Selasa, 17 Maret 2015

@ Ebook Unspeakable Violence: Remapping U.S. and Mexican National Imaginaries (Latin America Otherwise), by Nicole M. Guidotti-Hernández

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Unspeakable Violence: Remapping U.S. and Mexican National Imaginaries (Latin America Otherwise), by Nicole M. Guidotti-Hernández

Unspeakable Violence addresses the epistemic and physical violence inflicted on racialized and gendered subjects in the U.S.–Mexico borderlands from the mid-nineteenth century through the early twentieth. Arguing that this violence was fundamental to U.S., Mexican, and Chicana/o nationalisms, Nicole M. Guidotti-Hernández examines the lynching of a Mexican woman in California in 1851, the Camp Grant Indian Massacre of 1871, the racism evident in the work of the anthropologist Jovita González, and the attempted genocide, between 1876 and 1907, of the Yaqui Indians in the Arizona–Sonora borderlands. Guidotti-Hernández shows that these events have been told and retold in ways that have produced particular versions of nationhood and effaced other issues. Scrutinizing stories of victimization and resistance, and celebratory narratives of mestizaje and hybridity in Chicana/o, Latina/o, and borderlands studies, she contends that by not acknowledging the racialized violence perpetrated by Mexicans, Chicanas/os, and indigenous peoples, as well as Anglos, narratives of mestizaje and resistance inadvertently privilege certain brown bodies over others. Unspeakable Violence calls for a new, transnational feminist approach to violence, gender, sexuality, race, and citizenship in the borderlands.

  • Sales Rank: #803548 in Books
  • Published on: 2011-10-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.00" w x 6.10" l, 1.35 pounds
  • Binding: Paperback
  • 400 pages

Review
“Unspeakable Violence is an outstanding analysis of violence in the U.S.–Mexico borderlands. As a historian, I am most impressed by the care that Nicole M. Guidotti-Hernández takes to ground her analysis in solid historical research. What I find so refreshing is her willingness to put forth courageous new arguments about what has been little discussed in Chicana/o studies, Latina/o studies, or ethnic studies more broadly. Rather than taking the standard approach of only analyzing violence when Latinas/os are the victims, Guidotti-Hernández reveals borderlands violence in all of its complexity. This is exceptional scholarship.”—George J. Sánchez, author of Becoming Mexican American: Ethnicity, Culture, and Identity in Chicano Los Angeles, 1900–1945

“In this exquisite book, Nicole M. Guidotti-Hernández examines little-known but critically important episodes of violence in U.S.–Mexican borderlands history. Providing a necessary, long-overdue corrective to Chicana/o and borderlands studies, she suggests that in recounting these events as instances of victimization or acts of resistance, Chicana/o feminist and nationalist scholars create tidy narratives for consolidating Chicana/o nationalist identity. In doing so, they disregard Mexican-American complicity in the very acts of violence they describe.”—María Josefina Saldaña-Portillo, author of The Revolutionary Imagination in the Americas and the Age of Development

“It is impossible, of course, to wrangle such a wide-ranging and intelligent study into a few easy quips, and to attempt to do so would go against the notion that Guidotti-Hernández's examples of borderland violence reveal a complexity in Arizona's and Mexico's culture and history for which many historians, let alone politicians, don't always like to account.” (Tim Hull Tucson Weekly)

“Nevertheless, more work can be done to examine the interdisciplinary problems of investigating intersecting oppressions of race, class, gender, and nationality. Unspeakable Violence is a significant point of departure for this important work.” (Jason Oliver Chang Hispanic American Historical Review)

“Unspeakable Violence has arrived on the scene like a breath of fresh air. . . . Unspeakable Violence further exemplifies how the most effective interdisciplinary scholarship is equally indebted to theoretical rigor and historical responsibility. Refusing to pull punches with its multifaceted assessment of Chicano nationalism and its unflinching methodological strategy, Guidotti-Hernández’s volume makes clear to historians the value of literary texts by writers like Jovita González and Monserrat Fontes, whose indelible contributions to an evidential archive are necessary to a more composite record of the past.” (Richard T. Rodríguez American Literature)

“Nicole Guidotti-Hernández’s Unspeakable Violence takes on a lot of sacred cows from chicano(a) nationalism to Mexican indigenismo…One of the most exciting aspects of this book is its explicitly transnational approach.”  (Elliott Young Bulletin of Latin American Research)

About the Author

Nicole M. Guidotti-Hernández is Associate Professor of American Studies at the University of Texas, Austin.

