Senin, 10 Maret 2014

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Liberalization’s Children explores how youth and gender have become crucial sites for a contested cultural politics of globalization in India. Popular discourses draw a contrast between “midnight’s children,” who were rooted in post-independence Nehruvian developmentalism, and “liberalization’s children,” who are global in outlook and unapologetically consumerist. Moral panics about beauty pageants and the celebration of St. Valentine’s Day reflect ambivalence about the impact of an expanding commodity culture, especially on young women. By simply highlighting the triumph of consumerism, such discourses obscure more than they reveal. Through a careful analysis of “consumer citizenship,” Ritty A. Lukose argues that the breakdown of the Nehruvian vision connects with ongoing struggles over the meanings of public life and the cultural politics of belonging. Those struggles play out in the ascendancy of Hindu nationalism; reconfigurations of youthful, middle-class femininity; attempts by the middle class to alter understandings of citizenship; and assertions of new forms of masculinity by members of lower castes.

Moving beyond elite figurations of globalizing Indian youth, Lukose draws on ethnographic research to examine how non-elite college students in the southern state of Kerala mediate region, nation, and globe. Kerala sits at the crossroads of development and globalization. Held up as a model of left-inspired development, it has also been transformed through an extensive and largely non-elite transnational circulation of labor, money, and commodities to the Persian Gulf and elsewhere. Focusing on fashion, romance, student politics, and education, Lukose carefully tracks how gender, caste, and class, as well as colonial and postcolonial legacies of culture and power, affect how students navigate their roles as citizens and consumers. She explores how mass-mediation and an expanding commodity culture have differentially incorporated young people into the structures and aspirational logics of globalization.

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Minggu, 09 Maret 2014

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Focusing on Japan, France, and the United States, Christopher L. Hill reveals how the writing of national history in the late nineteenth century made the reshaping of the world by capitalism and the nation-state seem natural and inevitable. The three countries, occupying widely different positions in the world, faced similar ideological challenges stemming from the rapidly changing geopolitical order and from domestic political upheavals: the Meiji Restoration in Japan, the Civil War in the United States, and the establishment of the Third Republic in France. Through analysis that is both comparative and transnational, Hill shows that the representations of national history that emerged in response to these changes reflected rhetorical and narrative strategies shared across the globe.

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Sabtu, 08 Maret 2014

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In Darkening Mirrors, Stephanie Leigh Batiste examines how African Americans participated in U.S. cultural imperialism in Depression-era stage and screen performances. A population treated as second-class citizens at home imagined themselves as empowered, modern U.S. citizens and transnational actors in plays, operas, ballets, and films. Many of these productions, such as the 1938 hits Haiti and The "Swing" Mikado recruited large casts of unknown performers, involving the black community not only as spectators but also as participants. Performances of exoticism, orientalism, and primitivism are inevitably linked to issues of embodiment, including how bodies signify blackness as a cultural, racial, and global category. Whether enacting U.S. imperialism in westerns, dramas, dances, songs, jokes, or comedy sketches, African Americans maintained a national identity that registered a diasporic empowerment and resistance on the global stage. Boldly addressing the contradictions in these performances, Batiste challenges the simplistic notion that the oppressed cannot identify with oppressive modes of power and enact themselves as empowered subjects. Darkening Mirrors adds nuance and depth to the history of African American subject formation and stage and screen performance.

  • Sales Rank: #783332 in Books
  • Published on: 2012-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .90" w x 5.90" l, 1.30 pounds
  • Binding: Paperback
  • 352 pages

Review
"Darkening Mirrors is a powerful argument that during the 1930s, African American popular performers took part in U.S. imperial and nationalist projects even as they resisted the dominant culture's racism. In vivid, illuminating readings of films and stage shows—from The "Swing" Mikado and the Federal Theater Project's 'voodoo' Macbeth to Katherine Dunham’s concert ballet L'Ag'Ya—Stephanie Leigh Batiste makes her case stick, and she makes it sting. At the same time, she writes beautifully about how black Americans asserted the genius of African and Afro-diasporic arts on the national and transnational scene."—Joseph Roach, Yale University

