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Winner, 2013 Best First Book in Women's, Gender, and/or Sexuality History by the Berkshire Conference of Women Historians
Winner, 2013 Lawrence W. Levine Award, Organization of American Historians
Winner, 2013 Congress on Research in Dance Outstanding Publication Award

Aloha America reveals the role of hula in legitimating U.S. imperial ambitions in Hawai'i. Hula performers began touring throughout the continental United States and Europe in the late nineteenth century. These "hula circuits" introduced hula, and Hawaiians, to U.S. audiences, establishing an "imagined intimacy," a powerful fantasy that enabled Americans to possess their colony physically and symbolically. Meanwhile, in the early years of American imperialism in the Pacific, touring hula performers incorporated veiled critiques of U.S. expansionism into their productions.

At vaudeville theaters, international expositions, commercial nightclubs, and military bases, Hawaiian women acted as ambassadors of aloha, enabling Americans to imagine Hawai'i as feminine and benign, and the relation between colonizer and colonized as mutually desired. By the 1930s, Hawaiian culture, particularly its music and hula, had enormous promotional value. In the 1940s, thousands of U.S. soldiers and military personnel in Hawai'i were entertained by hula performances, many of which were filmed by military photographers. Yet, as Adria L. Imada shows, Hawaiians also used hula as a means of cultural survival and countercolonial political praxis. In Aloha America, Imada focuses on the years between the 1890s and the 1960s, examining little-known performances and films before turning to the present-day reappropriation of hula by the Hawaiian self-determination movement.

• Sales Rank: #626376 in Books
• Published on: 2012-07-09
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.00" w x 6.10" l, 1.25 pounds
• Binding: Paperback
• 392 pages

Review
"Attentive to global forces of U.S. imperialism and to the agency of discrete cultural producers, Adria L. Imada conceives of Hawaiian hula as constitutive of colonial relations involving collaboration and resistance. Moreover and significantly, 'hula circuits' outside of Hawaii, she suggests, sustained Hawaiian culture (and hence nationhood) even as they transformed it—an astute and provocative contention."—Gary Y. Okihiro, author of Island World: A History of Hawai’i and the United States

"In Aloha America, Adria L. Imada shows how U.S. elites used a blend of tropicalism and orientalism to facilitate U.S. domination over Hawai'i. By foregrounding the eroticized bodies of Hawaiian women hula dancers, these elites created what Imada calls an 'imagined intimacy' between the U.S. public and the subjugated Hawaiians. The sexualized images of Hawaiian women helped to occlude resistance to U.S. imperialism in the Pacific and to make Hawai'i suitable for statehood by shifting Americans' attention away from its large Asian immigrant population. At the same time, hula served as a countercolonial archive of collective Hawaiian memory, preserving preconquest histories, epistemologies, and ontologies."—George Lipsitz, author of How Racism Takes Place

“[An] extensively researched history. . . . Archival digs brought Imada into contact with surviving dancers and their families, whose stories she wove with her own experiences to produce a comprehensive account of how the “adaptive and resilient practice” of hula works in conjunction with tourism. . . .Fascinating photographs of the dancers—with careful commentary on poses and dress—illuminate the mannerisms and views of the performers. “ (Publishers Weekly)

“For a reader who is not deeply familiar with hula and its culture, and may be guilty of watching hula simply for the entertainment factor, Aloha America is a refreshing page-turner. Albeit the moderate level of scholarly information, Imada makes the text easy to digest, also injecting touching anecdotes of hula life behind the stage lights. The final product is a book that is more an interesting field study than strict academic rhetoric.” (Jamie Noguchi Honolulu Weekly)

“Well written and beautifully illustrated with archival photographs, the book provides dynamic portrayals of individual Hawaiians…With chapter 3, on world exhibitions in the United States, as the book’s centerpiece, Imada tells a lively and layered history of hula circuits in the U.S. empire, an important story about hula practices and people operating beyond Hawaii but never outside its politics.” (Cristina Bacchilega Journal of American History)

“Aloha America is an impressive and provocative book.  It will command a broad readership among scholars of American studies, colonial and postcolonial studies, gender studies, indigenous studies, performance studies, and U.S. history.” (Christine Skwiot American Historical Review)