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Globalizing Afghanistan offers a kaleidoscopic view of Afghanistan and the global networks of power, influence, and representation in which it is immersed. The military and nation-building interventions initiated by the United States in reaction to the events of September 11, 2001, are the background and motivation for this collection, but they are not the immediate subject of the essays. Seeking to understand the events of the past decade in a broad frame, the contributors draw on cultural and postcolonial approaches to provide new insights into this ongoing conflict. They focus on matters such as the implications of Afghanistan’s lucrative opium trade, the links between the contemporary Taliban movement and major events in the Islamic world and Central Asia since the early twentieth century, and interactions between transnational feminist organizations and the Afghan women’s movement. Several contributors address questions of representation. One looks at portrayals of Afghan women by the U.S. government and Western media and feminists. Another explores the surprisingly prominent role of Iranian filmmaking in the production of a global cinematic discourse about Afghanistan. A Pakistani journalist describes how coverage of Afghanistan by reporters working from Pakistan’s Khyber-Pakhtoonkhwa (formerly the North West Frontier Province) has changed over the past decade. This rich panoply of perspectives on Afghanistan concludes with a reflection on how academics might produce meaningful alternative viewpoints on the exercise of American power abroad.

Contributors. Gwen Bergner, Maliha Chishti, Cheshmak Farhoumand-Sims, Nigel C. Gibson, Zubeda Jalalzai, David Jefferess, Altaf Ullah Khan, Kamran Rastegar, Rodney J. Steward, Imre Szeman

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Minggu, 08 Maret 2015

@ PDF Ebook Thiefing Sugar: Eroticism between Women in Caribbean Literature (Perverse Modernities: A Series Edited

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In Thiefing Sugar, Omise’eke Natasha Tinsley explores the poetry and prose of Caribbean women writers, revealing in their imagery a rich tradition of erotic relations between women. She takes the book’s title from Dionne Brand’s novel In Another Place, Not Here, where eroticism between women is likened to the sweet and subversive act of cane cutters stealing sugar. The natural world is repeatedly reclaimed and reinterpreted to express love between women in the poetry and prose that Tinsley analyzes. She not only recuperates stories of Caribbean women loving women, stories that have been ignored or passed over by postcolonial and queer scholarship until now, she also shows how those erotic relations and their literary evocations form a poetics and politics of decolonization. Tinsley’s interpretations of twentieth-century literature by Dutch-, English-, and French-speaking women from the Caribbean take into account colonialism, migration, labor history, violence, and revolutionary politics. Throughout Thiefing Sugar, Tinsley connects her readings to contemporary matters such as neoimperialism and international LGBT and human-rights discourses. She explains too how the texts that she examines intervene in black feminist, queer, and postcolonial studies, particularly when she highlights the cultural limitations of the metaphors that dominate queer theory in North America and Europe, including those of the closet and “coming out.”

  • Sales Rank: #1010304 in Books
  • Brand: Brand: Duke University Press Books
  • Published on: 2010-08-18
  • Released on: 2010-08-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .72" w x 6.13" l, .91 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Review
“Luscious, abundant and rich—those are apt words for Thiefing Sugar, this captivating and lyrical exploration of what it meant in the twentieth century to be a Caribbean woman who loves women. Based on a well-chosen corpus of texts and lucid, in-depth analyses, the book is altogether a feast for the senses, a gift to us all!”—Gloria Wekker, Utrecht University, Netherlands

“Through writing that is as lyrical as the poetry and fiction she analyzes, Omise’eke Natasha Tinsley makes connections between sugar production in the Caribbean, the paradoxical ‘ungendering’ of black female slaves that makes their sexual self-hood possible, and the landscape of the ‘Global South’ to argue that the history of the black woman’s body in the African Diaspora is shrouded not just in metaphor but in the materiality of their own world-making.”—E. Patrick Johnson, author of Appropriating Blackness: Performance and the Politics of Authenticity