"Darkening Mirrors is an important contribution to thinking about what has been, until now, an undertheorized subject: black Americans' complicity in imperialist discourse. Stephanie Leigh Batiste covers drama, film, and dance; analyzes texts that have received little critical attention; and brings the insights of postcolonial, critical race, performance, and theater studies to bear on complex issues of power, desire, imperialism, aesthetics, and racial solidarity. Her nuanced readings of Depression-era performances show not only how African Americans were implicated in the quest to solidify American imperialism and the colonization of the 'racial other,' but also how they rejected those same projects through performance practices including costume, set design, speech, movement, and music."—E. Patrick Johnson, author of Appropriating Blacknesss: Performance and the Politics of Authenticity

"In Darkening Mirrors, Stephanie Leigh Batiste rigorously explores black Americans' complicity in imperialist discourse at the height of the Depression era. She makes an important, enlivening contribution to a growing body of scholarship examining some of the more complicated and ambiguous political affiliations of black cultural producers of the nineteenth century and early twentieth. This is a tremendously provocative study."—Daphne Brooks, author of Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910

“What separates Batiste’s work from the existing literature is her ability to pinpoint how modern black film, theater, and dance performances repurposed normative gazes, racist imagery, and dominant narratives to relocate black identities from the margins to a reimagined center.... Batiste achieves an impressive balance....” (Marvin McAllister Journal of American History)

“Throughout, [Batiste’s] analysis is rich and meticulous, grounded in and facile at negotiating and nuancing the subtleties of racial and postcolonial theory. Indeed, by demonstrating the variety of ways that black performers in this period not only engaged but also expanded, refined, challenged, and subverted the meaning of blackness in American culture, Batiste’s book itself 'performs' important cultural work.” (Lori Duin Kelly Journal of American Culture)

“Darkening Mirrors provides insightful detailed critical commentary on theatricality and aesthetics as well as a wealth of details on the milieu and audience responses, with concentrated attention to issues related to empowerment and disempowerment. Batiste is especially strong in revealing the complicated duality for blacks in assuming the imperial culture and protesting against it.” (Sandra M. Mayo New Theatre Quarterly)

“Resisting simplification at every turn, Darkening Mirrors deftly describes the complicated negotiations Depression-era African-American performers entered into with the hopes of incorporating themselves within a national body…. Darkening Mirrors is a thoughtful and rigorous study of an underexamined era of black performance. Batiste’s book not only draws attention to an all-too-frequently neglected body of work, it also offers a theoretical corrective to the impulse to position black cultural workers as either heroes or villains.” (Soyica Diggs Colbert Theatre Research International)

“What makes Darkening Mirrors an important contribution to postcolonial studies, performance studies and area studies is that it strengthens our empirical understanding of black performance past and present so as to better theorize both temporalities. Batiste implicitly expands our understanding of the governmentalities that structure modernist artistic discourse in the twentieth century. In the end, Darkening Mirrors skilfully brings together the aesthetic and national to deepen our understanding of these operations.” (P. Khalil Saucier Interventions)

About the Author

Stephanie Leigh Batiste is a performance artist and Associate Professor of English and Black Studies at the University of California, Santa Barbara.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Book Review by Dennis Moore
By Gospel Gramma
*Stephanie Leigh Batiste, Associate Professor of English and Black Studies at the University of California, Santa Barbara, has written a thought provoking book and scholarly study on an under-theorized subject of black Americans' complicity in imperialist discourse; Darkening Mirrors: Imperial Representation In Depression-Era African American Performance.

As a performance artist at UCSB, Batiste is in a position to deliver this provocative study of the performances of Lena Horne, Bill "Bojangles" Robinson and Paul Robeson, and lesser known performers, and their social implications. She traces the black experience in theater through a turbulent period in our history to a point in time now better appreciated and understood.