“In Aloha America, Adria L. Imada offers a nuanced and detailed study of how hula performers from Hawai’i negotiated the objectifying gaze of audiences...Imada writes in a clear and engaging style, breaking down the theoretical concepts she draws from in concise and digestible fashion.” (Vernadette V. Gonzalez Hawaiian Journal of History)

“Aloha America is an original, important contribution to Asian American studies as it foregrounds Hawaiian cultural movements, U.S. imperialism in the Pacific, and the embodied and emotional intimacies that shape gendered and sexualized relations between colonized and colonizer. It is theoretically sophisticated, empirically robust, and highly engaging...” (Miliann Kang Journal of Asian American Studies)

“Aloha America is a richly textured and engaging narrative of the fraught relationship between the United States and Hawai’i as seen through the lens of hula, the region’s most recognizable and widely circulated cultural practice…. This is an utterly engaging and thorough work of scholarship, and it is a welcome contribution to the fields of dance, theatre, and performance studies, one that also deeply engages indigenous studies, gender studies, and American studies frameworks…. What Imada provides is a deep understanding of racially mixed, commoner-status, (mostly) female artists’ lives as they navigated the globe, imperial politics, and their own modern desires.” (Angela K. Ahlgren Theatre Journal)

About the Author

Adria L. Imada is Associate Professor of History at the University of California, Irvine.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Hula!
By kalani akana
Loved Adria's concise and academic description of the commodification of hula. Like especially her weaving of historic person stories into the book. This is a must read for hula aficionados, ethnomusicologists, folklorists, and performers throughout the world.

0 of 0 people found the following review helpful.
Five Stars
By roger bell
A good read for anyone who spent time in the islands!

1 of 8 people found the following review helpful.
Well researched, badly written
By Hoapili
The one really good feature is superscripts in the text to endnotes, making navigation on Kindle effective. The text is a swamp of sociological jargon, including words that seem intended to mean something that isn't any of the meanings given in the Oxford American English Dictionary.

See all 3 customer reviews...

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In Ethereal Queer, Amy Villarejo offers a historically engaged, theoretically sophisticated, and often personal account of how TV representations of queer life have changed as the medium has evolved since the 1950s. Challenging the widespread view that LGBT characters did not make a sustained appearance on television until the 1980s, she draws on innovative readings of TV shows and network archives to reveal queer television’s lengthy, rich, and varied history. Villarejo goes beyond concerns about representational accuracy. She tracks how changing depictions of queer life, in programs from Our Miss Brooks to The L Word, relate to transformations in business models and technologies, including modes of delivery and reception such as cable, digital video recording, and online streaming. In so doing, she provides a bold new way to understand the history of television.

• Sales Rank: #1550917 in Books
• Published on: 2014-01-20
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 6.00" w x .50" l, .0 pounds
• Binding: Paperback
• 216 pages

Review
"Amy Villarejo, already an important and increasingly influential voice in the fields of film theory, gender, and sexuality, here presents a dramatically new intervention in both television theory and debates over queer representation. Ethereal Queer moves beyond concerns about visibility and positive images to provide valuable ways of understanding the force of television in the twentieth century, bringing media studies and continental philosophy into vibrant and productive dialogue."—Jeffrey Sconce, editor of Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics

"Elegantly written, often witty and even moving, this thought-provoking book is both tightly focused and ambitious in its approach to television and queerness. Amy Villarejo offers brilliant insights into theoretical and televisual texts, repeatedly providing new ways of confronting and moving beyond the intersection of sexuality and television."—Patricia White, Professor of English Literature and Film Studies, Swarthmore College

"Whether she's citing Theodor Adorno or Amistead Maupin, pondering Our Miss Brooks or American Family, Amy Villarejo channels her lifelong love of television while at the same time analyzing its function as a 'pragmatic pedagogy of queer life.' I couldn't ask for a better TV Guide than this set of gripping meditations that dares to dream so brilliantly on our behalf."—B. Ruby Rich, author of New Queer Cinema: The Director's Cut

"[A]n engaging, brilliant, and meticulous account of queerness, temporality, and television. The book abounds with fundamental insights . . ." (T. E. Adams Choice)

