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This fifth edition of Developments in Central and East European Politics maintains the series' status as the most up-to-date and authoritative guide to political transformations in the region. The countries that emerged from the collapse of communism between 1989 and 1991 embarked on transitions to democracy and a market economy that were profoundly affected by developments such as the expansion of the European Union (EU) and NATO.

Central and East Europe is a large, extremely diverse region, encompassing full-fledged EU members—the Czech Republic, Hungary, Poland, Estonia, Latvia, Lithuania, Slovenia, and Slovakia, followed later by Bulgaria and Romania—as well as nations of the Western Balkans that are progressing at various speeds along the EU path—Croatia, about to join; Macedonia, Montenegro and Serbia, with EU candidate status; and Albania, Bosnia and Herzegovina, and Kosovo, struggling to keep up. The region also includes the East European states of Ukraine, Belarus, and Moldova. In this collection, leading authorities examine how these heterogeneous nations have fared since the collapse of communism. The contributors look at executive leadership, elections and voter behavior, parliamentary systems, political parties, citizen engagement in civil society, the effects of neoliberalism, and the quality of life in postcommunist democracies. Most of the essays are new to this edition; the rest have been thoroughly updated.

Contributors. Judy Batt, Sarah Birch, Nathaniel Copsey, Terry Cox, Rick Fawn, Tim Haughton, Krzysztof Jasiewicz, Paul G. Lewis, Frances Millard, David M. Olson, Mitchell A. Orenstein, Andrew Roberts, Ray Taras, Stephen White, Andrew Wilson

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Theodor W. Adorno (1903–1969) was one of the twentieth century’s most important thinkers. In light of two pivotal developments—the rise of fascism, which culminated in the Holocaust, and the standardization of popular culture as a commodity indispensable to contemporary capitalism—Adorno sought to evaluate and synthesize the essential insights of Western philosophy by revisiting the ethical and sociological arguments of his predecessors: Kant, Nietzsche, Hegel, and Marx. This book, first published in Germany in 1996, provides a succinct introduction to Adorno’s challenging and far-reaching thought. Gerhard Schweppenhäuser, a leading authority on the Frankfurt School of critical theory, explains Adorno’s epistemology, social and political philosophy, aesthetics, and theory of culture.

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This essay collection focuses on the gendered dimensions of reality television in both the United States and Great Britain. Through close readings of a wide range of reality programming, from Finding Sarah and Sister Wives to Ghost Adventures and Deadliest Warrior, the contributors think through questions of femininity and masculinity, as they relate to the intersections of gender, race, class, and sexuality. They connect the genre's combination of real people and surreal experiences, of authenticity and artifice, to the production of identity and norms of citizenship, the commodification of selfhood, and the naturalization of regimes of power. Whether assessing the Kardashian family brand, portrayals of hoarders, or big-family programs such as 19 Kids and Counting, the contributors analyze reality television as a relevant site for the production and performance of gender. In the process, they illuminate the larger neoliberal and postfeminist contexts in which reality TV is produced, promoted, watched, and experienced.

Contributors. David Greven, Dana Heller, Su Holmes, Deborah Jermyn, Misha Kavka, Amanda Ann Klein, Susan Lepselter, Diane Negra, Laurie Ouellette, Gareth Palmer, Kirsten Pike, Maria Pramaggiore, Kimberly Springer, Rebecca Stephens, Lindsay Steenberg, Brenda R. Weber
 

• Sales Rank: #877048 in Books
• Published on: 2014-03-28
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 6.00" w x 1.00" l, 1.18 pounds
• Binding: Paperback
• 400 pages

Review
"This timely anthology brings together a selection of strong scholarship concerned with the gendered dimensions of reality television. Although there already exist some good analyses of reality TV, this anthology’s focus on gender and its intersections is a necessary addition to the field. Brenda R. Weber’s introduction is pivotal in our thinking about gender and the reality genre, and there is a serious attempt to think beyond the US—including some useful contributions about UK reality television. The collection fills a gap in the scholarly literature and is a welcome and necessary addition to the field of reality TV studies." (Katherine Sender, author of The Makeover: Reality Television and Reflexive Audiences)

"While there has been a significant amount of research done on reality television over the past decade, only a small portion of that work has focused on gender, despite the plethora of issues around gender and sexuality found in reality TV programming. This anthology fills the gap." (Susan Murray, coeditor of Reality TV: Remaking Television Culture)

“This collection of essays is an informative, interesting, and entertaining read, even for someone who has never watched a reality program because the essays are so well-written, and synopses so well-intertwined, that one can easily understand the arguments.” (Sarah Gawronski The Journal of Popular Culture 2015-10-01)

About the Author
Brenda R. Weber is Associate Professor in Gender Studies at Indiana University, where she holds adjunct appointments in American Studies, Cultural Studies, Communication and Culture, and English. She is the author of Women and Literary Celebrity in the Nineteenth Century: The Transatlantic Production of Fame and Gender and Makeover TV: Selfhood, Citizenship, and Celebrity, which is also published by Duke University Press.