In Darkening Mirrors, Batiste examines how African Americans, a population treated as second-class citizens at home, imagined themselves as empowered, modern U.S. citizens and transnational actors in Depression-era plays, operas, ballets, and films. Many of these productions, such as the 1938 hits Haiti and The "Swing" Mikado, recruited unknown performers, involving the black community not only as participants but also as spectators. Performances of exoticism, orientalism, and primitivism are linked to issues of embodiment, including how bodies signify blackness as a cultural, racial, and global category. Whether enacting U.S. imperialism in westerns, dramas, dances, songs, or comedy sketches, African Americans maintained a national identity that registered a diasporic empowerment and resistance on the global stage. This message, this story that Batiste attempts to convey in her well researched and documented book, comes through vividly in the included photos and announcement of Lena Horne and Bill "Bojangles" Robinson in the classic, Stormy Weather.

Read more at [...]

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Despite a shared interest in using borders to explore the paradoxes of state-making and national histories, historians of the U.S.-Canada border region and those focused on the U.S.-Mexico borderlands have generally worked in isolation from one another. A timely and important addition to borderlands history, Bridging National Borders in North America initiates a conversation between scholars of the continent’s northern and southern borderlands. The historians in this collection examine borderlands events and phenomena from the mid-nineteenth century through the mid-twentieth. Some consider the U.S.-Canada border, others concentrate on the U.S.-Mexico border, and still others take both regions into account.

The contributors engage topics such as how mixed-race groups living on the peripheries of national societies dealt with the creation of borders in the nineteenth century, how medical inspections and public-health knowledge came to be used to differentiate among bodies, and how practices designed to channel livestock and prevent cattle smuggling became the model for regulating the movement of narcotics and undocumented people. They explore the ways that U.S. immigration authorities mediated between the desires for unimpeded boundary-crossings for day laborers, tourists, casual visitors, and businessmen, and the restrictions imposed by measures such as the Chinese Exclusion Act of 1882 and the 1924 Immigration Act. Turning to the realm of culture, they analyze the history of tourist travel to Mexico from the United States and depictions of the borderlands in early-twentieth-century Hollywood movies. The concluding essay suggests that historians have obscured non-national forms of territoriality and community that preceded the creation of national borders and sometimes persisted afterwards. This collection signals new directions for continental dialogue about issues such as state-building, national expansion, territoriality, and migration.

Contributors: Dominique Brégent-Heald, Catherine Cocks, Andrea Geiger, Miguel Ángel González Quiroga, Andrew R. Graybill, Michel Hogue, Benjamin H. Johnson, S. Deborah Kang, Carolyn Podruchny, Bethel Saler, Jennifer Seltz, Rachel St. John, Lissa Wadewitz

Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.

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Rabu, 05 Maret 2014

** Download PDF The Structure of World History: From Modes of Production to Modes of Exchange, by Kojin Karatani

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The Structure of World History: From Modes of Production to Modes of Exchange, by Kojin Karatani

In this major, paradigm-shifting work, Kojin Karatani systematically re-reads Marx's version of world history, shifting the focus of critique from modes of production to modes of exchange. Karatani seeks to understand both Capital-Nation-State, the interlocking system that is the dominant form of modern global society, and the possibilities for superseding it. In The Structure of World History, he traces different modes of exchange, including the pooling of resources that characterizes nomadic tribes, the gift exchange systems developed after the adoption of fixed-settlement agriculture, the exchange of obedience for protection that arises with the emergence of the state, the commodity exchanges that characterize capitalism, and, finally, a future mode of exchange based on the return of gift exchange, albeit modified for the contemporary moment. He argues that this final stage—marking the overcoming of capital, nation, and state—is best understood in light of Kant's writings on eternal peace. The Structure of World History is in many ways the capstone of Karatani's brilliant career, yet it also signals new directions in his thought.