"[P]arts of Ethereal Queer are excellent-- particularly when it comes to Villarejo's apt dissection of recent Western Media conglomeration and how it has impacted television spectatorship." (Anna Hamilton Bitch)

"The brilliance of Villarejo’s argument is that she shows that prior to the increase of open LGBT characters on television, closeted or one-off queer characters represented an act of survival, representation, and identity that television lacked.... Villarejo’s thesis proves worthy of tuning into and remembering for a long time to come." (John Erickson Lambda Literary Review)

"Ethereal Queer: Television, Historicity, Desire is a welcome contribution to the fields of television and queer studies. Villarejo’s intellectual rigour and lively prose are commendable. Her text also points to further areas of scholarly enquiry." (Jay Daniel Thompson M/C: A Journal of Media & Culture)

“A fine exploratory entry into the intersection between television studies and queer theory….Villarejo offers nuanced and sustained meditations on her aptly titled ethereal subject matter….Wholly readable and at times quite enjoyable (Villarejo’s own occasional autobiographical notes are well served by her engaging prose), Ethereal Queer emerges as a probing undertaking that sketches out possible methods and approaches to queer representation in that ever-shifting medium of television.” (Manuel Betancourt Film Quarterly)

“Villarejo explodes the parameters of genre studies, queer historiography, and the identity politics of “representational justice” to put forward a theoretical meditation on temporality, wherein queer identity and televisual presentation inform, indeed constitute, each other but themselves only ever appear as ethereal (4, 5).... Ethereal Queer advances the postidentitarian impulses of these other volumes on intricate intellectual grounds without falling into the “queering” of anything not strictly heteronormative.” (Heather N. Lukes Women’s Studies Quarterly)

"Ethereal Queer’s robust philosophical interventions undoubtedly enrich and challenge ongoing discussions in queer and media studies about how television’s 'prosthetic lifeworlds' constantly refigure sexuality and gender. Let’s not be shy: Villarejo’s book is a showstopper." (Candace Moore GLQ 2016-06-01)

About the Author

Amy Villarejo is Professor of Performing and Media Arts at Cornell University. She is the author of Lesbian Rule: Cultural Criticism and the Value of Desire, also published by Duke University Press, and Film Studies: The Basics; coauthor of the BFI Film Classics volume Queen Christina; and coeditor of Keyframes.

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0 of 1 people found the following review helpful.
Five Stars
By Amazon Customer
Terrific quality!! Thank you so much!!

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The Confédération Paysanne, one of France's largest farmers' unions, has successfully fought against genetically modified organisms (GMOs), but unlike other allied movements, theirs has been led by producers rather than consumers. In Food, Farms, and Solidarity, Chaia Heller analyzes the group's complex strategies and campaigns, including a call for a Europe-wide ban on GM crops and hormone-treated beef, and a protest staged at a McDonald's. Her study of the Confédération Paysanne shows the challenges small farms face in a postindustrial agricultural world. Heller also reveals how the language the union uses to argue against GMOs encompasses more than the risks they pose; emphasizing solidarity has allowed farmers to focus on food as a cultural practice and align themselves with other workers. Heller's examination of the Confédération Paysanne's commitment to a vision of alter-globalization, the idea of substantive alternatives to neoliberal globalization, demonstrates how ecological and social justice can be restored in the world.

• Sales Rank: #997584 in Books
• Published on: 2013-01-28
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .90" w x 6.10" l, 1.30 pounds
• Binding: Paperback
• 352 pages

Review
"Food, Farms, and Solidarity is an excellent study of one of the most fascinating social movements of the contemporary era and its struggle against GM crops. Academics and activists interested in agrarian, environmental, and food justice issues as well as (trans)national social movements should read this book."—Saturnino M. Borras Jr., coeditor of Transnational Agrarian Movements Confronting Globalization

"Food, Farms, and Solidarity is an excellent study of one of the most fascinating social movements of the contemporary era and its struggle against GM crops. Academics and activists interested in agrarian, environmental, and food justice issues, as well as transnational social movements, should read this book."—Saturnino M. Borras Jr., coeditor of Transnational Agrarian Movements Confronting Globalization

