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Singing was just one element of blues performance in the early twentieth century. Ma Rainey, Bessie Smith, and other classic blues singers also tapped, joked, and flaunted extravagant costumes on tent show and black vaudeville stages. The press even described these women as "actresses" long before they achieved worldwide fame for their musical recordings. In Staging the Blues, Paige A. McGinley shows that even though folklorists, record producers, and festival promoters set the theatricality of early blues aside in favor of notions of authenticity, it remained creatively vibrant throughout the twentieth century. Highlighting performances by Rainey, Smith, Lead Belly, Sister Rosetta Tharpe, Sonny Terry, and Brownie McGhee in small Mississippi towns, Harlem theaters, and the industrial British North, this pioneering study foregrounds virtuoso blues artists who used the conventions of the theater, including dance, comedy, and costume, to stage black mobility, to challenge narratives of racial authenticity, and to fight for racial and economic justice.
- Sales Rank: #232761 in Books
- Published on: 2014-09-10
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x .75" l, .0 pounds
- Binding: Paperback
- 304 pages
Review
"This beautifully written and engaging account of how blues has been staged will change for good how theater scholars think of musical performance, and how music scholars think of theater. Paige A. McGinley's observation that 'authenticity is produced theatrically, on stage, in the context of the performance event' deconstructs the binary between authenticity and inauthenticity, allowing her to focus on black agency and subjectivity as it is produced in and through performance."
(Gayle Wald, author of Shout, Sister, Shout! The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe 2014-03-12)
"Staging the Blues is a much-needed, even game-changing intervention into dominant models for the study of blues music and culture. Based on amazing original research, Paige A. McGinley reassesses what we think we know about the blues, offers bold and insightful analyses of the racial and gendered politics of blues performance and reception, and, crucially, restores critical recognition of the theatricality of the blues and its historical place in traditions of popular performance." (Jayna Brown, author of Babylon Girls: Black Women Performers and the Shaping of the Modern 2014-03-12)
"A fascinating study that ought to be widely read and its implications thoughtfully considered. For scholars, critics, historians, and aficionados of the blues." (Genevieve Williams Library Journal)
“[McGinley] does a worthy job of explaining how the dominant framing of the blues essentially assigned the very notion of theatrical performance – and, by extension, a performer’s right to develop a stage presence of his/her own choosing – to a gendered, second-class status. The irony turns out to be that said framing was itself a theatrical construct in the first place.” (Mark Reynolds PopMatters)
“In this concise musical journey of the mise-en-scène of blues music performances, McGinley takes readers to the South, starting with the tent shows of an earlier era and concluding with the current staging of the blues for genre travelers and tourists. … Readers are left with the knowledge of what scenic staging has meant for blues throughout the decades. … Recommended. All readers.” (T. Emery Choice)
“Staging the Blues will likely become the latest in a line of mould-breaking scholarly works on the blues to have emerged in recent years. McGinley’s emphasis on theatricality brings life to well-worn subjects, and aptly illustrates the benefits of an interdisciplinary approach that is not yet the norm in blues scholarship. This book is quite simply a must for all scholars and students of African American performance culture.”
(Lawrence Davies Studies in Theatre and Performance)
“Tracing the iterative qualities of theatrical blues trappings and their transformation by blues performers, Staging the Blues makes an important contribution to our understanding of the production and performance of race. Its exhaustive archival depth recasts familiar performances and introduces new material that adds to the scholarly repertoire of black performance studies. Most significantly, it establishes a vital conversation between popular theatre and music that provides a model of interdisciplinary performance studies.” (Shane Vogel Theatre Research International 2015-09-01)
"[T]his study will prove to be one of the most captivating additions to the scholarship on the blues to date." (Tammy L. Kernodle American Studies 2016-01-01)
"In short, this book is a must-read. McGinley’s methodology and historical purview tear down those worn-out perceptions of authenticity to reinsert the thespian dynamism of American vernacular music." (Stephanie Vander Wel The Journal of Southern History 2016-05-01)
About the Author
Paige A. McGinley is Assistant Professor of Performing Arts at Washington University in St. Louis.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Anonymous
An exceptional book. McGinley presents a fascinating take on the per formative elements of the blues.
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