  • Sales Rank: #784506 in Books
  • Published on: 2014-03-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.06" h x .81" w x 6.05" l, 1.12 pounds
  • Binding: Paperback
  • 376 pages

Review
"Kojin Karatani's monumental and provocative synthesis testifies to a dramatic rebirth of universal history in recent times; but it does so by reuniting traditions—economics, politics, the social imaginary—which have proved increasingly sterile developed separately. His proposal involves a Borromean knot in which the three distinct areas of Capital, the Nation, and the State are both distinguished from each other and structurally recombined in their historical moments. His rereading of the Marxian modes of production (Marx's theory of universal history) in terms of modes of exchange is heretical and revisionist, but also profoundly critical of both the anarchism and the social democracy it would seem to express. His discussion of nation and world empire replaces any number of globalization debates within a transformative or revolutionary framework. His luminous study of Marx's own work and politics then casts a whole new light on Hegel and Kant; and indeed the history of philosophy is as much at stake here as the histories of nationalism or anticapitalist movements. Finally, Karatani's own practical and theoretical experience of the cooperative moment opens up political perspectives which will be politically suggestive and energizing at a moment when left politics seems universally out of breath." (Fredric Jameson, author of Postmodernism, or, The Cultural Logic of Late Capitalism)

"Kojin Karatani is one of the most creative and important thinkers of the early twenty-first century." (David Graeber, author of The Democracy Project: A History, a Crisis, a Movement)

"Kojin Karatani's last great work, Transcritique: On Kant and Marx, set off a chain of theoretical explosions, Slavoj Žižek’s The Parallax View not least among them. This latest book returns to the Borromean knot of Capital-Nation-State from a rotated perspective; privileging modes of exchange over modes of production, it is a revolutionary rethinking of the historical emergence of that triadic structure and its various transformations. The 'Karatani-turn' will no doubt re-start serious debate about the form and future of capitalism." (Joan Copjec, author of Imagine There's No Woman: Ethics and Sublimation)

“In place of a singular conception of development, Karatani envisions a truly world-historical perspective. Moreover, his unique approach to world history demonstrates the value of establishing a more constructive dialogue between philosophy, anthropology, sociology, economics and historical studies.” (Yamoi Pham Journal of World Systems Theory)

“The Structure of World History is a must-read for anybody who is interested in a universal master narrative being in search not only for power of resistance against this system but also for possible ways ‘to transcend the capitalist social formation from within’ (p. 291).” (Steffi Richter H-Asia, H-Net Reviews)

“Well argued, and with a highly approachable translation by Michael Bourdaghs, this work is both an excellent entry point for those unfamiliar with Karatani’s previous work, and an excellent continuation of the themes he has previously explored. By providing such an ambitious and innovative work, Karatani offers much to the fields of anthropology, sociology and historical study, as well as a starting point for theorists interested in the concept of mode D and the promises it contains.” (Wesley R. Bishop Capital & Class 2016-02-01)

About the Author

Kojin Karatani is an internationally renowned theorist and philosopher. Previously, he was a professor at Hosei University in Tokyo, Kinki University in Osaka, and Columbia University. Among the dozens of books that he has written in Japanese, four have been translated into English: History and Repetition; Transcritique: Kant and Marx; Architecture as Metaphor: Language, Number, Money; and Origins of Modern Japanese Literature, which is also published by Duke University Press.

Most helpful customer reviews

37 of 39 people found the following review helpful.
Between Marx and Anthropology
By Etienne RP
There is a tradition of contemporary Japanese philosophers drawing from anthropology (the names of Shinichi Nakazawa and Akira Asada come to mind). There is also a Japanese tradition of philosophical re-readings of Marx (with Kozo Uno or Makoto Itoh). I am interested in the first tradition. I regard the second as negligible. In The Structure of World History, Kojin Karatani combines the two approaches. He offers a broad synthesis on the origins of the state, the market, and the national community, based on the works of classical anthropologists. And he provides a close reading of Marx's texts in order to construct his own philosophical system, encompassing the whole of human history. I found the first part based on anthropology most valuable. I only skipped through the second part. Below are a few reading notes and commentary intended to provided a cursory reading of Karatani's book.

