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This essay collection focuses on the gendered dimensions of reality television in both the United States and Great Britain. Through close readings of a wide range of reality programming, from Finding Sarah and Sister Wives to Ghost Adventures and Deadliest Warrior, the contributors think through questions of femininity and masculinity, as they relate to the intersections of gender, race, class, and sexuality. They connect the genre's combination of real people and surreal experiences, of authenticity and artifice, to the production of identity and norms of citizenship, the commodification of selfhood, and the naturalization of regimes of power. Whether assessing the Kardashian family brand, portrayals of hoarders, or big-family programs such as 19 Kids and Counting, the contributors analyze reality television as a relevant site for the production and performance of gender. In the process, they illuminate the larger neoliberal and postfeminist contexts in which reality TV is produced, promoted, watched, and experienced.
Contributors. David Greven, Dana Heller, Su Holmes, Deborah Jermyn, Misha Kavka, Amanda Ann Klein, Susan Lepselter, Diane Negra, Laurie Ouellette, Gareth Palmer, Kirsten Pike, Maria Pramaggiore, Kimberly Springer, Rebecca Stephens, Lindsay Steenberg, Brenda R. Weber
- Sales Rank: #877048 in Books
- Published on: 2014-03-28
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x 1.00" l, 1.18 pounds
- Binding: Paperback
- 400 pages
Review
"This timely anthology brings together a selection of strong scholarship concerned with the gendered dimensions of reality television. Although there already exist some good analyses of reality TV, this anthology’s focus on gender and its intersections is a necessary addition to the field. Brenda R. Weber’s introduction is pivotal in our thinking about gender and the reality genre, and there is a serious attempt to think beyond the US—including some useful contributions about UK reality television. The collection fills a gap in the scholarly literature and is a welcome and necessary addition to the field of reality TV studies." (Katherine Sender, author of The Makeover: Reality Television and Reflexive Audiences)
"While there has been a significant amount of research done on reality television over the past decade, only a small portion of that work has focused on gender, despite the plethora of issues around gender and sexuality found in reality TV programming. This anthology fills the gap." (Susan Murray, coeditor of Reality TV: Remaking Television Culture)
“This collection of essays is an informative, interesting, and entertaining read, even for someone who has never watched a reality program because the essays are so well-written, and synopses so well-intertwined, that one can easily understand the arguments.” (Sarah Gawronski The Journal of Popular Culture 2015-10-01)
About the Author
Brenda R. Weber is Associate Professor in Gender Studies at Indiana University, where she holds adjunct appointments in American Studies, Cultural Studies, Communication and Culture, and English. She is the author of Women and Literary Celebrity in the Nineteenth Century: The Transatlantic Production of Fame and Gender and Makeover TV: Selfhood, Citizenship, and Celebrity, which is also published by Duke University Press.
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