"Chaia Heller makes a compelling argument about a set of very important topics in the food/environment arena. Given the continued relevance of those topics, the prominence of the main protagonists of the story in the international scene, and the engaging writing style, the book should be of interest to a broad audience of students, academics, NGO people, and activists."—Arturo Escobar, author of Territories of Difference: Place, Movements, Life, Redes

“[Heller’s] engaging book contains many insights into the surprisingly divergent fates of French and U.S. agricultural interest groups. . . . [H]er tale of earthy farmers becoming postmodern ideological entrepreneurs makes for fun reading.” (Andrew Moravcsik Foreign Affairs)

“Heller’s dramatic narrative tells a story filled with intimate anecdotes and colorful characters...making a rather complex history of farmers’ unions and French agricultural policy come alive while sustaining her readers’ interest.” (A. B. Audant Choice)

“This book presents a fascinating and in-depth case study of a French agricultural union, the Confederation paysanne, surveying its history, ideology, leadership, and political activism...this is a highly original, insightful, and exhaustively researched account that presents in fine detail one of the key battle lines of our time.” (Sarah Waters French History)

“Heller has written a wonderful ethnography that I find highly engaging in terms of the logic of capitalist food production under the political auspices of neoliberalism. Her book is an important contribution to food studies and anthropological theory.” (Robert C. Ulin American Ethnologist)

"Ultimately, Heller makes a significant contribution with this study to social movement discourses and union organization in addition to food justice and environmental issues." (Pamela Tudge Left History)

"Food, Farms, and Solidarity provides a deep and fascinating case study of Confédération Paysanne and contemporary struggles over agricultural biotechnology and food sovereignty.... Heller’s ethnographic approach makes for a compelling and accessible read, and the book would be appropriate for a topical course on food studies or social movements at the advanced undergraduate or graduate level."   (Christopher R. Henke Contemporary Sociology)

"Food, Farms and Solidarity: French Farmers Challenge Industrial Agriculture and Genetically Modified Crops is an engaging ethnographic study…. The work stands as a valuable case study for social movement scholars and political ecology anthropologists." (Patricia A. Stapleton Agriculture and Human Values 2015-07-01)

About the Author

Chaia Heller is Visiting Assistant Professor of Gender Studies at Mount Holyoke College. She is the author of The Ecology of Everyday Life: Rethinking the Desire for Nature.

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0 of 0 people found the following review helpful.
quality and variety and the actors participating in such directing xhanges for better (This book+program)
By isabel
I bought this book as I was accepted at the Ecole Superieure d' Agriculture in Angers to study a MSc in Food Identity starting his summer (2015). French culture is familiar to me and this book (im half way) has brought many issues about french famous social movements forward. Agriculture is one BIG topic and is becoming more and more important in all discussion tables. How does food relates to a country's economy? What are the actors making agriculture such a big issue around tHe world? I was formerly a chef and look forward to study topics related to the importance of solidarity in the global world hungry for food, quality and variety and the actors participating in such directing xhanges for better (This book+program)

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>> Download An Historical Account of the Black Empire of Hayti, by Marcus Rainsford

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As the first complete narrative in English of the Haitian Revolution, Marcus Rainsford's An Historical Account of the Black Empire of Hayti was highly influential in establishing nineteenth-century world opinion of this momentous event. This new edition is the first to appear since the original publication in 1805. Rainsford, a career officer in the British army, went to Haiti to recruit black soldiers for the British. By publishing his observations of the prowess of black troops, and recounting his meetings with Toussaint Louverture, Rainsford offered eyewitness testimonial that acknowledged the intelligence and effectiveness of the Haitian rebels. Although not an abolitionist, Rainsford nonetheless was supportive of the independent state of Haiti, which he argued posed no threat to British colonial interests in the West Indies, an extremely unusual stance at the time. Rainsford's account made an immediate impact upon publication; it was widely reviewed, and translated twice in its first year. Paul Youngquist's and Grégory Pierrot's critical introduction to this new edition provides contextual and historical details, as well as new biographical information about Rainsford. Of particular interest is a newly discovered miniature painting of Louverture attributed to Rainsford, which is reproduced along with the twelve engravings that accompanied his original account.