Marx, like Comte and Hegel before him, saw the history of the human race as neatly divided into historical phases. He identified five such phases: the primitive horde, Asiatic despotism, the ancient classic state, Germanic feudalism, and the modern state under capitalism. The principle of that division was to be found in modes of production and the type of labor relations they generated. The stateless clan society was characterized by primitive communism: there was no private property, and goods were shared among all members of the clan. It was followed by the Asiatic mode of production in which the despotic king owned everything and his subjects nothing. Then came the Greek and Roman slavery system giving power to a minority of citizens, followed by the Germanic feudal system with its relations of allegiance and serfdom, and modern bourgeois capitalism characterized by the opposition between capital and labor. Thus Marx famously proclaimed that all history was the history of class struggle, and that it necessarily tended towards the advent of communism, in which class would disappear and the state would wither away.

Other authors, mainly inspired by Marx, offered their own classification of social formations. To the five modes of production identified by Marx, Samir Amin added two others: the trade-based social system seen in various Arab countries, and the social formation based on the "simple petty-commodity" mode of production seen in seventeenth-century Britain. Building his own theory of world systems, Immanuel Wallerstein described a succession from mini-systems that preceded the rise of the state, to world empires that were ruled by a single state, and then world-economies in which multiple states engaged in competition without being unified politically. The modern world system of global capitalism itself went through the successive stages of mercantilism, liberalism, and imperialism, each dominated by a single hegemonic power: first Holland, then Britain, and then the United States.

Yet other thinkers identified various stages of development by the dominant world commodity or technology: the wool industry in the stage of mercantilism, the textile industry in liberalism, heavy industries in imperialism, and durable consumer goods such as automobiles and electronics in the stage of capitalism. Our present times may witness the rise of a new stage in which information serves as the world commodity. Still for others, each historical phase is characterized by the dominant mode of energy supply: from biomass and wood to windmills and hydropower and then to coal and steam, then electricity and the oil engine, followed by gas turbines and nuclear power or renewable energies. These periodicizations are only variants of a dominant scheme that locates the crux of world history in the realm of production.

While offering his own teleology based on modes of exchange as opposed to modes of production, Karatani introduces variants and correctives in these classifications in order to paint a more complex picture of world history. For instance, he argues that societies existed in the form of nomadic bands before the rise of clan society, and that the real turning point came with the adoption of fixed settlements, with its accompanying institutions of property, religious rituals, and political coercion. Contrary to the standard view of the Neolithic revolution that associates sedentarization with agriculture, he argues that fixed settlements preceded the appearance of agriculture, and first took the form of fishing villages located at the mouth of rivers and trade routes. Stockpiling was first made possible through the technology for smoking fish, not piling grain or herding livestock. Nomadic tribes on one side, and clan societies on the other, engaged in different modes of exchange and redistribution: pooling of resources and "primitive communism" for the first, and the logic of the gift and the forms of trade described by classical anthropologists for the second. Along with Pierre Clastres and Marshall Sahlins, he agrees that primitive societies were "societies against the state", and actively resisted the concentration of power through warfare and reciprocity of exchange.

Karatani also develops a more nuanced picture of the Asiatic state, considered by Hegel and Marx as well as by Karl Wittfogel as the symbol of despotism. Contrary to the vision of tyranny and oppression, he argues that the Asiatic social contract was based on a form of redistribution. People were not simply coerced: they voluntarily undertook to work for the sake of their king-priest, driven by religious beliefs and the offer for protection. State power is based on a specific mode of exchange, distinct from the first mode based on the reciprocity of the gift. Drawing resources from large-scale irrigation systems, the Asiatic state developed the first bureaucracies, created the first permanent standing armies, and organized long-distant trade with other communities. Through his bureaucrats, the despot was expected to rule, administer, show concern for, and take care of its subjects. It was not the Asiatic community that gave birth to the Asiatic despotic state; to the contrary, it was only after the establishment of a centralized state that a new community would emerge.

