in another work of his, a translation with analysis, Kannani and Document of Flames: Two Japanese Colonial Novels, examines an era of Japanese and East Asian history that has been clouded and shifted by Cold War era politics and scholarship, the Japanese Imperial period. An period that lasted from the early 1900s up until the end of World War II. This book is about the way the control of the occupied countries and territories, Japanese held Manchuria in particular, effected how life in the metropole, Japan it's self, was controlled and managed.

The main theme of this book is, as Driscoll puts it, "business as the continuation of war by other means" (page 35). After the Japanese Imperial forces acquired territory via force, the main strategy for establishing and maintaining these series of occupations, or in any occupation, was to send in settlers, businesses, and build hospitals and schools. Over the decades, the imperial Japan occupation strategy evolved and became more complex and vicious as the desires to abstract more and more capital (money) became greater especially in the years leading up to the second Sino-Japanese War and then World War II. Driscroll categories this evolving strategy into three degrees that not only make up the three parts of his book, but could also define three periods of Japanese Imperial period. These three degrees are biopolitics, neuropolitics, and necropolitics.

To quickly summarizes, biopolitics refers to the main strategy of an occupying force, to send in settlers, and businesses that become self sustaining in the occupied area in the name of the imperial power. Neuropolitics is the next stage, where commercial enterprises use ways of making their goods and services a necessity in the functioning of everyday life in order to drive out more capital from their consumers. The third degree that is the easiest to understand in the context of Imperial Japan and World War II, necropolitics is the controlling of conditions upon a given group of people, the colonized, to the point where they can not survive or at least live as humans.

The book provides a new and fresh look at this area of East Asian and Japanese history. However, I think that only readers with a prior knowledge of this subject may find this book welcoming. Speaking as a member of this group myself, Driscoll does a more than adequate job of covering the truly erotic and grotesque acts of Imperial Japan. He talks about the nature and reasons why these horrible things were done. I just wish that Driscoll could have talked, at least a little, about how the Japanese Imperial/Colonial capitalist system has informed and influenced the Japanese democratic capitalist system post World War II and on up until the mid 1990s.

0 of 6 people found the following review helpful.
"A cultural interpretation of imperialist Japanese sex practices in Asia."
By ROROTOKO
Professor Driscoll's interview on "Absolute Erotic, Absolute Grotesque" ran as the Rorotoko Cover Feature on February 09, 2011 (and can be read in the Rorotoko archive).

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Sabtu, 20 Desember 2014

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Cultured States is a vivid account of the intersections of postcolonial state power, the cultural politics of youth and gender, and global visions of modern style in Dar es Salaam, Tanzania, during the 1960s and early 1970s. Andrew Ivaska describes a cosmopolitan East African capital rocked by debates over youth culture, national cultural policy, the rumored sexual escapades of the postcolonial elite, the content of university education, leftist activism, and the reform of colonial-era marriage laws. If young Tanzanians saw themselves as full-fledged participants in modern global culture, their understandings of the modern conflicted with that of a state launching “decency campaigns” banning cultural forms such as soul music, miniskirts, wigs, and bell-bottoms. Promoted by the political elite as a radical break from the colonial order, these campaigns nonetheless contained strong echoes of colonial assumptions about culture, tradition, and African engagements with the modern city. Exploring the ambivalence over the modern at the heart of these contests, Ivaska uses them as lenses through which to analyze struggles around gender relations and sexual politics, youth and masculinity, and the competition for material resources in a Dar es Salaam in rapid flux. Cultured States is a major contribution to understandings of urban cultural politics; national political culture; social struggles around gender, generation, and wealth; and the transnational dimensions of postcolonial histories too often conceived within national frames.

  • Sales Rank: #1704493 in Books
  • Brand: Brand: Duke University Press Books
  • Published on: 2011-01-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .80" w x 6.00" l, .88 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Review
“Andrew Ivaska brings historical depth and nuance to an inherently fascinating subject: cultural politics in early postcolonial Africa. His original, conceptually sophisticated chronicle of the heated cultural debates that took place in Dar es Salaam, Tanzania, during the 1960s demonstrates a masterful grasp of comparative scholarship on popular culture, modernity, and globalization.”—Lynn M. Thomas, author of Politics of the Womb: Women, Reproduction, and the State in Kenya

“Cultured States is an enormous contribution to scholarship on the cultural politics of postcolonial East Africa. It is filled with rich and wonderful insights into youth, fashion, and the political culture of the 1960s.”—Luise White, author of Speaking with Vampires: Rumor and History in Colonial Africa