• Sales Rank: #2287485 in Books
• Published on: 2013-01-21
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x .90" w x 6.10" l, 1.20 pounds
• Binding: Paperback
• 408 pages

Review
"Marcus Rainsford's book is one of the most important sources on the Haitian Revolution, and it has been a constant resource for historians. This is so in part because the particularities of Rainsford's position allowed him to present a portrait that is in many ways at odds with other famous accounts of the Haitian Revolution. The editors do a terrific job of identifying Rainsford's literary and historical perspectives and contextualizing Rainsford's arguments."—Laurent Dubois, author of Haiti: The Aftershocks of History

"Marcus Rainsford's narrative and engravings have long been recognized as a unique source for the antislavery revolution in Saint Domingue and the imperial politics in the slaveholding Atlantic. Paul Youngquist and Grégory Pierrot provide fascinating new background for the artistic, literary, and political contexts of Rainsford's remarkably sympathetic account of the revolution and one of its key figures, Toussaint Louverture."—Sibylle Fischer, author of Modernity Disavowed: Haiti and the Cultures of Slavery in the Age of Revolution

"This new edition, with its important editorial insights about the text and the author, gives us the opportunity to take a closer look at the text and will undoubtedly contribute to our understanding of the implications of the Haitian Revolution for Atlantic World history and beyond." (Julia Gaffney The Americas)

“Rainsford’s Historical Account was the first lengthy report of the slave uprising and, for many years, the narrative on which English-speaking European politicians and other interested observers relied. This, its first modern re-production, includes a helpful, skillful introduction to the book, to rebellious Haiti, and to Rainsford.” (R. I. Rotberg Choice)

"This study is an excellent analysis of the life and works of the British soldier Marcus Rainsford.... In a tradition of historical scholarship on the Haitian Revolution that often focuses on the production of narrative rather than the producers of narrative, in this study Rainsford emerges as a perhaps necessary object of inquiry in his own right." (Marlene L. Daut The Historian 2015-07-01)

About the Author

Marcus Rainsford (1758-1817) was a career officer in the British Army who fought in the Revolutionary War in the United States. He also wrote the epic poem The Revolution; Or, Britain Delivered, as well as a number of other poems and pamphlets.

Paul Youngquist is Professor of English at the University of Colorado at Boulder. He is author of Cyberfiction: After the Future.

Grégory Pierrot is a Visiting Assistant Professor at Bucknell University.

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@ Free Ebook Global Icons: Apertures to the Popular, by Bishnupriya Ghosh

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A widely disseminated photograph of Phoolan Devi, India’s famous bandit queen, surrendering to police forces in 1983 became an emotional touchstone for Indians who saw the outlaw as a lower-caste folk hero. That affective response was reignited in 1994 with the release of a feature film based on Phoolan Devi’s life. Despite charges of murder, arson, and looting pending against her, the bandit queen was elected to India’s parliament in 1996. Bishnupriya Ghosh considers Phoolan Devi, as well as Mother Teresa and Arundhati Roy, the prize winning author turned environmental activist, to be global icons: highly visible public figures capable of galvanizing intense affect and sometimes even catalyzing social change. Ghosh develops a materialist theory of global iconicity, taking into account the emotional and sensory responses that these iconic figures elicit, the globalized mass media through which their images and life stories travel, and the multiple modernities within which they are interpreted. The collective aspirations embodied in figures such as Barack Obama, Eva Perón, and Princess Diana show that Ghosh’s theory applies not just in South Asia but around the world.

• Sales Rank: #2423627 in Books
• Brand: Brand: Duke University Press Books
• Published on: 2011-08-24
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.65 pounds
• Binding: Paperback
• 400 pages

Features

• Used Book in Good Condition

Review
“Global Icons is a thoughtful intervention into vital issues not usually examined together: the political potential of contemporary mass-mediated ‘bio-icons’ and embodied engagements with media images at the current conjuncture of neoliberalism and globalization. Bishnupriya Ghosh compellingly revitalizes materialist analyses of media, of iconic efficacy, and of neoliberal image regimes and, while she’s at it, performs a refreshing deprovincialization of the ‘global.’”—Kajri Jain, author of Gods in the Bazaar: The Economies of Indian Calendar Art