“Thiefing Sugar by Omise’eke Natasha Tinsley is a beautifully written, refreshing and innovative book. Tinsley examines the sophisticated ways in which gender and sexuality have historically and culturally articulated unique and revealing expressions of love and sex between women in the Caribbean region of the Americas.” (Gloria Gonzalez Lopez Bulletin of Latin American Research)

“Thiefing Sugar certainly deserves praise for giving voice to so many women and issues that have long remained silenced in each of these respective fields. Moreover, Tinsley’s manner of conversing with women, her mirroring of their poetics, underscores how she is a woman who loves women, a woman committed to mapping ‘imaginative imagination’ that decolonizes theory and ‘hegemonic definitions of same-sex desire.’” (Olivia Donaldson Journal of Lesbian Studies)

“Thiefing Sugar is full of deliciously rich metaphors. . . . In this highly engaging and insightful book, Tinsley discusses the foremost tropes and metaphors in Caribbean women’s writing about desire between women. The syrup of language to be enjoyed here is not only that which abounds in the texts she discusses, but also in the suggestiveness of Tinsley’s own writing, which is sometimes dense but always rich and allusive.” (Ronald Cummings Caribbean Review of Books)

“Omise’eke Natasha Tinsley’s book is a brilliant, highly readable, and at times dense foundational study on twentieth-century Caribbean and diasporic women’s literary conceptualizations of living and loving in the Caribbean, specifically in Grenada, Haiti, Jamaica, Martinique, Suriname, and Trinidad.” (Lawrence La Fountain-Stokes GLQ)

“This is an important book for anyone interested in the Caribbean, the African diaspora, women and gender, or LGBTQ culture and literature. . . . . What stands out more than anything else is the overwhelming evidence Tinsley offers of a long history of Caribbean women's stated desire for other women, of (mostly) working-class black female eroticism that is intrinsically tied to rebellion against oppression by the dominant white-identified, colonialist, masculine, land-owning, and hetero-normative ruling class. This is a subversive, lyrical piece of scholarship. Summing Up: Highly recommended. Lower-division undergraduates through faculty.” (S. E. Cooper Choice)

“Tinsely’s fascinating study is noteworthy for its originality in scope and its depth. The author deftly demonstrates that the secret of Caribbean lesbian writing -- visible and invisible, white and of color, Francophone and Anglophone --is determined by constantly unfolding spaces that are impossible to define by the canonical -colonial tropes of the past.” (Tarik A. Smith Palimpsest)

A remarkable book that delights in sounding out the depths of the texts that it foregrounds, Thiefing Sugaris an elegant analysis of (potentially ambiguous) eroticism between women in the Caribbean. . . . [H]er contribution to and intervention in postcolonial and queer studies are most welcome.” (Vinay Swamy MLQ)

From the Back Cover
"Luscious, abundant and rich--those are apt words for "Thiefing Sugar," this captivating and lyrical exploration of what it meant in the twentieth century to be a Caribbean woman who loves women. Based on a well-chosen corpus of texts and lucid, in-depth analyses, the book is altogether a feast for the senses, a gift to us all!"--Gloria Wekker, Utrecht University, Netherlands

About the Author

Omise’eke Natasha Tinsley is Assistant Professor of English at the University of Minnesota.

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Jumat, 06 Maret 2015

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The French sociologist Pierre Bourdieu had a broader theoretical agenda than is generally acknowledged. Introducing this innovative collection of essays, Philip S. Gorski argues that Bourdieu's reputation as a theorist of social reproduction is the misleading result of his work's initial reception among Anglophone readers, who focused primarily on his mid-career thought. A broader view of his entire body of work reveals Bourdieu as a theorist of social transformation as well. Gorski maintains that Bourdieu was initially engaged with the question of social transformation and that the question of historical change not only never disappeared from his view, but re-emerged with great force at the end of his career.

The contributors to Bourdieu and Historical Analysis explore this expanded understanding of Bourdieu's thought and its potential contributions to analyses of large-scale social change and historical crisis. Their essays offer a primer on his concepts and methods and relate them to alternative approaches, including rational choice, Lacanian psychoanalysis, pragmatism, Latour's actor-network theory, and the "new" sociology of ideas. Several contributors examine Bourdieu's work on literature and sports. Others extend his thinking in new directions, applying it to nationalism and social policy. Taken together, the essays initiate an important conversation about Bourdieu's approach to sociohistorical change.