“Andrew Ivaska has written a highly effective monograph that explores how state ideology, popular cultural practices, historical era, and emergent social structure intersected in postcolonial Tanzania.... Cultured States is a very good monograph full of valuable insights for scholars, graduate students, and upper-level undergraduates with an interest in cultural history, politics, anthropology, African studies, globalization, popular culture, and postcolonial studies.” (Anne S. Lewinson International Journal of African Historical Studies)

“Andrew Ivaska’s book may stand as a pioneering work in the historiography of postcolonial Africa. In its ?nely textured depictions of the distinctive cultural imaginaries fueling of?cial and unof?cial visions of nation building and citizenship in postindependence Tanzania, the book offers compelling material for broader studies in comparative nationalisms worldwide. The same can be said of its potential contributions to comparative studies of the cosmopolitan sensibilities and social movements of the global 1960s.” (Jay Straker American Historical Review)

“Andrew Ivaska’s fascinating book explores the raucous and hotly contested cultural politics of 1960s Dar es Salaam, showing how debates over national culture were simultaneously critical public discussions about changing gender roles, intergenerational tensions and growing material inequalities – all of which were visible in the public spaces of Tanzania’s rapidly expanding capital city…. Cultured States will surely attract a wide readership in African studies, but it merits an audience beyond this as well, in areas including urban studies, the global history of the 1960s and postcolonial studies.” (Emily Callaci Social History)

“Cultured States is a welcome contribution to the growing field of histories that explore cultural politics in the decades immediately following decolonization… This book should be extremely effective in graduate and upper-level undergraduate classrooms. It is well-organized, explores theoretically complex issues in clear language, and is very entertaining. Ivaska carefully places the study within the larger body of literature on youth culture and gender debates in the global 1960s. He succeeds in showing the richness and complexity in Tanzanian conflicts over socialism, culture, and young people.” (Jeremy Rich Canadian Journal of History)

“On the whole, Andrew Ivaska’s Cultured States is a well-written book that documents a fascinating historical period and offers significant theoretical insights.” (Daniel Mains American Ethnologist)

About the Author

Andrew Ivaska is Associate Professor of History at Concordia University in Montreal.

Most helpful customer reviews

0 of 0 people found the following review helpful.
fascinating work
By Wendi M. Muse
a great read on a very interesting topic! i would highly recommend it to anyone who works on east africa, fashion, and/or youth and national culture during the 1960s (and in post-colonial states in general). even if you don't study/research one or more of these topics, the book is very accessible and provides adequate background on tanzania to contextualize the general argument.

0 of 6 people found the following review helpful.
for school
By Mariam
it is for school not personal use so what did it matter, it was as promised though,that's all that matters

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Equaliberty: Political Essays (a John Hope Franklin Center Book), by Étienne Balibar

Equaliberty: Political Essays (a John Hope Franklin Center Book), by Étienne Balibar



Equaliberty: Political Essays (a John Hope Franklin Center Book), by Étienne Balibar

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Equaliberty: Political Essays (a John Hope Franklin Center Book), by Étienne Balibar

First published in French in 2010, Equaliberty brings together essays by Étienne Balibar, one of the preeminent political theorists of our time. The book is organized around equaliberty, a term coined by Balibar to connote the tension between the two ideals of modern democracy: equality (social rights and political representation) and liberty (the freedom citizens have to contest the social contract). He finds the tension between these different kinds of rights to be ingrained in the constitution of the modern nation-state and the contemporary welfare state. At the same time, he seeks to keep rights discourse open, eschewing natural entitlements in favor of a deterritorialized citizenship that could be expanded and invented anew in the age of globalization. Deeply engaged with other thinkers, including Arendt, Rancière, and Laclau, he posits a theory of the polity based on social relations. In Equaliberty Balibar brings both the continental and analytic philosophical traditions to bear on the conflicted relations between humanity and citizenship.

  • Sales Rank: #674108 in Books
  • Published on: 2014-02-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 376 pages

Review
"This outstanding book is Étienne Balibar at his most powerfully synthetic and politically incisive. In Equaliberty Balibar works his way through the house of left-wing political thought, performing a sort of philosophical spring cleaning. He disarticulates complex concepts only to reassemble them in better, more usable combinations. It is a call to action."—Bruce Robbins, author of Perpetual War: Cosmopolitanism from the Viewpoint of Violence

"Today many of the key concepts of our political vocabulary—including equality, freedom, democracy, and emancipation—seem so corrupted and vacuous that they are almost unusable. Étienne Balibar makes an important contribution by engaging critically and restoring these and other crucial political concepts. Equaliberty is a major book that displays Balibar's exemplary combination of erudition and clear, accessible argument."—Michael Hardt, coauthor of the books Declaration, Commonwealth, Multitude, and Empire