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Beautiful Data is both a history of big data and interactivity, and a sophisticated meditation on ideas about vision and cognition in the second half of the twentieth century. Contending that our forms of attention, observation, and truth are contingent and contested, Orit Halpern historicizes the ways that we are trained, and train ourselves, to observe and analyze the world. Tracing the postwar impact of cybernetics and the communication sciences on the social and human sciences, design, arts, and urban planning, she finds a radical shift in attitudes toward recording and displaying information. These changed attitudes produced what she calls communicative objectivity: new forms of observation, rationality, and economy based on the management and analysis of data. Halpern complicates assumptions about the value of data and visualization, arguing that changes in how we manage and train perception, and define reason and intelligence, are also transformations in governmentality. She also challenges the paradoxical belief that we are experiencing a crisis of attention caused by digital media, a crisis that can be resolved only through intensified media consumption.

• Sales Rank: #134979 in Books
• Published on: 2015-01-09
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .80" w x 6.10" l, .0 pounds
• Binding: Paperback
• 352 pages

Review
"Beautiful Data is a wonderful book, deeply engaging and full of compelling insights. Reading across fields, disciplines, borders, and issues, Orit Halpern chronicles the emergence of a new way of thinking about the world for the digital moment. It is crucial reading for anyone interested in the new directions in which the humanities, the arts, and education are moving." (Priscilla Wald, author of Contagious: Cultures, Carriers, and the Outbreak Narrative)

"From the title to the last page, Orit Halpern experiments with a heady mix of memory, speculation, and the physical world. Beautiful Data starts with the early days of cybernetics, back when the nascent discipline was undisciplined, roaming through the world, as much about architecture and design as it was about mathematics, physics and the functioning of the brain and body. Halpern then pushes on that openness, exploring design in the work of Kepes and Corbusier, up on through the vast new Korean smart-city Songdo, always returning to the control of data as it restructures our archival past and sketches our possible futures. An ambitious book, Beautiful Data is like a light pipe, pumping an ever-changing flow of new ideas about data and feedback in sudden and productive combination."
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"Overall... this is quite an interesting read, illustrating how a single idea (cybernetics) can permeate all walks of life, at least for a time." (Alexander von Lünen The British Journal for the History of Science 2016-03-01)

"...Halpern’s brilliant and blow-by-blow exposition on the transformation of our sense and reason in Beautiful Data certainly enriches our critical and historical understanding of important parts of contemporary society. This book contributes to the fields of communication studies, media studies, and science, technology and society (STS), as well as the history of science." (Yasuhito Abe International Journal of Communication 2016-06-01)

"Bringing together the history of science with studies of media, affect, and aesthetics, Beautiful Data offers a compelling account of the epistemological infrastructures of the digital that have, since 1945, radically changed the ways we see, interpret, and think." (Jessica Hurley American Literature 2016-09-03)

About the Author
Orit Halpern is Assistant Professor of History at the New School for Social Research and Eugene Lang College.

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Everyday utopias enact conventional activities in unusual ways. Instead of dreaming about a better world, participants seek to create it. As such, their activities provide vibrant and stimulating contexts for considering the terms of social life, of how we live together and are governed. Weaving conceptual theorizing together with social analysis, Davina Cooper examines utopian projects as seemingly diverse as a feminist bathhouse, state equality initiatives, community trading networks, and a democratic school where students and staff collaborate in governing. She draws from firsthand observations and interviews with participants to argue that utopian projects have the potential to revitalize progressive politics through the ways their innovative practices incite us to rethink mainstream concepts including property, markets, care, touch, and equality. This is no straightforward story of success, however, but instead a tale of the challenges concepts face as they move between being imagined, actualized, hoped for, and struggled over. As dreaming drives new practices and practices drive new dreams, everyday utopias reveal how hard work, feeling, ethical dilemmas, and sometimes, failure, bring concepts to life.

• Sales Rank: #1626470 in Books
• Published on: 2013-12-27
• Released on: 2013-12-27
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .74" w x 6.00" l, .85 pounds
• Binding: Paperback
• 296 pages

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To Rise in Darkness offers a new perspective on a defining moment in modern Central American history. In January 1932 thousands of indigenous and ladino (non-Indian) rural laborers, provoked by electoral fraud and the repression of strikes, rose up and took control of several municipalities in central and western El Salvador. Within days the military and civilian militias retook the towns and executed thousands of people, most of whom were indigenous. This event, known as la Matanza (the massacre), has received relatively little scholarly attention. In To Rise in Darkness, Jeffrey L. Gould and Aldo A. Lauria-Santiago investigate memories of the massacre and its long-term cultural and political consequences.