Contributors. Craig Calhoun, Charles Camic, Christophe Charle, Jacques Defrance, Mustafa Emirbayer, Ivan Ermakoff, Gil Eyal, Chad Alan Goldberg, Philip S. Gorski, Robert A. Nye, Erik Schneiderhan, Gisele Shapiro, George Steinmetz, David Swartz

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Kamis, 05 Maret 2015

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In 1964, Brazil’s democratically elected, left-wing government was ousted in a coup and replaced by a military junta. The Johnson administration quickly recognized the new government. The U.S. press and members of Congress were nearly unanimous in their support of the “revolution” and the coup leaders’ anticommunist agenda. Few Americans were aware of the human rights abuses perpetrated by Brazil’s new regime. By 1969, a small group of academics, clergy, Brazilian exiles, and political activists had begun to educate the American public about the violent repression in Brazil and mobilize opposition to the dictatorship. By 1974, most informed political activists in the United States associated the Brazilian government with its torture chambers. In We Cannot Remain Silent, James N. Green analyzes the U.S. grassroots activities against torture in Brazil, and the ways those efforts helped to create a new discourse about human-rights violations in Latin America. He explains how the campaign against Brazil’s dictatorship laid the groundwork for subsequent U.S. movements against human rights abuses in Chile, Uruguay, Argentina, and Central America.

Green interviewed many of the activists who educated journalists, government officials, and the public about the abuses taking place under the Brazilian dictatorship. Drawing on those interviews and archival research from Brazil and the United States, he describes the creation of a network of activists with international connections, the documentation of systematic torture and repression, and the cultivation of Congressional allies and the press. Those efforts helped to expose the terror of the dictatorship and undermine U.S. support for the regime. Against the background of the political and social changes of the 1960s and 1970s, Green tells the story of a decentralized, international grassroots movement that effectively challenged U.S. foreign policy.

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Scientists, activists, state officials, NGOs, and others increasingly claim to speak and act on behalf of “humanity.” The remarkable array of circumstances in which humanity is invoked testifies to the category’s universal purchase. Yet what exactly does it mean to govern, fight, and care in the name of humanity? In this timely collection, leading anthropologists and cultural critics grapple with that question, examining configurations of humanity in relation to biotechnologies, the natural environment, and humanitarianism and human rights. From the global pharmaceutical industry, to forest conservation, to international criminal tribunals, the domains they analyze highlight the diversity of spaces and scales at which humanity is articulated.

The editors argue that ideas about humanity find concrete expression in the governing work that operationalizes those ideas to produce order, prosperity, and security. As a site of governance, humanity appears as both an object of care and a source of anxiety. Assertions that humanity is being threatened, whether by environmental catastrophe or political upheaval, provide a justification for the elaboration of new governing techniques. At the same time, humanity itself is identified as a threat (to nature, to nation, to global peace) which governance must contain. These apparently contradictory understandings of the relation of threat to the category of humanity coexist and remain in tension, helping to maintain the dynamic co-production of governance and humanity.

Contributors. Arun Agrawal, Joao Biehl , Didier Fassin, Allen Feldman, Ilana Feldman, Rebecca Hardin, S. Lochann Jain, Liisa Malkki, Adriana Petryna, Miriam Ticktin, Richard Ashby Wilson, Charles Zerner

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Selasa, 03 Maret 2015

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Reckoning with Pinochet is the first comprehensive account of how Chile came to terms with General Augusto Pinochet’s legacy of human rights atrocities. An icon among Latin America’s “dirty war” dictators, Pinochet had ruled with extreme violence while building a loyal social base. Hero to some and criminal to others, the general cast a long shadow over Chile’s future. Steve J. Stern recounts the full history of Chile’s democratic reckoning, from the negotiations in 1989 to chart a post-dictatorship transition; through Pinochet’s arrest in London in 1998; the thirtieth anniversary, in 2003, of the coup that overthrew President Salvador Allende; and Pinochet’s death in 2006. He shows how transnational events and networks shaped Chile’s battles over memory, and how the Chilean case contributed to shifts in the world culture of human rights.

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