Karatani also offers a revision of our understanding of Greek and Roman antiquity. As he demonstrates, political theories and philosophy did not first emerge in the Greek polis, as is sometimes alleged. The formation of Asiatic states was associated with intense philosophical debates, as in the Warring States period in China which saw the emergence of the Hundred Schools of Thought. This is because the appearance of the state required a breaking with the traditions that had existed since clan society. Greece and Rome existed at the periphery of Asian empires and retained many aspects of clan societies. Rome in the end did become a vast empire, but that was due if anything to its adoption of the Asiatic imperial system, which survived the fall of Rome with the Byzantine dynasty and then the Islamic empires. For this reason, historians should regard the despotic state that emerged in Asia not simply as a primitive early stage, but rather as the entity that perfected the supranational state (or empire). Likewise, they should regard Athens and Rome not as the wellspring of Western civilization, but as incomplete social formations that developed at the submargins of Asian empires. Drawing from Karl Wittfogel, Karatani sees a subtle dialectics between civilizations-empires at the core, vassal states at the margins, independent polities at the submargin, and out-of-sphere communities that retained their nomadic lifestyle.

Moving to his third mode of exchange, based on money and commodities, Karatani enters classic Marxian terrain, and offers vintage Marx analysis. That is where he kind of lost me, and my reading of this part is wholly incomplete. Drawing from the classic formulas M-C-M' and M-M', he argues that the world created by this third mode of exchange is fundamentally a world of credit and speculation, and that it still needs the backing of the first mode (based on reciprocity) and the second mode (drawing from the social contract offered by the state) in order to sustain itself. My attention also lapsed during his discussions on world money, world commodities, and world systems à la Wallerstein. It was only revived when he described the different schools of socialist thinking, seeing great commonality between Proudhon and Marx as well as with the Young Hegelians who first developed a theory of alienation of the individual through a critique of religion, state power, and capital.

Karatani then introduces his fourth mode of exchange, labelled mode D, which marks the attempt to restore the reciprocal community of mode A on top of the market economy of mode C, and without the state structure of mode B. Although this mode of exchange is an ideal form that never existed in actuality, it manifested itself in the form of universal religions and expressed the "return of the repressed" of the primitive community's mode of reciprocal exchange in a higher dimension. His analysis sometimes borders on the bizarre, as when he warns of a looming ecological catastrophe and generalized warfare that may take humanity back to the stage of the nomadic tribe. His description of Kant as a closet socialist advocating the disappearance of the state and of capital also seems far-fetched. But it is his reading of Marx and Hegel through Kant that may provide the greatest food for thought to modern philosophers such as Slavoj Zizek, who quotes Karatani eloquently in his books. Based on solid anthropological data and a re-reading of Marx's classic texts, Karatani's work may generate a thousand theoretical explosions, placing the construction of world history systems back at the heart of the philosophical agenda.

9 of 11 people found the following review helpful.
A new conceptual tour de force to dymystify human history
By Hubert Shea
This book covers a conceptual tour de force to dymystify vicissitudes of the history of social formations between the era of the nomadic hunters-gatherers and the twentieth-first century. Karatani utilizes four modes of exchanges, including reciprocity, plunder and redistribution, commodity exchange, and return of reciprocity in a higher dimension, to offer a more comprehensive and vivid explication of why and how the borromean knot of state, nation, and capital has impinged on the historical evolution of social formations.

In a nutshell, this book brings unique values to the study of human history with an amazing bit of certain prescience in the demonstration of the world system beyond capitalism. Unlike Francis Fukuyama’s “end of history” hypothesis, Karatani concludes that communism is not necessary an oxymoron since the last phrase of human history is a “return of the repressed” in which social formation will be tantamount to restoration of the reciprocal mode in the ancient world but in a higher dimension. Karatani neither adopts nor supports a lineal view on human history and he pithily synthesizes a vast amount of Marxist, Hegelian, and Kantian literature to reconstruct the salient features of world history which are both cyclical and oblique. He further argues that the modes of production as adopted by Marx to adumbrate human history have demonstrated huge deficiency lest nation and state, as part of the ideological superstructure, are not taken into account succinctly by Marx.