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Producing Bollywood offers an unprecedented look inside the social and professional worlds of the Mumbai-based Hindi film industry and explains how it became "Bollywood," the global film phenomenon and potent symbol of India as a rising economic powerhouse. In this rich and entertaining ethnography Tejaswini Ganti examines the changes in Hindi film production from the 1990s until 2010, locating them in Hindi filmmakers' efforts to accrue symbolic capital, social respectability, and professional distinction, and to manage the commercial uncertainties of filmmaking. These efforts have been enabled by the neoliberal restructuring of the Indian state and economy since 1991. This restructuring has dramatically altered the country's media landscape, which quickly expanded to include satellite television and multiplex theaters. Ganti contends that the Hindi film industry's metamorphosis into Bollywood would not have been possible without the rise of neoliberal economic ideals in India. By describing dramatic transformations in the Hindi film industry's production culture, daily practices, and filmmaking ideologies during a decade of tremendous social and economic change in India, Ganti offers valuable new insights into the effects of neoliberalism on cultural production in a postcolonial setting.

• Sales Rank: #999751 in Books
• Published on: 2012-03-07
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.10" w x 6.10" l, 1.32 pounds
• Binding: Paperback
• 440 pages

Review
"Tejaswini Ganti mines her extensive contacts in an industry generally closed-off to outsiders to provide us with in-depth analyses of the sensibilities, compulsions, and desires of important figures in the film industry, as well as the social practices of film production. Producing Bollywood provides unique insights into the forces that shape the production of films in one of the largest film industries in the world. By going beyond the hype surrounding 'Bollywood' and eschewing simplistic dismissals about escapism and the profit-making drive of Bollywood filmmakers, this book enables us to understand the cultural logics that shape the production of Bollywood film. Based on more than a decade of ethnographic fieldwork in multiple sites of film production, Producing Bollywood is truly a trailblazing work."—Purnima Mankekar, author of Screening Culture, Viewing Politics: An Ethnography of Television, Womanhood, and Nation in Postcolonial India

"This is the first book on Bollywood to combine a deep knowledge of the dynamics of script, song, stars, and style in this cinematic world with an equally keen sense of the unique nature of the politics, finance, and cultural prejudices of the film industry. It will be an indispensable benchmark for all future studies of Bollywood and of similar cinematic industries worldwide, and it will interest media scholars, anthropologists, sociologists of culture, and the curious general reader."—Arjun Appadurai, New York University

“In Producing Bollywood, the first truly comprehensive ethnographic account of the Mumbai-based film industry, Tejaswini Ganti crafts an ode to an India in deep transition, via the multifaceted lenses of a glamorized and iconic subsection of its Hindi-language filmmakers and actors. . . . [A] landmark study.” (Ritesh Mehta International Journal of Communication)

“Producing Bollywood is a lucidly written and thoroughly researched ethnography of a film industry whose products are deeply interwoven in the ordinary life and politics of hundreds of millions of people.” (Jonathan Shapiro Anjaria American Ethnologist)

“[O]ffers extraordinary insight into the production processes of the late 1990s…. [T]he thoroughness and comprehensive review of trends in this book must be highly commended.” (Rodney Jensen Media International Australia)

“The book is rich in anthropological and historical data, theoretically astute, accessible, and great fun to read. It is a must for anyone interested in Bollywood or other film industries, and for scholars interested in the effects of neoliberalism and globalization in India. Highly recommended. Lower-division undergraduates through faculty; general readers.” (L. M. Proctor Choice)

“Producing Bollywood is a riveting read. It draws carefully thought out connections between cultural formations, changing discourses of legitimacy
and nation building. It is to Ganti’s credit that she is able to bring rigorous ethnographic tools to bear upon fieldwork materials put together over a
decade and more.... Overall, this is a timely and much needed insight into the intersections of the political economy of production, consumption and legitimization of mass cultural products. It should interest readers and students of Mass Media, Film Studies, Culture Studies, South Asia, Anthropology and Ethnography.” (Sushmita Banerji Studies in South Asian Film)

“The book may be useful to anyone interested in sociology, anthropology, cinema, media, communication, cultural studies, development studies and other interdisciplinary ?elds. The book is indispensable for those who still use the terms Hindi cinema and Bollywood interchangeably and ?nd it unproblematic.”  (K. V. Nagesh Economic and Political Weekly)

“Tejaswini Ganti’s Producing Bollywood is perhaps the most comprehensive and in-depth account of the Hindi film industry to date...Despite being 440 pages in length, Ganti’s accessible writing style makes this ethnography a joy to read.”  (Harjant S. Gill Visual Anthropology Review)

“Filled with first-hand accounts of the inner workings of the vast Mumbai-based Bollywood film industry collected through numerous interviews and extraordinarily extensive fieldwork undertaken over the course of more than a decade of research, Producing Bollywood meets a previously unfilled need on the part of those engaged in studying Indian cinema and culture by letting a large part of this varied and diverse industry speak, as it were, for itself.” (Gabriel Shapiro Contemporary South Asia)

“Ganti’s book is a commendable pioneering initiative. It will be useful for students, researchers, and those interested in South Asian film studies.” (Sanjukta Dasgupta American Anthropologist)

About the Author

Tejaswini Ganti is Associate Professor of Anthropology at New York University. She is the author of Bollywood: A Guidebook to Popular Hindi Cinema.

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