“This is an ambitious account of the plastic potentialization of images in the age of iconoclashes. To the impersonal world of global mass communications, Bishnupriya Ghosh restores the richness of gender, god, nature, and chaos, making our epistemological encounters with mundane objects the ingredients of a sumptuous materialist media theory of the bio-icon.”—Rey Chow, author of Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility

“[A] pathbreaking book. . . .” (C. S. Venkiteswaran The Hindu)

“[C]an global icons become driving forces of world historical transformation? Global Icons may not offer a definitive answer, but Bishnupriya Ghosh’s incisive reflections grant extraordinary insight into the popular runes of our time. Global Icons is therefore an invaluable guide to contemporary public culture and deserves a wide audience.” (Jeremy Prestholdt Indian Economic and Social History Review)

“The book of Ghosh is an endless source of discoveries and provocative thinking in the field of postcolonial studies and the way in which she continues to disclose throughout the whole book always new dimensions of the three examples studied is admirable, but beyond this discipline it offers also many innovative insights at the crossroads of star studies, audience studies, and critical theory. It offers an extremely valuable contribution to the study of the ‘life’ of icon.” (Jan Baetens Leonardo)

“The book will be of interest to scholars interested in media and cultural studies, and those interested in the ways in which iconic images become means for social groups to assert their aspirations.” (Daniel A. Jasper Journal of Asian Studies)

“This book would be a useful read for students of semiotics, literature and the social sciences…. [An] original contribution.” (Arun de Souza Economic and Political Weekly)

"[Global Icons] provides stimulating and important theoretical interrogations that help understand the social life and ‘cultural work’ of global icons.... This highly sophisticated book offers important theoretical insights and interesting material and will be of great interest to scholars studying visual culture, globalisation, media, popular culture, gender and post-colonial studies."  (Paolo Favero South Asia)

"This highly sophisticated book offers important theoretical insights and interesting material and will be of great interest to scholars studying visual culture, globalisation, media, popular culture, gender and post-colonial studies." (Paolo Favero Journal of South Asian Studies)

"One cannot but be grateful for a book that establishes the rich liveliness of mass mediated figures and the multiple worlds that they come to inhabit." (Parma Roy Cultural Critique)

About the Author

Bishnupriya Ghosh is Professor of English and affiliated faculty in the departments of Film and Media Studies, Comparative Literature, and Feminist Studies at the University of California, Santa Barbara. She is the author of When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel.

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## Ebook Free A Matter of Rats: A Short Biography of Patna, by Amitava Kumar

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It is not only the past that lies in ruins in Patna, it is also the present. But that is not the only truth about the city that Amitava Kumar explores in this vivid, entertaining account of his hometown. We accompany him through many Patnas, the myriad cities locked within the city—the shabby reality of the present-day capital of Bihar; Pataliputra, the storied city of emperors; the dreamlike embodiment of the city in the minds and hearts of those who have escaped contemporary Patna's confines. Full of fascinating observations and impressions, A Matter of Rats reveals a challenging and enduring city that exerts a lasting pull on all those who drift into its orbit.

Kumar's ruminations on one of the world's oldest cities, the capital of India's poorest province, are also a meditation on how to write about place. His memory is partial. All he has going for him is his attentiveness. He carefully observes everything that surrounds him in Patna: rats and poets, artists and politicians, a girl's picture in a historian's study, and a sheet of paper on his mother's desk. The result is this unique book, as cutting as it is honest.

• Sales Rank: #1183242 in Books
• Published on: 2014-04-04
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 5.75" w x .75" l, .68 pounds
• Binding: Hardcover
• 144 pages

Review
"An intimate and whimsical book, but one that truly shines when the author turns his gaze to the ordinary people who still live in Patna . . . skillfully evoking the circumstances of chaos, filth and absurdity in which even the city’s middle-class professionals are forced to live." (Sonia Faleiro New York Times Book Review 2014-05-11)

“E. B. White composed Here Is New York, his fraught love letter to Manhattan, during a heat wave in the summer of 1948. Sixty-four years later, the book served as a ‘secret talisman’ for Amitava Kumar, who carried it with him into the heat and humidity of his hometown, Patna, in India, as he wrote A Matter of Rats, an equally cleareyed ode to a similarly implausible place.” (Maud Newton New York Times Magazine 2014-04-27)