This book is impressive, comprehensive, and well-written with very unique and well-argued point of view. It advances our new understanding of the structure of world history as well as the likely trajectory of ongoing transformation – or not - of social formation in the twentieth-first century.

0 of 3 people found the following review helpful.
Four Stars
By jgrompone
An interesting point of view from a new-Marxist economist.

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Selasa, 04 Maret 2014

? Get Free Ebook New Languages of the State: Indigenous Resurgence and the Politics of Knowledge in Bolivia (Narrating Native Histories), by Bret Gustafson

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During the mid-1990s, a bilingual intercultural education initiative was launched to promote the introduction of indigenous languages alongside Spanish in public elementary schools in Bolivia’s indigenous regions. Bret Gustafson spent fourteen years studying and working in southeastern Bolivia with the Guarani, who were at the vanguard of the movement for bilingual education. Drawing on his collaborative work with indigenous organizations and bilingual-education activists as well as more traditional ethnographic research, Gustafson traces two decades of indigenous resurgence and education politics in Bolivia, from the 1980s through the election of Evo Morales in 2005. Bilingual education was a component of education reform linked to foreign-aid development mandates, and foreign aid workers figure in New Languages of the State, as do teachers and their unions, transnational intellectual networks, and assertive indigenous political and intellectual movements across the Andes.

Gustafson shows that bilingual education is an issue that extends far beyond the classroom. Public schools are at the center of a broader battle over territory, power, and knowledge as indigenous movements across Latin America actively defend their languages and knowledge systems. In attempting to decolonize nation-states, the indigenous movements are challenging deep-rooted colonial racism and neoliberal reforms intended to mold public education to serve the market. Meanwhile, market reformers nominally embrace cultural pluralism while implementing political and economic policies that exacerbate inequality. Juxtaposing Guarani life, language, and activism with intimate portraits of reform politics among academics, bureaucrats, and others in and beyond La Paz, Gustafson illuminates the issues, strategic dilemmas, and imperfect alliances behind bilingual intercultural education.

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Sabtu, 01 Maret 2014

> Download PDF Over There: Living with the U.S. Military Empire from World War Two to the Present, by Maria Höhn

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Over There: Living with the U.S. Military Empire from World War Two to the Present, by Maria Höhn

Over There: Living with the U.S. Military Empire from World War Two to the Present, by Maria Höhn



Over There: Living with the U.S. Military Empire from World War Two to the Present, by Maria Höhn

Download PDF Over There: Living with the U.S. Military Empire from World War Two to the Present, by Maria Höhn

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Over There: Living with the U.S. Military Empire from World War Two to the Present, by Maria Höhn

Over There explores the social impact of America’s global network of more than 700 military bases. It does so by examining interactions between U.S. soldiers and members of host communities in the three locations—South Korea, Japan and Okinawa, and West Germany—where more than-two thirds of American overseas bases and troops have been concentrated for the past six decades. The essays in this collection highlight the role of cultural and racial assumptions in the maintenance of the American military base system, and the ways that civil-military relations play out locally. Describing how political, spatial, and social arrangements shape relations between American garrisons and surrounding communities, they emphasize such factors as whether military bases are located in democratic nations or in authoritarian countries where cooperation with dictatorial regimes fuels resentment; whether bases are integrated into neighboring communities or isolated and surrounded by “camp towns” wholly dependent on their business; and whether the United States sends single soldiers without families on one-year tours of duty or soldiers who bring their families and serve longer tours. Analyzing the implications of these and other situations, the contributors address U.S. military–regulated relations between GIs and local women; the roles of American women, including military wives, abroad; local resistance to the U.S. military presence; and racism, sexism, and homophobia within the U.S. military. Over There is an essential examination of the American military as a global and transnational phenomenon.

Contributors
Donna Alvah
Chris Ames
Jeff Bennett
Maria Höhn
Seungsook Moon
Christopher Nelson
Robin Riley
Michiko Takeuchi

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