"This outstanding book is Étienne Balibar at his most powerfully synthetic and politically incisive. In Equaliberty, Balibar works his way through the house of left-wing political thought, performing a sort of philosophical spring cleaning. He disarticulates complex concepts only to reassemble them in better, more usable combinations. It is a call to action."—Bruce Robbins, author of Perpetual War: Cosmopolitanism from the Viewpoint of Violence (N/A)

"Today many of the key concepts of our political vocabulary—including equality, freedom, democracy, and emancipation—seem so corrupted and vacuous that they are almost unusable. Étienne Balibar makes an important contribution by engaging critically and restoring these and other crucial political concepts. Equaliberty is a major book that displays Balibar's exemplary combination of erudition and clear, accessible argument." (Michael Hardt, coauthor of the books Declaration, Commonwealth, Multitude, and Empire)

". . . this is a timely publication. It identifies and expands upon a crucial tension within liberal citizenship that runs through the course of history, but which seems particularly prescient today, especially within Europe. . . .  Rare for a book with such a philosophical argument, the connection to these issues is clear and prescient. Indeed, this continual problematization of the conditions for citizenship might be considered to be an exemplary manifestation of what it means to be a critical citizen." (Jonathan Joseph Notre Dame Philosophical Reviews)

“This is a wonderful speculative text in the best tradition of French political philosophy. But it is not only this: Balibar is also in dialogue with problems of leftist American social and political philosophy and especially its focus on the violences of neoliberalism. Finally, in a style that, by design, knows no country, Balibar’s Equaliberty works to update the enduring insights of Marx and Marxism in a deep reflection for our times." (Amy E. Wendling Marx and Philosophy Review of Books)

“Balibar may accept the frameworks and language of really existing capitalism, but he does so in order to pull at their threads and to refocus critique upon tired concepts. But a revolutionary fervour (although this too does not escape theorizing) runs throughout these essays. . . . It is Balibar’s persuasive analysis of who counts as a citizen and who does not, and who is granted rights and who must take them another way, that makes these essays.”  (Nina Power Radical Philosophy)

“A well-written, if still extremely dense, collection of theoretical investigations that lead towards more than just mere armchair philosophising; rather, to a motivated call for sophisticated and impassioned activism through normative research agendas for graduate students and academic professionals, specifically focusing on the future of cosmopolitics and trans-/de-nationalised notions of citizenship.” (Bryant William Sculos Political Studies Review)

About the Author

Étienne Balibar was a student of Louis Althusser, with whom he cowrote Reading Capital. The author of many books on moral and political philosophy, he is Emeritus Professor of Philosophy at the Université de Paris–X Nanterrre and Anniversary Chair in the Humanities at Kingston University in London. He has served as Distinguished Professor of Humanities at the University of California, Irvine, and, more recently, as Visiting Professor at Columbia University.

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Senin, 15 Desember 2014

! Download PDF On The Wire (Spin Offs), by Linda Williams

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On The Wire (Spin Offs), by Linda Williams

Many television critics, legions of fans, even the president of the United States, have cited The Wire as the best television series ever. In this sophisticated examination of the HBO serial drama that aired from 2002 until 2008, Linda Williams, a leading film scholar and authority on the interplay between film, melodrama, and issues of race, suggests what exactly it is that makes The Wire so good. She argues that while the series is a powerful exploration of urban dysfunction and institutional failure, its narrative power derives from its genre. The Wire is popular melodrama, not Greek tragedy, as critics and the series creator David Simon have claimed. Entertaining, addictive, funny, and despairing all at once, it is a serial melodrama grounded in observation of Baltimore's people and institutions: of cops and criminals, schools and blue-collar labor, local government and local journalism. The Wire transforms close observation into an unparalleled melodrama by juxtaposing the good and evil of individuals with the good and evil of institutions.
 