"Amitava Kumar writes with such generosity, intelligence, precision, and wit that we come to recognize the world he portrays and the heart he excavates as our own. In prose that's riveting and blow-your-mind perceptive, Kumar vividly brings his childhood home of Patna, India, to life. A Matter of Rats will make you laugh and cry and shake your head in astonishment and horror and delight. This is a book for all of us, now." (Cheryl Strayed, author of Wild: From Lost to Found on the Pacific Crest Trail)

“This new look at an ancient city transports readers on a fun journey. Lovers of travel writing, Indian history, and fans of literature will greatly enjoy this short book. . . .” (Melissa Aho Library Journal)

"A Matter of Rats is disconcerting, sophisticated, and recklessly courageous. The stories gathered here bring Patna to life, and accrete to an almost unbearable intensity." (Teju Cole, author of Open City)

"Pound for pound, Amitava Kumar is one of the best nonfiction writers of his generation. . . . No one in India writes a more fine-grained and quietly evocative prose. . . . In his marvelous new work A Matter of Rats: A Short Biography of Patna, Kumar puts a stethoscope to his hometown and takes a reading of its heart." (Siddharth Chowdhury Time Out Delhi)

"A Matter of Rats is a a wonderfully witty, poignant and idiosyncratic performance, full of surreal details and the oddest and most delicious digressions. Part memoir, part history, part biography of a rat-infested city in spectacular decline, Amitava Kuma has produced an enjoyably eloquent, gossipy, and discursive portrait of his love/hate relationship with his benighted birthplace." (William Dalrymple)

“There's much more to Patna than rats, of course, and Kumar touches on its ancient glory and later role in the East India Company's opium trade. He also writes eloquently about writing itself, and the meaning of place.”
(Nina Shengold Chronogram)

"Kumar is alert to the signs of life coming from sometimes unanticipated directions. . . . This refusal of pessimism is one of the refreshing elements of Kumar’s writing. While there is always plenty of bad news in Patna, he insists on the presence of joy — an emotion that, rare as it is, 'is as real as suffering' — even in surprising places. He poignantly describes incidents of everyday compassion and of the sacrifices of teachers, doctors, and activists. Each crisis or injustice, it seems, has sparked its own rebels, some noisy, others quiet." (David Boyk Los Angeles Review of Books)

“This book has something for everyone – historical tales, reflection on current India, guidance on writing and as a map for someone planning to visit Patna." (Rajdeep Pakanati Contemporary South Asia 2015-06-01)

About the Author
Amitava Kumar is a novelist, poet, journalist, filmmaker, and Helen D. Lockwood Professor of English at Vassar College. He is the author of A Foreigner Carrying in the Crook of His Arm a Tiny Bomb and Nobody Does the Right Thing: A Novel, both also published by Duke University Press; Husband of a Fanatic: A Personal Journey through India, Pakistan, Love, and Hate, a New York Times "Editors' Choice" selection; Bombay—London—New York, a New Statesman (UK) "Book of the Year" selection; and Passport Photos. He is the editor of several books, including Away: The Indian Writer as an Expatriate, The Humour and the Pity: Essays on V. S. Naipaul, and World Bank Literature. He is also the screenwriter and narrator of the prize-winning documentary film Pure Chutney. Kumar's writing has appeared in The Nation, Harper's Magazine, Vanity Fair, The American Prospect, The Chronicle of Higher Education, The Hindu, and other publications in North America and India.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Patna is not a place you would visit on your way to the Taj Mahal.
By LCH
Having lived in Patna twice for an extended period of time, I can attest to the "uniquness" of a city that lacks both needed amenities and attractiveness. The inhabitants have become so accustomed to inconvience and the daily disruption of power and water that.esisting conditions are considered as normal. Never-the-less, the people who inhabit Amitava Kumar's "A Matter of Rats" shine through and shed light on the city in an attempt to better understand the great melting pot that Patna has become.

After reading "A Matter of Rats" you might even want to pay Patna a visit!

3 of 4 people found the following review helpful.
A Matter of Rats
By Ajit Kumar
Truly catches the true essence of Patna. Highly recommended for all who love Patna. The cover page is also very imaginative.

See all 2 customer reviews...

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