  • Sales Rank: #872112 in Books
  • Brand: Williams, Linda
  • Published on: 2014-08-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.10" h x .60" w x 5.80" l, .0 pounds
  • Binding: Paperback
  • 280 pages

Review
"I must admit being skeptical of Linda Williams's thesis that The Wire is best understood as melodrama. But after reading her convincing and compelling analysis, I not only came away with new insights into a series that I knew very well, but have fully revised my notions of how serial melodrama applies to contemporary television. This vital book is essential reading for scholars and viewers of both The Wire and television drama more broadly."
(Jason Mittell, author of Television and American Culture)

"Linda Williams's kaleidoscopic study compellingly considers The Wire as art, as rhetoric, and as political intervention. Her absorbing argument for the series as 'institutional melodrama' upends conventional discussions not only about this narrative but about the broader practice of contemporary television drama. We understand The Wire not as tragedy, not as a novel, not as a piece of journalism; rather, we see and feel the show at the intersection of home and the world, as the orange couch in the courtyard of the low rises." (Sean O'Sullivan, author of Mike Leigh)

"On the Wire is a readable, rigorously argued account of HBO’s seminal series. . . . Williams is noted for being a top scholar in film and media studies, but On the Wire demonstrates that above all else she is a passionate fan of the series. In order to explain why she loves it so much, and why it has impacted American culture with such force, she’s written a must-read book for everyone who believes that The Wire is life-changing fiction of the highest order." (Jon Lisi PopMatters)

"Linda Williams’s book revolutionizes the ways we approach the series. Hers is a provocative, productive analysis that makes an essential contribution to the sociology of television: not only how to think of television as social force but its own ability to constitute sociological investigation." (Dana Polan Film Quarterly)

“By tying The Wire’s forcefulness to its televisual and melodramatic nature, On The Wire reveals that however exceptional, this show can also be a model. As such, this book modestly saves the series from monumentality.” (Nathan Holmes Critical Inquiry)

"Williams’ s study... provides a view of The Wire that is often illuminating and surprising…" (Stanley Corkin Journal of American Studies 2015-11-01)

“As an avid fan of the series The Wire, Linda Williams’s book was a thoroughly interesting read. … In each section, the author skillfully weaves the storyline from episodes into her argument in a believable and defensible fashion. … Williams’s volume offers a unique perspective on a beloved series.” (Amy Muckleroy Carwile Journalism and Mass Communication Quarterly 2015-12-01)

“On The Wire is an ambitious study that makes an original, compelling argument about a series on which much has already been written. The questions Williams sets out in the early part of her monograph both pay tribute to The Wire and make clear that she is willing to probe the assumptions often made about it. ...Pushing back against the critical consensus, On The Wire is not just an original study of its chosen series but also a model for how we should think about contemporary television more generally.” (George Potts Critical Quarterly 2015-07-01)

“Williams’s On The Wire is a fascinating text. Whether she is lauding the series for its capacity to ruffle certain cinematic conventions and assumptions about race and class or criticizing the show for its diminished gender politics (e.g., blaming the single black mother), her analysis is coherent, trenchant, and provocative. … For those interested in the series and those interested more generally in film and media studies, American culture, and the intersection of race and class, On The Wire will be an enjoyable and provocative read.” (Joseph Winters African American Review 2014-12-01)

“On The Wire is not only an important work for any study of The Wire, but is also an important offering for television scholarship. Furthermore, On The Wire provides strong analysis of the role of melodrama in society, and establishes an illuminating vocabulary for depictions of race in popular culture.”   (Alex Moran 49th Parallel)

About the Author
Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Screening Sex and Porn Studies, both also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the "Frenzy of the Visible." In 2013, Williams received a Lifetime Achievement Award from the Society for Cinema and Media Studies.
 

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4 of 4 people found the following review helpful.
Cultural criticism at its best
By Judith Kegan Gardiner
Cultural criticism at its best -- clear, engaging, entertaining, intelligent. This book will delight fans of the remarkable television series The Wire with its telling insights while it also persuades the reader of its larger claims for the importance of melodrama's aspirations towards justice in a world it shows as often relentlessly unjust.

4 of 4 people found the following review helpful.
... me to respond I'll just say this is the best book out there on The Wire
By linda williams
Of course I'm prejudiced but since Amazon asked me to respond I'll just say this is the best book out there on The Wire.
Linda Williams

2 of 2 people found the following review helpful.
... brings us back to the complexity of characters we enjoyed viewing over five seasons of this great TV series
By Jack Palumbo
Reading On The Wire brings us back to the complexity of characters we enjoyed viewing over five seasons of this great TV series. Once again we observe them struggle to make sense of the various institutions of urban life in Baltimore. Linda Williams argues that the characters and the institutions of each of these seasons do not, as some have argued, create a classical Greek stage; rather their lives can best be understood as melodrama. Drawing heavily from her earlier acclaimed study of the history of America genres as melodrama, Playing the Race Card: Melodramas of Black and White From Uncle Tom’s Cabin to OJ Simpson, Williams gets us to better understand Omar, Bubbles, Major Daniels, detective McNulty and the other memorable personalities. For anyone who knows the HBO series this read is a must. For those not familiar with the TV series, this engaging book will most certainly lead you to immediately order season one of The Wire

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